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About Deborah Cooke

I write romance novels, including medieval romances as Claire Delacroix, and contemporary and paranormal romances as Deborah Cooke. I also am an avid knitter and sewist.

Finishing the Jumping Jax Flash Quilt

Jumping Jax Flash quilt designed by Judy Niemeyer

One more quilt has made its way to the shop with the long arm quilting machine and come home to be finished. This is Jumping Jax Flash, a Judy Neidemeyer design that I pieced at least twenty years ago.

Here’s the pattern envelope at right – the pattern is discontinued. This link will take you to the Quiltworx page for this design. There are still some paper copies of the pattern around – I found one at Etsy and one in a US quilt store when I was looking for an image. If you want to make one, you can find the pattern!

Obviously, I made mine bigger, with 25 blocks instead of 12. I’m not sure whether I bought more paper piecing templates, or whether I traced them out myself. It’s been a loooooooong time since this one was pieced!

Here’s what it looked like when it went to the shop. Lots and lots of paper piecing for this one.

Jumping Jack Flash quilt by Judy Neidemeyer pieced by Deborah Cooke

I’m so chuffed that this one is finally finished. Here it is now – yes, another kitchen shot because the snow just keeps on coming.

Jumping Jax Flash quilt designed by Judy Niemeyer and made by Deborah Cooke

As you can see, I inverted the colours for five squares, giving them black stars instead of black backgrounds. Four have green backgrounds and the central one has a peach background. I wanted it to be a focal point, that looked illuminated compared to the others. I’m not sure that was successful, but it is what it is at this point. I am glad that I broke up the rhythm of the colours a bit.

Jumping Jax Flash quilt designed by Judy Niemeyer and made by Deborah Cooke

I don’t have the highest level of restraint with colours and fabric selection, and this quilt proves it. There’s a lot of range in my definition of peach/orange and even more in my definition of turquoise. The blacks are pretty consistent (esp for me.) The smaller stars are all half-yellow, although the intensity of the yellow varies greatly, and the second colour in each one, which started out as a bright, ended up becoming just about anything not-solid-yellow.

Jumping Jax Flash quilt designed by Judy Niemeyer and made by Deborah Cooke

The other day, I told you how I’d already sewn on the prairie points and wasn’t sure how the binding would work out. In the end, I sewed on the binding just the way I always would, but instead of enclosing the seam allowance, I pressed the binding flat on the back. It’s more of a facing than a binding, though it’s doing the same thing. That peach French shirting (that I used for the bias binding) has a woven windowpane design and I did use it on the top, so it brings it all together. I might even have enough of it left for a short-sleeved shirt.

The machine quilting is in a meander pattern. Though it looks like white thread here, it’s actually a peachy pink that coordinates quite well. I decided against adding more quilting, as the binding is sewn down almost halfway through that unquilted border.

I’m SO excited to have this one finally finished!

And now, of course, I’m thinking about what’s next. I have unfinished projects calling my name but am still tempted by this Judy Niemeyer pattern. It’s called Crimson Poppy and that link will take you to the pattern page at Quiltworx.

Crimson Poppy quilt design by Judy Niemeyer Quiltworx

Hmm. Not just paper piecing but curvy bits. I may have to hunt down a workshop for this one, as I’m not sure how you (I) would even begin to choose fabrics for it.

The Moonglow Quilt is Done!

Last week, I picked up two more finished quilts at the longarm quilting place. They both needed their edges bound, of course. For both quilts, I chose a meander quilting pattern and it proved to be the perfect choice. 🙂 It’s always so exciting to get a quilt back and have it almost finished. I end up trimming the edges right away.

For this one, I had the fabric for the bias tape already. I had it cut up and sewn onto the front of the quilt by the next morning. I’ve been handstitching it to the back ever since. It’s motivating to have a quilt almost done!

I meant to show you this Friday, but it was raining when I finished the binding on Tuesday. My plan was to take it outside then photograph it on the driveway, but no joy. Rain, rain, rain, and then Friday, the snow started. So, we get kitchen pix instead.

Here’s my finished Moonglow quilt.

Moonglow quilt made by Deborah Cooke

My first thought was that the binding could be black, but I thought that was a bit of a predictable choice. Instead, I chose this purple print and kept it very narrow. The backing is a black print with purple.

Moonglow quilt made by Deborah Cooke

I really like how this one came out.

There are a number of posts about piecing this one, which was a kit from Jinny Beyer. I began to piece it in April 2020, apparently.

Moonglow Quilt I

Moonglow Blocks

More Moonglow Blocks

Finishing the Moonglow Quilt Top

The other quilt that’s home to have its edges bound is my Jumping Jax Flash quilt, which has an edge that needs a bit of thought. Because I put prairie points on the outer edge, I asked them to leave the coral border unquilted. So, I’ll need to figure out a binding, then maybe add a bit more quilting myself to finish it up. As my friend, Terri, said, it will have more of a facing than a binding.

Here it is unquilted to show you what I mean.

Jumping Jax Flash quilt pieced by Deborah Cooke

It also has a bit of a ripple around the outer edge, as I added this coral border before I realized that strips cut crosswise will stretch a bit when sewn. Hmm. This one needs a plan – but first, I need to check in the attic to see if I have any of those fabrics still in my stash!

It has so many fabrics that it wouldn’t really matter if I used a new one for the border, but it would be more satisfying to use one that’s already in the quilt. There’s a coral French shirting that I think it in the stash – I just used a bit of it in the points, because I was planning to make myself a shirt with the rest, so I’m thinking there’s 1.5m or so stashed away.

Radiant New York Beauties

Radiant New York Beauties by Valori Wells

The other book I found on my shelf this week was Valori Wells’ Radiant New York Beauties.

Here’s an Amazon.ca buy link.

Here’s a buy link at C&T publishing.

And here is Valori Wells website.

I like her use of stripes and plaids, and also her playful freeform quilting. It’s a joyous little book. 🙂

Carnival Beauty is the quilt on the cover, although that only shows part of it. Here’s a picture from inside the book that I took:

Carnival Beauty by Valori Wells

I like that there’s a kind of a gradient in her quilt top, with the bottom being darker than the top, although I didn’t manage to accomplish that myself.

I was very excited to realize how much I’ve finished on my quilt top. Here’s my progress so far:

Deborah Cooke's Radiant New York Beauty quilt top

You can see that I need three more little suns to finish the top in this layout. Looking at this photo, I have a feeling that I was going to move that top yellow sun up half a row so it didn’t line up with the pink one so well (they’re not sewn together yet) then add more little suns around it. (That would also explain why there are two more blue background squares cut.)

Clearly, I prefer my suns being whole. 🙂 I added rick-rack around a few of them (to make them more radiant) and that’s fun, too. In the project stash, there is also some trim with mini pom-poms, so that might end up in the finished top. (Maybe around the border. Hmm.) I really like it so far and am pleased with the fussy-cutting and piecing.

This one also requires me to dig back into the stash and search for fabrics to finish up this top. Sounds like a trip to the attic is on the agenda for this weekend! This top is an exciting find as it’s almost done, and the size means I’ll be able to quilt it myself. I’m also excited that many Kaffe Fassett yarn-dyed stripes are available again, so I’ll be able to add some of them into those little suns that need making.

Tomorrow, we’ll have a look at a finished quilt. 🙂

Cinco de Mayo – designed by Karen K. Stone

Yesterday, we talked about quilting inspiration and two unfinished projects in my stash. Here’s the first one.

Karen K. Stone Quilts

This book is Karen K. Stone Quilts and the quilt on the cover is called Cinco de Mayo. There are 36 quarter circle blocks, all with different paper piecing combinations.

Here is Karen’s website. It looks like she teaches workshops about making this quilt.

I couldn’t find a good picture of the complete quilt, so I took a picture of that page in my copy of the book.

Have a look.

Cinco de Mayo by Karen K Stone

One thing I like about the book is that she shows you each group of four blocks in detail, both with a picture of each and a line drawing of the component pieces. There are (of course) pattern templates included in the book, too.

Cinco de Mayo by Karen K Stone - book details on construction

And here are my blocks so far.

My progress on my Cinco de Mayo designed by Karen K Stone

LOL. I remembered that I worked on it for AGES, but I only have four completed blocks!

After I took this picture, I realized I had sewn them together incorrectly. I picked them apart again. I didn’t start at the top left corner – these are blocks 3E, 3F, 4E and 4F. They should be rotated and positioned like this:

My first Cinco de Mayo blocks, designed by Karen K Stone

I did this mock-up digitally, which is why the carpet shows through in some places. A couple of these blocks can be swapped with others in the design, so I didn’t sew them together again yet. I see that I’ve used a turquoise print as the outside/background on all four of these blocks, so they shouldn’t be clustered together like this.

I will need to do is reassemble my stash for the project. One thing Karen teaches in her workshop is choosing a palette, then gathering fabrics that fit in each specific colourway – like that shade of turquoise, or the black with a floral print. They have to be pretty close in tone within the group, regardless of the pattern, to make the quilt cohere. (Although I will almost certainly stray too far, since chaos is how I roll.)

For this quilt design, she chose 11 colour groups. I’m using 8. I remember having trouble finding more of the particular bright yellow I used. Once your palette is gathered, you use at least one fabric from each chosen color in each block. I even kept track of what I used where in a chart – this was her suggestion to ensure that you use the colours throughout the blocks (instead of always using the turquoise for the background. I left the background off the chart, but that’s fixed now.)

You can see the palette pulling together a bit better in the quilt I made in her workshop because it used fewer colours and because you’re seeing 30 blocks together in this image. Each block has a bit of yellow and a bit of that red purple, a bit of indigo, etc. Even though the blocks are different, the whole comes together. I chose the gradient fabric for the inner border because it had both the yellow and the red-purple.

New York Beauty quilt pieced by Deborah Cooke

I need to get that one back on the quilting frame and finished up. I started the hand quilting and have done maybe 20% of it.

I still have the index card with swatches for the colours I chose for my Cinco de Mayo quilt. I’ll go through my stash and look for matches, maybe need to shop (for more yellow) then concentrate on finishing this quilt before dispersing the stash again.

In the meantime, I found another quilt top in the UFO stash that is much closer to completion. We’ll look at that one tomorrow.

Quilting Inspiration

Last weekend, I picked up two of my quilts from the long arm quilting place. I’m binding their outer edges now and will show them to you when they’re done.

New York Beauties and Flying Geese by Carl Hentsch

In the meantime, I’m already thinking about what to quilt next. 🙂

Here’s the book that’s teasing me right now: New York Beauties and Flying Geese by Carl Hentsch.

Here’s a buy link at C&T Publishing

Here’s an Amazon.ca buy link

And here is Carl Hentsch’s website.

I particularly love this design included in the book, which is called Pandemonium.

Pandemonium by Carl Hentsch

Isn’t that gorgeous? I’m currently on the hunt for a fat quarter pack of Kaffe Fassett shot cottons, including 36 colourways. That’s what he used in the rainbow sections, but it looks like they’ll be tough to find. (I could build my own spectrum of fat quarters, but I do love KF’s shot cottons. I’ll look for them first.)

In the meantime, in the spirit of finish-itis, I revisited my unfinished projects. Actually, putting this book on my shelf reminded me of several other books I have. I found two different paper piecing projects which are incomplete.

Karen K. Stone Quilts

First up, this one. A number of years ago, I attended a workshop with Karen K. Stone. The quilt I pieced there is still being handquilted (it was New York Beauty, from her pattern sold at the workshop), but I subsequently bought this book of hers – Karen K. Stone Quilts.

The quilt on the cover is called Cinco de Mayo and it is stupendously gorgeous. There are 36 quarter circle blocks, all with different paper piecing combinations.

This book is tougher to find since it’s from 2004. The AMZ link is for used copies at crazy prices, so you might have better luck at a used bookstore.

Here is Karen’s website. It looks like she teaches workshops about making this quilt.

I started a Cinco de Mayo of my own and dug it out to see where I’m at. I’ll show you its current state progress tomorrow.

Radiant New York Beauties by Valori Wells

The other book I found on my shelf was Valori Wells’ Radiant New York Beauties.

Here’s an Amazon.ca buy link.

Here’s a buy link at C&T publishing.

And here is Valori Wells website.

What’s fun about this book is that she uses stripes and plaids (lots of Kaffe Fassett yarn dyed stripes and plaids here!), and that she sometimes changes the central circle to an oval.

Her free motion quilting patterns are also fun. Lots of swirls and leaves, all the better to inspire me to get better at free motion quilting.

The pattern I found particularly inspiring is called Carnival Beauty. It’s the one on the cover, although that only shows part of it. I can’t find a picture of the complete quilt online, so will take a pic from my book when I show you my progress.

Tomorrow, we’ll look at my progress on Cinco de Mayo…

Witch Hare Kit

A bit ago, I treated myself to a knitting kit and it arrived yesterday. It’s from Virtual Yarns and is the Witch Hare kit, for mittens and a hat. You can see it on their website, right here. Virtual Yarns is Alice Starmore and Jade Starmore’s company, featuring many patterns, books and yarns designed by Alice and Jade. There’s some wonderful eye candy on their website, so treat yourself to a few minutes of browsing.

Here are the pattern cards in the kit. They really are lovely, full colour on sturdy stock. (Apologies for the flash!)

Virtual Yarns Witch Hare kit - patterns

I like this design, especially the mittens, and I was curious about the Virtual Yarns tweeds. A kit seemed a good way to check them out.

Here are the yarns in the kit. They look scrumptious.

Virtual Yarns Witch Hare kit - yarns

And here are the patterns on Ravelry, in case you want to check out some other projects. They’re listed separately – first the mittens, then the hat.

The plan is to make the set once as the kit instructs, then possibly make the mittens again with another yarn (what yarn?) held double with KSH. The ones by the kit might get a KSH lining. We’ll see. Lovely yarn, though. I can’t wait to see how it knits up.

Chullo Hats

Here’s another UFO found in that stash – an unfinished chullo hat.

chullo hat knit by Deborah Cooke in Knitpicks Palette

This hat is knit of Knitpicks Palette and was a kit. Here’s the Rav page for the Andean Chullo Hat pattern, which is still available. Here it is at Knitpicks. The kit, which isn’t available any longer, came with several balls of Palette – I’m thinking maybe 8 colours. Palette is a fingering weight wool, which comes in a lot of colours.

I remember the pattern being a bit of fun, as there were numerous motifs that you could place on any of the sections and knit in any combination of the colours to make your hat your own. Have a peek at the projects on Rav to see the many variations. Of course, I had to march the llamas around the hat, though they might have shown up better if I’d knit them in the white in the kit. It’s also possible I mucked up the decreases at the crown because the circumference does diminish very quickly. (?)

This hat stalled without the tassels, partly because of the chullo hat shown below. I didn’t knit this one – I bought it at the Mountain Equipment Co-op a billion years ago (give or take). (In the 90s there were a lot of South American knits available for sale.)

South American chullo hat from the Mountain Equipment Coop

It’s knit of a yarn that seems a lot like Lopi Alafoss – but its special magic is that it’s lined with polar fleece. The mister grabs this hat whenever it’s really cold.

inside of South American chullo hat bought at the Mountain Equipment Coop

I meant to do the same with my chullo hat, but was stymied as to what shape to cut the pieces for the crown. Now I realize that the creator of this hat avoided that challenge by only lining the main part of the hat and the flaps. I’ll do that with mine.

We also have a couple of chullo hats from one of the mister’s trips to South America. He hiked the Inca Trail back in the day (to end up at Machu Picchu at dawn) and it was so cold that he bought two hats from the local knitters. Both are chullos. He wore this navy one.

South American chullo hat

He bought this second hat just because, and I’m glad he did. It’s so beautiful.

South American chullo hat

The wool is so fine, it’s almost thread. Look at the detail.

detail of South American chullo hat

Someone had a very fine set of needles! I love that the colour placement is apparently random. It’s such a lovely piece of work – and very inspiring.

And here, finally, is my own lined and finished chullo.

chullo hat knit by Deborah Cooke in Knitpicks Palette

Another Bag Finished

I found this bag partly completed in a stash of WIPs. The pattern is Sipalu and I knit it in Patons SWS. (That’s Soy Wool Stripes in the red mix and Soy Wool Solids in the solid red. I used another yarn with the same content for the solid black, Gjestal Garn Bris. I suspect that yarn is discounted. The SWS is.)

Sipalu Bag by Kerin Dimeler-Laurence knit in Patons SWS by Deborah Cooke

My Ravelry project page says I knit it in 2011 and finished it in 2013 – but that, alas, is not entirely true. It was completed this far – as above – but the lining pieces were only cut out and unassembled. They were stashed away with it.

Here’s my original blog post about it.

I added piping to the interior of the red bands and you can see them in the picture above. That one is a before-felting picture – the one below is after felting. That button is a porcelain one from a local maker and I just love it.

Sipalu Bag by Kerin Dimeler-Laurence knit in Patons SWS by Deborah Cooke

So, the lining. I suspect I put this aside because the construction of the zippered edge was a little complicated. I had assembled the lining for the body and put a pocket on it already.

Base of Sipalu bag knit by Deborah Cooke in Patons SWS

I’d also secured a plastic base in the bottom with some purse feet. Ikea makes these thin ones that come in packs of two, and you can cut them to size with a utility knife. The colours change with each new batch, but I always have a few in my materials stash.

Now that tricky bit. The bag is essentially a box and is maybe 3″ deep, so I needed to centre the zipper between two pieces across the top, between the handle ends. Once I got out my ruler and made a plan for that, the lining came together quickly. There was a good bit of handsewing, to line the handle and secure the bag lining, but it wasn’t that big of a job.

Lining of Sipalu bag knit by Deborah Cooke in Patons SWS

Why is it that these incomplete projects that sit waiting for years always take a very short period of time to finish up? It happens every time.

And here’s the finished bag. It looks a bit dark in this pic, thanks to a dingy day – but it’s DONE!

Completed Sipalu bag knit by Deborah Cooke in Patons SWS

Unfinished Purses & A Beet

There are more projects in this stash of UFOs. Here’s the next one in my finishing queue.

This was a kit from Knitpicks with instructions and wool for six fruity purses, called The Elegant Edibles kit. (That’s a Ravelry link – the pattern is no longer available.) I remember thinking these were so cute.

Here are the official pictures from Knitpicks:

Elegant Edibles purses from Knitpicks
Elegant Edibles purses from Knitpicks

I did not remember that it was 2008! I finished the kiwi and the orange purses by 2010, and they’ve been waiting patiently ever since to be finished up. Enough!

Here’s how I found them:

Orange purse from Elegant Edibles Knitpicks kit, knit by Deborah Cooke
Kiwi purse from Elegant Edibles Knitpicks kit, knit by Deborah Cooke

These are really cute knits and I like that there are beads for the ‘seeds’. I made some changes to the pattern, noted on my Ravelry project page here.

I suspect what happened was that I didn’t like how floppy they were and wasn’t sure what to do about it. In the KP pix, they look more like pillows than purses to me. I did felt them a bit, which gave them a little more substance. I also decided against the handles shown in the pattern and adapted the leaves from the bunch of grapes for the orange. Those leaves are felted as well.

And now to finish them up. I found some coordinating zippers (there were zippers in the kit, but who knows where those ones are now) and pinned them in. I also cut linings and interfacing for those linings – in fact, I’ve cut buckram for the outer curve on each one. The kiwi one doesn’t have a handle at all, but my Rav stash lists the bin (in the attic) where the remaining yarn is supposed to be. (It was there at some point. Is it still there? I’ll have to go up and see.) I’m thinking a long i-cord in the green would be a good choice for a handle on the kiwi bag. If the yarn is gone, I’ll do one in black.

The beet and the grapes are also cute, but I have no idea what I did with the pattern. Hmm. If I find the yarn, I’ll hunt down the pattern. I do remember that the brighter purple (for the beet) was called Fairy Tale. 🙂

Did I use up the KP yarn on this Norah Gaughran beet? Here’s my Rav project page, and yes, the purple is the KP yarn. The green is Patons Classic Wool Worsted, so the green from the kiwi purse might still be in the stash. I’ll have to go hunting…

Beet by Norah Gaughan knitted by Deborah Cooke

A Tale of Two Purses

A while ago, I bought several of these metal purse frames when they were discounted at my local fabric store. I liked the curved antique gold ones with the detail on the frames. I finally got around to thinking about them, and making a purse with one of them.

It turns out there are two kind of frames – as well as many styles. One kind has holes like this own, so the bag is sewn into the frame. The other is smooth, and the bag has to be glued into the frame. I’m not fussed about the glue option, so am glad that I inadvertently bought the kind I prefer. Here are my two bags, as a preview, then we’ll look at each one and the differences between them.

two finished purses made by Deborah Cooke

The one on the left is the purse I made first.

pattern for first purse made by Deborah Cooke

The package for the handle contains a template but is pretty minimalist in terms of instructions. I traced the curve of the handle and created a pattern, then cut it from a tapestry fabric that I love (there are pieces in the stash from some pillows) and a coordinated lining.

Featuring a motif from this tapestry fabric on each side of the bag determined the size of my bag. Since it’s a very heavy upholstery fabric, I didn’t use any interfacing or padding. I could have used some interfacing on the lining, but didn’t. I did add a small pocket to each interior, since I like having a little pocket inside my purse. (Perfect for a hotel key card that I don’t want to lose.)

I sewed the lining first, only sewing an inch at either end of the seam at the bottom. I then pressed that seam as if it was sewn, giving me a nice crisp edge for closing that up once the bag was done. When I sewed the outside of the bag, I top-stitched all three seams so that the seam allowances would stay put. The bag is boxed out by sewing across the bottom corners.

Once the bag was constructed, turned and the space in the bottom seam of the lining was sewed up, I gave it a good press, then top-stitched around the top curve that goes into the frame. This made it a little easier to jam that edge into the gap in the purse handle – when I could see the top-stitching on the inside, I knew it wasn’t pushed in far enough. I basted the handle in place, then stitched it all together with a topstitching thread.

Here’s that first purse:

first purse with metal handle made by Deborah Cooke

The result is fine, but the finished bag doesn’t have much wiggle room at the top. The purse is very flat – I can just slide my hand inside. Hmm.

I did some searching online and came up with this tutorial at So Sew Easy. It’s for a different frame – there are so many styles available – but you can follow it to make a pattern to fit your frame. This tutorial shows how to adapt the tracing of the handle to create more fullness in the bag. Ha. Look at the difference between my two pattern templates:

pattern for first purse made by Deborah Cooke
pattern for second purse made by Deborah Cooke

The one on the right has been folded and didn’t want to lie flat for the picture. The bottom edge is straight.

Here’s the bag made from the second pattern:

second purse with metal handle made by Deborah Cooke

It’s much fuller. I’d even call it puffy. I would have loved to have included the top of that octagon shape beneath the handle – the yellow-ish outline – but there just wasn’t enough of the fabric for that.

When sewing the handle to the first purse, I used two stitches per loop, making a zigzag, but really, it doesn’t need this much reinforcement. And this sewing is hard on the hands – less is better! (You can see that I missed one zig on the left of the handle.) For the second (on the right) I just did one stitch per hole.

stitching on purse handles, purses made by Deborah Cooke

The stitches showed on the inside – I just couldn’t make them small enough to avoid that, as I was using a black buttonhole twist to sew in the clasp. I sewed in a bit of trim to cover that up. Here’s the second bag with the trim pinned in place.

inside of second purse sewn by Deborah Cooke

Here’s the first purse with the trim sewn in. It looks much neater. (You can also see how much flatter this one is.)

inside of first purse sewn by Deborah Cooke

The frame didn’t come with a handle – I think there were matching chain handles, but they were sold out by the time I wanted them. I cut a length of pleather, sewed the outside edges in place then folded the ends over a d-ring. I then fed a length of cording though it. For the second handle, I just hemmed a piece of grossgrain ribbon. The loops on the bag handle had to be coaxed open a little with a pair of plyers to join the handle, but it all worked out just fine.

Here are those two finished bags, side by side.

two finished purses made by Deborah Cooke

I may change the ribbon handle at some point, but for now, it’s just fine.