Japanese Books

Posted on January 20, 2026 by Deborah Cooke

Things have been quiet here this month, as I’ve been deciding how to go forward. At the end of last year, I discovered that several of my pictures of my dolls were being used on scam sites. I had thought that taking mediocre pictures would keep them from being stolen, but evidently that’s not so – now they look “authentic”. As an author, I have a whole lot of issues with the general dissolution of copyright and its protections, so hmm. As much as I love sharing my progress and results with others, I’m not interested in providing anything to aid scammers or pirates. This is the reason why I’ve never published any patterns or designs for dolls.

I did treat myself to some Japanese books this year and will share that with you today. Again, copyright is a concern – there are people on Etsy selling digital editions of many of these books, sometimes even with a translation by Google, but I doubt these are licensed digital or English editions. The beauty of Japanese craft books is that they’re so thoroughly illustrated that you can follow the directions even if you don’t read Japanese – plus buying the actual print book supports the creator and his/her copyright.

This first book is Doll Knit by Mieko Watanabe, for 20 – 22cm Obitsu dolls. You can find her on Instagram right here. The knits are detailed and very cute. The knits are all charted, so you don’t have to read Japanese to follow the instructions. They’re sized for the Obitsu dolls but fit the current MTM regular Barbie pretty well.

The big challenge is finding yarn substitutes. The designer has used yarns from a Japanese company called Puppy which aren’t available here. There is a Kidsilk Haze equivalent, so that’s easily replaced, but otherwise, not so much. I used Knit Picks Palette for the fair isle cloak and it’s slightly too heavy – I got gauge but the garment is thicker and stiffer than would be ideal.

The best match so far for the Puppy 3-ply is old 3-ply Kroy Socks, so I’m rummaging in my odds and ends for more of that. It does looks as if Holst Garn Supersoft would be a good substitute for the 3-ply, and it comes in shade packs, with five small balls in coordinated colours. I’ll make a road trip to a LYS that stocks this yarn to see it. The 2-ply Puppy is a lace weight, so I’ll try those patterns with some odds and ends in my stash. Maybe I’ll get lucky and find a lace pack of many little skeins in different colours.

I also want to get out my crochet needle and try at least one of those adorable hats.

Next is a sewing book of doll clothes, also for 20 cm dolls including Blythe dolls. I think this is called Tournesol (which is French for sunflower). It’s by Satomi Takei, who can be found on IG right here. These have the usual aesthetic of Blythe doll patterns – lace and petticoats and tiny florals, straw bags and hats – although the fashions are shown on other dolls too. Again, the book is beautifully photographed.

I tried a few of the patterns and they more-or-less fit the MTM regular Barbies – the designs are more like little girl dresses and I’m not sure I like the look on my B girls. There is a pattern for a kimono, which is a tempting project.

Finally, an accessories book from Dolly Dolly Books, although the other two books also have patterns for accessories.

That purse on the cover is what sold me. The instructions for that bag cover seven pages and I’m determined to make one. The author is Taeko Sekiguchi, who has designed a lot of beautifully detailed clothing for dolls. It’s very inspiring to see the work of people who stretch higher.

I bought the books from Pomadour on Etsy. This shop ships promptly from Japan and packs the books extremely well.

Swoon Blanche Barrel Bag

Posted on January 6, 2026 by Deborah Cooke

I seem to be making a lot of bags lately, but this one will finish me for a while. My favourite thing about it is that it’s done!

The pattern is the Blanche Barrel Bag from Swoon Patterns. I bought a paper pattern from Emmeline Bags because I was buying some hardware from them anyway. It’s also available as a PDF. (The first link is to the designer’s website.)

The pattern includes the bag in two sizes. I made the larger one. My plan is to make the smaller one as well, but not just yet.

My main challenge with this bag was self-inflicted. I chose vinyl for the handles, base and accent, and this did not bring joy to my sewing machine. I should have borrowed access to my friend’s industrial machine for sewing those thick bits.

Still, it came out pretty well:

Swoon's Blanche Barrel Bag, sewn by Deborah Cooke

You can’t be surprised that I got all matchy-matchy with the birds.

I made a couple of modifications. Originally, I had made piping with the light caramel vinyl and sewn it around the ends. I wasn’t happy with the appearance of it – as with the Weekender overnight bag, I had a hard time sewing up flush to the piping in some areas. This time, I just took out the piping. It means the piping on the top of the end pockets is kind of a solitary feature, but (luckily) the colour matches the fabric I chose for the lining. It ends up looking like a plan. 🙂

I also added one of those Ikea thin cutting boards into the base of the bag, and some bag feet. And I added an open pocket into the other side of the bag lining – this was partly to use up a piece of fabric that was cut the wrong way. The pattern seems to assume that your fabric doesn’t have a directional print. Mine did – both the birds on the outside and the lining inside, which has little flower buds – and I cut the pocket lining in the wrong direction. I cut it again, then (ha) ended up putting it in upside down. I have drunk birds inside the zipped pocket in my lining. (My guess is that few people will know or notice.) So, my pattern has a bunch of notes on it for future reference since I do like directional prints.

Finally, I sewed the lining to the inside of the zipper by hand, instead of by machine. This is the same modification I made with the Weekender bag, as I just couldn’t fit all that under the arm of my sewing machine.

The other thing I did on the vinyl was colour the cut edges with a Sharpie marker. Vinyl often has a white backing, so when you cut it, the edges look bright. A matching Sharpie marker squares that away. I should have done that on the edge of the contrast piece on the base of each side of the bag before sewing it to the main fabric. I’m thinking that if I do it now, I’d likely get the Sharpie on the bird fabric, which wouldn’t be cool.

Once upon a time, I had a purse that was this shape and loved it to pieces. This one is a bit big for a purse – it’s looking like a knitting bag to me right now – so I will make the smaller version, but my sewing machine and I need a little break first.

The girls are also certain they need some new clothes. 🙂

The Orange Purse Completed

Posted on December 23, 2025 by Deborah Cooke

I mentioned these two fruity purses to you a few weeks ago, as they’d risen to the surface of my projects needing to be finished. They were from a kit from Knitpicks called The Elegant Edibles kit. (That’s a Ravelry link – the pattern is no longer available.)

I knit the orange and the kiwi, but never finished them and put them aside. That’s changing now. 🙂

The orange was like this:

Orange purse from Elegant Edibles Knitpicks kit, knit by Deborah Cooke

Usually, when I put a project aside, there’s a reason. I had no idea how to line the orange, given its unusual shape, plus I thought it was too floppy to make a good purse. Similarly, I liked the handle of felted leaves, but it felt too soft to be functional.

One review, I decided to interface the lining. For the shape of the lining pieces, I flattened the bag and traced around the crescent shape, then around the arc of the “rind”. I added 1/4″ seam allowance on the edges and cut the lining. I then added some interfacing to the “rind” edge to give the purse some body. I trimmed a piece of curtain header (buckram) to the shape and stitched it to the lining fabric so it wouldn’t shift around, then assembled the lining.

You can still see those stitches. There was no chance of matching a print with so many colours, so I went with white for contrast.

Orange purse from Elegant Edibles Knitpicks kit, knit by Deborah Cooke - lining and reinforcement of base

Here’s how the lining looks with the purse on its side.

Orange purse from Elegant Edibles Knitpicks kit, knit by Deborah Cooke - lining completed

Of course, I added an interior pocket. Just for fun, I used a contrast batik. The open edge of the pocket is parallel to the zipper.

And here’s the bag turned right side out:

Orange purse from Elegant Edibles Knitpicks kit, knit by Deborah Cooke - bag with zipper

Finally, here it is all finished up.

Orange purse from Elegant Edibles Knitpicks kit, knit by Deborah Cooke - completed purse

I like the felted leaves a lot, but they’re a bit soft for a handle. Twining them around the fabric handle makes for a more sturdy solution. I’ll see how it works out but might stitch that felted wool handle right onto the batik. Overall, I’m pleased with the result. 🙂

Next up, the kiwi purse.

Another Bag Finished

Posted on November 11, 2025 by Deborah Cooke

I found this bag partly completed in a stash of WIPs. The pattern is Sipalu and I knit it in Patons SWS. (That’s Soy Wool Stripes in the red mix and Soy Wool Solids in the solid red. I used another yarn with the same content for the solid black, Gjestal Garn Bris. I suspect that yarn is discounted. The SWS is.)

Sipalu Bag by Kerin Dimeler-Laurence knit in Patons SWS by Deborah Cooke

My Ravelry project page says I knit it in 2011 and finished it in 2013 – but that, alas, is not entirely true. It was completed this far – as above – but the lining pieces were only cut out and unassembled. They were stashed away with it.

Here’s my original blog post about it.

I added piping to the interior of the red bands and you can see them in the picture above. That one is a before-felting picture – the one below is after felting. That button is a porcelain one from a local maker and I just love it.

So, the lining. I suspect I put this aside because the construction of the zippered edge was a little complicated. I had assembled the lining for the body and put a pocket on it already.

Base of Sipalu bag knit by Deborah Cooke in Patons SWS

I’d also secured a plastic base in the bottom with some purse feet. Ikea makes these thin ones that come in packs of two, and you can cut them to size with a utility knife. The colours change with each new batch, but I always have a few in my materials stash.

Now that tricky bit. The bag is essentially a box and is maybe 3″ deep, so I needed to centre the zipper between two pieces across the top, between the handle ends. Once I got out my ruler and made a plan for that, the lining came together quickly. There was a good bit of handsewing, to line the handle and secure the bag lining, but it wasn’t that big of a job.

Lining of Sipalu bag knit by Deborah Cooke in Patons SWS

Why is it that these incomplete projects that sit waiting for years always take a very short period of time to finish up? It happens every time.

And here’s the finished bag. It looks a bit dark in this pic, thanks to a dingy day – but it’s DONE!

Completed Sipalu bag knit by Deborah Cooke in Patons SWS

Unfinished Purses & A Beet

Posted on November 7, 2025 by Deborah Cooke

There are more projects in this stash of UFOs. Here’s the next one in my finishing queue.

This was a kit from Knitpicks with instructions and wool for six fruity purses, called The Elegant Edibles kit. (That’s a Ravelry link – the pattern is no longer available.) I remember thinking these were so cute.

Here are the official pictures from Knitpicks:

I did not remember that it was 2008! I finished the kiwi and the orange purses by 2010, and they’ve been waiting patiently ever since to be finished up. Enough!

Here’s how I found them:

Kiwi purse from Elegant Edibles Knitpicks kit, knit by Deborah Cooke

These are really cute knits and I like that there are beads for the ‘seeds’. I made some changes to the pattern, noted on my Ravelry project page here.

I suspect what happened was that I didn’t like how floppy they were and wasn’t sure what to do about it. In the KP pix, they look more like pillows than purses to me. I did felt them a bit, which gave them a little more substance. I also decided against the handles shown in the pattern and adapted the leaves from the bunch of grapes for the orange. Those leaves are felted as well.

And now to finish them up. I found some coordinating zippers (there were zippers in the kit, but who knows where those ones are now) and pinned them in. I also cut linings and interfacing for those linings – in fact, I’ve cut buckram for the outer curve on each one. The kiwi one doesn’t have a handle at all, but my Rav stash lists the bin (in the attic) where the remaining yarn is supposed to be. (It was there at some point. Is it still there? I’ll have to go up and see.) I’m thinking a long i-cord in the green would be a good choice for a handle on the kiwi bag. If the yarn is gone, I’ll do one in black.

The beet and the grapes are also cute, but I have no idea what I did with the pattern. Hmm. If I find the yarn, I’ll hunt down the pattern. I do remember that the brighter purple (for the beet) was called Fairy Tale. 🙂

Did I use up the KP yarn on this Norah Gaughran beet? Here’s my Rav project page, and yes, the purple is the KP yarn. The green is Patons Classic Wool Worsted, so the green from the kiwi purse might still be in the stash. I’ll have to go hunting…

Beet by Norah Gaughan knitted by Deborah Cooke

A Tale of Two Purses

Posted on November 6, 2025 by Deborah Cooke

A while ago, I bought several of these metal purse frames when they were discounted at my local fabric store. I liked the curved antique gold ones with the detail on the frames. I finally got around to thinking about them, and making a purse with one of them.

It turns out there are two kind of frames – as well as many styles. One kind has holes like this own, so the bag is sewn into the frame. The other is smooth, and the bag has to be glued into the frame. I’m not fussed about the glue option, so am glad that I inadvertently bought the kind I prefer. Here are my two bags, as a preview, then we’ll look at each one and the differences between them.

two finished purses made by Deborah Cooke

The one on the left is the purse I made first.

pattern for first purse made by Deborah Cooke

The package for the handle contains a template but is pretty minimalist in terms of instructions. I traced the curve of the handle and created a pattern, then cut it from a tapestry fabric that I love (there are pieces in the stash from some pillows) and a coordinated lining.

Featuring a motif from this tapestry fabric on each side of the bag determined the size of my bag. Since it’s a very heavy upholstery fabric, I didn’t use any interfacing or padding. I could have used some interfacing on the lining, but didn’t. I did add a small pocket to each interior, since I like having a little pocket inside my purse. (Perfect for a hotel key card that I don’t want to lose.)

I sewed the lining first, only sewing an inch at either end of the seam at the bottom. I then pressed that seam as if it was sewn, giving me a nice crisp edge for closing that up once the bag was done. When I sewed the outside of the bag, I top-stitched all three seams so that the seam allowances would stay put. The bag is boxed out by sewing across the bottom corners.

Once the bag was constructed, turned and the space in the bottom seam of the lining was sewed up, I gave it a good press, then top-stitched around the top curve that goes into the frame. This made it a little easier to jam that edge into the gap in the purse handle – when I could see the top-stitching on the inside, I knew it wasn’t pushed in far enough. I basted the handle in place, then stitched it all together with a topstitching thread.

Here’s that first purse:

first purse with metal handle made by Deborah Cooke

The result is fine, but the finished bag doesn’t have much wiggle room at the top. The purse is very flat – I can just slide my hand inside. Hmm.

I did some searching online and came up with this tutorial at So Sew Easy. It’s for a different frame – there are so many styles available – but you can follow it to make a pattern to fit your frame. This tutorial shows how to adapt the tracing of the handle to create more fullness in the bag. Ha. Look at the difference between my two pattern templates:

pattern for second purse made by Deborah Cooke

The one on the right has been folded and didn’t want to lie flat for the picture. The bottom edge is straight.

Here’s the bag made from the second pattern:

second purse with metal handle made by Deborah Cooke

It’s much fuller. I’d even call it puffy. I would have loved to have included the top of that octagon shape beneath the handle – the yellow-ish outline – but there just wasn’t enough of the fabric for that.

When sewing the handle to the first purse, I used two stitches per loop, making a zigzag, but really, it doesn’t need this much reinforcement. And this sewing is hard on the hands – less is better! (You can see that I missed one zig on the left of the handle.) For the second (on the right) I just did one stitch per hole.

stitching on purse handles, purses made by Deborah Cooke

The stitches showed on the inside – I just couldn’t make them small enough to avoid that, as I was using a black buttonhole twist to sew in the clasp. I sewed in a bit of trim to cover that up. Here’s the second bag with the trim pinned in place.

inside of second purse sewn by Deborah Cooke

Here’s the first purse with the trim sewn in. It looks much neater. (You can also see how much flatter this one is.)

inside of first purse sewn by Deborah Cooke

The frame didn’t come with a handle – I think there were matching chain handles, but they were sold out by the time I wanted them. I cut a length of pleather, sewed the outside edges in place then folded the ends over a d-ring. I then fed a length of cording though it. For the second handle, I just hemmed a piece of grossgrain ribbon. The loops on the bag handle had to be coaxed open a little with a pair of plyers to join the handle, but it all worked out just fine.

Here are those two finished bags, side by side.

I may change the ribbon handle at some point, but for now, it’s just fine.

A New(ish) Resource for Sewers

Posted on October 29, 2025 by Deborah Cooke

I’ve been looking for years for a way to organize my sewing, similar to how I organize my knitting on Ravelry. I mostly want to inventory my patterns and be able to search through them – without digging through boxes in the attic.

Well, I’ve found it. Threadloop is a comparatively new online app, which lets you do just that. You can also inventory your fabric and notions there, and there are forums for discussion as well. I’ve only just dipped into it, but I like it a lot – and it’s free.

Learn more about Threadloop here.

Clematis Wristlet

Posted on October 23, 2025 by Deborah Cooke

In the beginning dragon quilt in blue, assembled by Deborah Cooke, and completed.

I’ve gotten back into making bags this fall and here’s a completed one to show you. I’ve been waiting for a sunny day to take some pictures, but it’s raining raining raining, so we get some pix taken on my sewing table instead. The blog has been too quiet and I’m done with waiting for sun.

You might remember my blue dragon quilt, which was a kit (and is now FINISHED! HA!). That’s it at right.

I had some leftover of the various fabrics and used them for this, along with a shiny black pleather. They really were bits and ends, so it ended up a bit patchworky but everything coordinates well.

This is the Clematis Wristlet, a free pattern from Blue Calla Patterns. This little bag has fusible fleece on the outside pieces, which gives it a bit of substance, and more interfacing besides. I didn’t have a 9″ brass zipper, so I cut down a 14″ one for this project.

Clematis wristlet by Blue Calla patterns sewn by Deborah Cooke

On one side, I used the scales. I also had a strip of this print to use on the inside of the strap.

On the other side, I used the background with dragons and circles.

The lining is the Celtic/tattoo background fabric. (I see I picked up a thread on my cutting table and included it inadvertently in this shot.)

And the pocket inside is made of the dragons from the border print. There are only scraps now, so they’ve gone into my bag for real patchwork.

This pattern is a pretty easy make, and the finished bag is a useful size. I’m always looking for something flat to hold my cash at bookfairs and this might just do the trick.

I like the idea of the dragons watching over my hoard!

Making Book Covers

Posted on October 7, 2025 by Deborah Cooke

I’ve been making a lot of book covers lately. Although I initially learned how to make them from a blog post (one with many video ads. Ugh.) I’ve figured out a few tips and tricks. Having this post here is as much for you as for me, as I keep having to figure them out all over again. 🙂

Here are the book covers I just made for a giveaway of my books at a reader conference:

And the one in the pictures below is for a reward tier in my most recent Kickstarter campaign.

First, assemble your materials. You’ll need two (cotton) fabrics that match or contrast, along with a length of ribbon and a length of elastic.

Then, measure your book. The height of the book is the actual height. The width is the width of the entire cover, from the front edge, across the spine, and around to the back edge.

In this case, the book is 9.5″ and the width is 14″.

For the height to cut, we need to add a seam allowance top and bottom. I use 3/8″ inch seam allowances on these, which is 10cm. Two of them (2 x 3/8″) is 3/4″. We also need to add .25 to .5″ for ease – since this is a hardcover and a bit thicker, we’ll add .5″ So, our cut height will be 9.5 + .75 + .5″ or 10.75″.

For the width, we need to add a 3″ flap at each end plus the two seam allowances. We’ll also add that half inch for ease. So, the cut width will be 14″ + 6″ + .75″ + .5″ which will be 21.25″

Since the chosen fabric is 45″ wide, I can cut two from the width – each length of 11″ will give me two sides for a book cover. To make six book covers, I’ll need 33″ or so of two different 45″ wide fabrics.

I can also cut the elastic – each cover will need a 12″ piece – and the ribbon bookmark – each cover will need a 15″ piece.

The first seams to sew are the ends of the flaps. For the front edge, sew the entire seam. For the back, leave a gap in the middle for turning.

If it matters to you which way is up, then sew the front flap seam first. It’s the complete one so once it’s done, it becomes a reference. In this case, I wanted those pale tulips to grow upward, so I pinned and sewed the front flap seam with them properly oriented. The seam will be on the right and the pin is at the top.

Turn and press, then topstitch where you’ve sewn (leaving the back gap open.) I placed the rotary cutter to show the open back seam. Look closely to see that I’ve only topstitched part of that back flap edge.

The top and bottom are sewn next, but I find it easier to position the elastic and ribbon first. With the right side facing, mark the 3″ for each book flap with a pin on the top edge of the top fabric. Pin the ribbon at the top edge near the middle. If your elastic is round and hard to pin, put a bit of tape on each end so you can pin it in place. Pin it to the top fabric 2″ inside the pin for the back flap. Mark the flaps with pins on the bottom edge of the top fabric, then pin the elastic in place, as well.

Remember that the pins are only in the top (blue) fabric.

Turn the book cover so it is right sides together. This is the tricky bit. The flaps are folded in like an accordian, but it all comes out right in the end. At one end, pinch the fabric right sides together at the pin marking the flap. Pin the seam allowance in place, folding it inside the book cover, then fold the lining so that it aligns with the pin at the edge.

Repeat for the other three corners.

This is inside the front flap with the edges pinned in place. The seam ripper is just holding the flap open so you can see the accordion fold. On the back flap, there’s an opening in the seam so you can turn the book cover right-side out.

Sew right across the top, then right across the bottom.

Reach through the gap in the back flap and turn the book cover right side out. Since the cover is reversible, you can choose which fabric is on the outside. (Invariably, I get the fabric planned for the lining on the outside and have to think about it for a minute.) Push out those corners so that they’re nice crisp points.

Pin the opening of the back flap shut and top stitch it closed.

Press, press, press.

Insert the book, place the bookmark in the book, and wrap the elastic around the outside to hold the book closed. You can trim the ribbon bookmark or even add a charm to it, if you choose.

And there you go!

All Those Fabric Bits

Posted on September 9, 2025 by Deborah Cooke

Last time, I told you about watching Kate’s videos at her YouTube channel, The Last Homely House. I went back to her channel to watch more and chose a video about using up scraps – because it was first in the queue of her most popular videos. (It’s right here.) She shares her enthusiasm for Terry Rowland’s scrappy quilt. I was sufficiently inspired to see what I have in my bag of bits and ends.

A lot of my bits are from specific quilts. For example, I had a bunch of half square triangles leftover from this Lady of the Lake quilt. The palette is pretty specific on this quilt, all olive greens, pinks and burgundies. The first fabrics chosen were a selection of fat quarters featuring Alphonse Mucha drawings, all Art Nouveau ladies. I just love those prints.

Lady of the Lake quilt pieced by Deborah Cooke

I started to piece the leftover bits into blocks:

leftovers from the Lady of the Lake quilt, pieced together for a mini quilt by Deborah Cooke

I have a few strips of fabrics from the quilt and will add as many borders as possible. This will be a mini quilt to practice my machine quilting – although it’s a good size to be a matching pillowcase. Hmm. I’ll show it to you when it’s done.

I also found the Franken Fish, long forgotten by yours truly.

I called these the Franken Fish because I made a mistake and patched it up. These fish were cut from charm squares – each square was just enough for one set of pieces, so there’s a fish of any given fabric and a background of any given fabric. I made a cutting mistake though and because there was no extra fabric, I patched the pieces.

Their scars are all in the same place. They are Franken Fish.

I must have seen the block somewhere and liked it. I have a vague memory of scribbling it on some random piece of paper in my purse. Now the Franken Fish need an ocean to swim in…

I found a lot of bias already cut. There’s a tremendous amount of the pink, which probably means I had plans for it. I wonder what they were.

And I found these two pieced stars, fussy cut from Kaffe Fassett’s Kimono print.

Star cut from Kaffe Fassett's Kimono, fussy cut and pieced by Deborah Cooke

Interestingly, the camera reset itself on the second one and dimmed down the colours, as if it was saying ‘whoa. That’s a lot of fuschia and orange together.’ LOL It is!

I must have made these while piecing my Pineapple Star, which used a lot of that Kimono print.

pineapple star quilt made by Deborah Cooke

Somewhere (ahem) I have many bits and pieces of Kimono in triangular shapes. I need to find them and make more of these smaller stars because I really like them.

There are more bits and ends, too, but let’s start with these. 🙂

This exercise proved to be more like poking about a hard drive of saved works-in-process than opening a dictionary. Instead of raw materials (bits and ends), I found all sorts of forgotten beginnings. I’ll be finishing these incompletes up first – then I’ll have a look at the remainder for a true scrap-busting project.

First one to be finished will be the Lady of the Lake scraps. Stay tuned!

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Knitting and other tangled webs we weave

Category Archives: Sewing