Living Vicariously

Last week, I saw a post go by on FB with a link to a video from the Festival of Quilts show in the UK. I had a click through and a watch, and really enjoyed the video. It was posted by Kate at The Last Homely House and was just lovely. I felt as if I was at the show, too. (That link is to her YouTube channel.)

I won’t embed it here, but here’s the link if you want to watch it on YouTube. It’s 26 minutes long.

I so enjoyed this video that I ended up doing a bit of shopping!

Alice's Wonderland sampler quilt by Alice Caroline

About 11 minutes in, Kate talks to Alice Caroline in the Liberty booth about her book, Alice’s Wonderland Quilt Book. She talks about it as a block of the month kind of project, with instructions for beginners. They show the quilt in the booth and it’s so pretty.

I have to love the idea of making an entire quilt with Liberty Tana Lawn. Of course, I had a little hunt online and ordered a copy of the book from the big river. (The link on the book goes to Amz.ca.)

At 16 minutes in, Kate talks to Sally Kelly about her fabrics. Wow! Sally is wearing a dress of cotton lawn in her own design and I just loved it. She also shows her original drawings used for the designs.

That print. I knew I needed some, so I had a little hunt online. I found it for sale at a fabric store in Alberta called Along Came Quilting – here’s the link for Gardenia sold by the meter. (It’s so exciting to find more online stores in Canada.) I also bought a length of cotton with a double border design by Sally Kelly and am curious to see both when they arrive. I’ll make shirts for myself first, then use the leftover bits in quilts.

Ciara C in Liberty Tana Lawn

Just before seeing this video, I’d surrendered to temptation and ordered some Liberty Tana Lawn from another store in Alberta to make myself a shirt. I’ve bought fat quarters from Studio 39 before for the girls’ dresses, but decided I should get a nice shirt too. This print is called Ciara and it’s colourway C.

So, I’ll have some sewing to do for myself this month. 🙂

I went back to Kate’s YouTube channel and watched more, but will tell you about that next time.

Changes Out There

This week sees some more changes in the world of makers like me. I’m not in the States but was saddened to see Joann’s Fabric stores closing there recently. There’s nothing like a local store to finger fabrics, and pick up notions.

This week, there are two more changes. One is more local to me. The Spinrite factory in Listowel Ontario is closing down. It’s been there over seventy years and the retail store is a great place for mill ends and sales. They haven’t been spinning yarn there for a while, but they ball-and-band yarns for Patons, Bernat, Red Heart and various store brands (like Michaels). Their annual tent sale is a huge summer event. I like to drive up there (or have the mister drive me) when I’m thinking. It’s a lovely drive through farmland with yarn at the end. I will miss it.

Here’s an article in the Kitchener paper about the closure.

The second big change was announced yesterday – the parent company of the big four pattern brands (Simplicity, Butterick, Vogue and McCalls) was sold to a liquidator. It’s the same company that liquidated Joann’s. Curiously, it seems that the impact of tariffs on sewing product brands owned by the parent (Wrights trims and Boye needles, for example) was a driving factor in the decision, as well as the loss of distribution with the closure of Joann’s in the US. It seemed that they were struggling with the shift to digital in recent years, but it’s sad to see them go.

Here’s the article.

What happens from here? Are we shifting to smaller companies and boutique suppliers, or are we becoming a society of people who don’t make things themselves? I know which option I prefer. I’m not sure who I’d be if I wasn’t always making something.

I also feel vindicated for having my various stashes. If this is the apocalypse for makers, I’m all stocked up.

Tumbleweed Toiletry Bag

Tumbleweed Toiletry Bag from Blue Calla Patterns

This was a satisfying project. The Tumbleweed Toiletry Bag is a beautiful bag filled with lovely little details. I first saw it when the owner of Blue Calla Patterns did a presentation to our sewing guild, and knew I had to make one. Here’s the page on their site where you can buy the downloadable pattern. The pic at right is from from their site, also linked to that page.

I was hoping for a kit, like the one I bought from Blue Calla for the Foxtail Cross Body Sling, but there wasn’t one available. There was a kit for the hardware, which are always the toughest bits to find IMO. (It lives at that link, but availability of all the various options does vary.) They did have a sale running at the time, so I chose fabric and zippers etc., and essentially built my own kit. I did have to buy the fusible foam from my local fabric store as they were out of stock of that.

And here’s my finished bag:

Tumbleweed Toiletry Bag, pattern by Blue Calla Designs and sewn by Deborah Cooke

I love these fabrics and the little bird in the floral print. The construction was remarkably easy, once I stopped overthinking it and trying to figure out how it would all come together. I just needed to follow the instructions and let it happen.

I made only two changes. First, I used a fake leather for the base and the handles, instead of fabric or cork. Secondly, I inserted a piece of 1/4″ cord into the handles to make them round. In the pattern, they’re just flat.

I love this bag so much!

Here’s the inside of the bottom section. It has a zippered mesh pocket, which is on the bottom of the top section.

Tumbleweed Toiletry Bag, pattern by Blue Calla Designs and sewn by Deborah Cooke

And here’s a peek inside the top section:

Tumbleweed Toiletry Bag, pattern by Blue Calla Designs and sewn by Deborah Cooke

I picked the feather zipper tabs to coordinate with the lining fabric.

I had some trouble sewing the thicker areas with my domestic machine. For example, the stitching line around the top to hold the frame should meet below the hinge, but with those seam allowances, I couldn’t manage it. I left a gap and it’s fine. Similarly, I couldn’t do the topstitching on the top side of the lower zipper, for the same reason.

When I make it again, I’ll add some more topstitching – around the base, for example, and on the top side of that zipper, as well as in the base of the lining – just to manage the seam allowances better. I have a crazy amount of materials left over, so there will be more bags in these fabrics, as well as at least one in this design.

I’m not planning a trip so don’t really need a toiletry bag. I’m thinking I’ll use it as a knitting project bag – the yarn supply can go in the bottom, the needles and notions in that zippered pocket, then the project on the needles in the top section.

The Weekender Bag

The Weekender Travel bag by Amy Butler

Finishing up that Foxtail Cross Body Sling had me digging into my unfinished projects. I remembered starting this bag a few years ago, becoming overwhelmed with some detail and putting the project aside. I got it back out again and finished it up.

The pattern is from Amy Butler and is called The Weekender Travel Bag. You can buy the pattern on her site, from this page. (Just scroll down a bit to find it.)

Here’s the official picture at right. (Clicking on it will also take you to her PDF download page to buy the pattern.)

Although I love the look of this bag, I was worried about using quilting cotton on the exterior, specifically how well it would wear. For this first one, I used several table runners that had a woven design. I think they’re polyester. They were available in two colour combinations – here’s a green one, uncut.

uncut table runner

I used the burgundy/pink variant for my bag and fussy-cut the pieces to play with the design. Instead of making my own piping, I bought drapery piping in a coordinating colour. Here’s my bag:

Weekender Travel Bag designed by Amy Butler and made by Deborah Cooke

I did add piping to the tops of the pockets on the bag ends, though there isn’t supposed to be any. I had some left and liked the look of it.

I also used the needle off-set on my machine for the final row of stitching along the piping, so that I could get as close to it as possible. I still didn’t get as close as I’d like, but it worked out pretty well.

The reason I put my bag away initially was the zipper. I couldn’t find one with tabs that met in the middle. (I’ve since learned how to make one from the Blue Calla tutorials – I’ll tell you about that with another post about bag-making.) At the time, I bought two heavy plastic zippers to use instead – a burgundy one for each side – but wasn’t entirely happy with that solution. (Now, after making the bag, I think that the heavy plastic zips might be too heavy. It gets a bit bulky around the zipper opening with that fusible foam inside.) Recently, though, there were some separating zippers discounted at my local fabric store, probably because the zipper tape is mustard yellow. There was a 32″ one that was long enough for me to cut off one end, and the mustard matched the stripe in the fabric.

One change I did make was putting a heavier bottom in the bag. I often use these cutting boards from Ikea for that – they’re inexpensive and easy to cut to size with a heavy knife. The base of this bag was too big, though. The mister came up with a solution for me – he’d noticed cheap cutting mats at a discount store. They aren’t the same quality as the one I use on my cutting table, but in this case, one was perfect. I cut it down to size and put it in the bottom of the bag, before the lining went in.

I also really (really) like bag feet. I put eight on this one, because they’re smaller in size than might be ideal. They’re secured to that cutting board base, which means the base doesn’t come out and the bag can’t be washed. Would I wash an overnight bag? Not likely. If anything, I’d spot-clean it. I can’t imagine that this fabric, and all the layers of fusible goodness, would survive a trip through the washing machine either.

This bag is quite easy to assemble. There are a lot of layers but not many pieces and the instructions are excellent. The tricky bit was getting close enough to that piping, but a lot of that is on me, because I used heavier fabric and heavier piping than specified. I had no fun putting in the lining, but again, that’s on me – because I had put that hard base into the bag, I couldn’t turn it inside out as instructed. There were a lot of contortions to get the lining sewn in as a result!

I had thought this fabric might be easy to clean and mark-resistant, and I was proven right. When sewing in the lining, I stabbed my finger and bled on the bag. The mark came right out with cold water. 🙂

If you want to make a small bag, this is a good one to try! Keep it simpler than I did, though, and use the specified weight of fabric and binding.

You’ve probably guessed that the green runner is destined to become a different bag. I’ve already cut it out…and yes, it uses another of the sale zippers with mustard tape.

Foxtail Cross Body Sling

Foxtail cross body sling by Blue Calla patterns

Here’s something a little different today. Last year, I attended a presentation on bag-making given by the founder of Blue Calla, and bought one of her kits. It’s the Foxtail Cross Body Sling.

Here’s the pattern for the bag on the Blue Calla website. (Clicking on the picture will also take you to this page.)

I don’t see any kits on the site now, but I do recommend a kit for your first bag. It’s a good way to make sure you have all the parts, especially the hardware.

And here’s my Foxtail:

Foxtail cross body sling by Blue Calla patterns, made by Deborah Cooke from a Blue Calla kit

I’m really pleased with how well it came out, and it wasn’t very difficult. I really like that fabric, too. (The inside is an abstract print from the same line, with a light background, just the thing for a bag interior.) The instructions were clear, though I had to read them through a couple of times – since bagmaking is comparatively new to me, I tended to overthink it all. I should have just done what I was told and not worried about it. 🙂

The only thing I had to redo was the strap – I put it on upside down the first time, so had to unpick the stitching at the one end to redo it. That actually makes sense, since I routinely attach bra straps upside down. This is a similar technique, with a loop so that the strap length can be modified.

Foxtail cross body sling by Blue Calla patterns

One thing I didn’t consider was which way I sling a crossbody bag. I always put the strap over my left shoulder, as shown in this pic of the bag from Blue Calla’s site. But this means that all the zipper tabs are at the left and the compartment along the left side is a little tough to reach.

Now, imagine the bag is slung over the right shoulder. It would tip to the right then, and all the zipper tabs would be front and center.

I think I’m going to make a second one that’s the mirror image of this one that I’ve made. That way, when I put the strap over my left shoulder, all the zipper tabs will be readily accessible. This one, I’ll wear over the right shoulder.

One thing about making bags is that it’s addictive. I had started a bag years ago and wasn’t sure I had all the right pieces so put it aside. I’ve dug that one back out to finish it up, and ordered all the parts (I hope) to make a different Blue Calla bag. They also offer a free pattern, the Clematis Wristlet, and I’m going to try that one, too. Oh, there are some kits available for that one, right here.

Have you ever made a bag or a purse?

Malia Dress for 12″ Dolls

Malia pattern for Silkstone Barbie by Hankie Chic patterns

A day late on this post because I didn’t have pictures done. I took one inside but it was dingy – yesterday was sunny so I got a second one.

Malia is a pattern for 12″ fashion dolls from Hankie Chic. (That’s an Etsy link.) There are two skirt variations included for this dress – a fuller below-knee skirt and a straight full length skirt. The bodice has pleats over the shoulders, which form short sleeves. There’s a long-waisted bodice piece, too.

I made this from a cotton with a tiny print in navy. I ordered this fabric from Charlene Lu’s Etsy store, and she has it in several colours in 70 x 50cm squares. It’s really a very delicate print, a great scale for dolls.

This dress is lined with cotton voile and was machine sewn – except for the bodice lining, which I sewed by hand. The pleats that are formed over the shoulder open up when the dress is on the doll in a very attractive way.

Malia pattern for Silkstone Barbie by Hankie Chic patterns, sewn in printed cotton for Silkstone Barbie by Deborah Cooke

Isn’t this a pretty dress?

Here’s the dress off the doll. (I’m not sure the details are more visible, though that was the idea.) It has a couple of snaps at the back waist.

Malia pattern for Silkstone Barbie by Hankie Chic patterns, sewn in printed cotton for Silkstone Barbie by Deborah Cooke

I have another one cut out in cotton, also with the full skirt. I’ll have to try one with the long straight skirt, in a shiny fabric. The one on the pattern image looks like it might be made of that Chinese brocade, which is beautiful but also quite thick. I’ll probably try a crepe back satin first, even though it’s slippery stuff.

Storm at Sea Quilt

This is one from the vaults. Last year, I went through all of my unfinished projects and found this quilt top, which I’d forgotten about. It’s a pieced quilt top in the Storm at Sea pattern, which was always one of my favorites. I bought cotton for the backing and folded it up to put it away, maybe 30 years ago.

It’s not a perfectly flat top by any means, so I layered it up to quilt on the machine. I figured it would be good practice. Here’s where I’m at.

Storm at Sea quilt, pieced by Deborah Cooke, quilting in progress

Of course, I had to use a stripe with red roses on the border to liven up that blue and white. I just love red. 🙂 I haven’t decided on the binding fabric yet. Looking at it here, maybe it should be navy.

This might be the test quilt that I toss in the washing machine to see what happens.

You can’t really see the quilting in the photo – maybe a bit at the top right – but it’s about half done. I decided to do a wavy pattern on the diagonal that turns back at the centre – so overall there’s a big X and I never have more than half of the quilt under the arm of the sewing machine. I quilted the Escher quilt that way and it was comparatively easy. Big difference there, though, as the top was absolutely flat. (This one has some puckers and tucks.) That was a good size for machine quilting – as a max – so that will be my new benchmark.

Escher quilt from kit pieced by Deborah Cooke
Finished Escher quilt
Singer 185 sewing machine

I’m using my vintage Singer 185 for this, because it’s such a rock. My stitches are more even this time – progress is made! – so that’s a good thing. The thread is a Gutermann cotton quilting thread in variegated shades of blue.

I don’t love machine quilting. I don’t love how it looks and it’s hard work – my hands hurt after doing a bit of it – so it’s teaching me to make fewer quilts and certainly to tend to smaller ones.

After this is done, I’ll quilt the mermaid quilt, which is a teensy bit bigger. More diagonal lines turning back at the middle, methinks. I’m debating whether I should quilt the blue dragon myself or not. I’m also wondering with those two whether I could do the borders of the blocks on the machine, then quilt inside the blocks by hand. Hmm. So many details to ponder!

Mermaid Quilt pieced by Deborah Cooke
Mermaid in blue jeans quilt
In the Beginning Dragon Quilt Kit pieced by Deborah Cooke
In the beginning blue dragon quilt

I still have a couple of quilts that I’ve started to quilt by hand, which need to be finished up. The pineapple star has corners now and is about half quilted – in lime embroidery thread. 🙂 The ourobouros dragon banner needs more quilting on the black background. The dragon is done.

Pineapple star quilt pieced by Deborah Cooke
Pineapple star quilt in progress
Ourobouros quilt banner by Deborah Cooke
Ourobouros quilt in progress

Then there are two big ones to go to the long arm quilting place. Phew. I think I’ll leave that until the fall. I got all the borders on the Moonglow, so it’s ready to go, as is Jumpin’ Jack Flash.

Vogue 7010 for Barbie – View C

Vogue Craft 7010 is another sewing pattern for dolls that is out-of-print but available as a downloadable PDF from vendors on Etsy. I’m not sure which vendor I bought this one from, but it’s one of the better downloads I’ve ever bought – there’s a measuring tape on each page of pattern pieces. It’s also kind of nice to have a pattern with cutting layouts, line drawings, grainlines and dots to match on the individual pieces. Yup, call me old-skool.

Vogue 7010 sewing pattern for Barbie
Vogue 7010 line drawings

Although I bought it for view E, the first dress I made was view C. That’s the little teeny one in pink. It has a great yoke – but then a lot of the designs in this particular collection have some great seaming details.

It’s just so cute. Here are the girls in their new dresses and sunhats.

Vogue 7010 for Barbie view C (front view) sewn by Deborah Cooke

The pink one is a quilting cotton, lined with cotton voile. I made the hat with two layers (the pattern specifies one) because I wanted to finish the inner circle rather than just gluing it (as specified.) The inside layer is the same quilting fabric as the dress, while the other is a plain white linen. I put the two fabrics right side together, sewed the inside circle using the pattern piece as a template, trimmed the middle so there was a 1/8″ seam allowance, clipped the curves and turned it. I pressed it, then topstitched around the inner circle. The outer binding on the edge is a bias-cut strip of coordinating cotton voile in hot pink. I sewed it to the linen side, then turned and pressed it, hand-stitching it on the pink flamingo side.

I wasn’t crazy about the order of the seaming on the dress, so I cut another one of green quilting cotton with green cotton voile for lining. On the pink one, I followed the directions, sewing the dress and the lining fronts and backs, then the shoulder seams. I sewed them together at the neck, sleeve holes and hems, then sewed the side seams and the back seam. I ended up doing a lot of handstitching on the lining because it was very tight to manage on the machine.

For the green one, I sewed the side seams first. Fronts and backs, seamed at the shoulders, in both the lining and the dress, then sewed them together at neck and sleeve. Then I sewed the side seams, and the back. I sewed the hems, turned it through the open center-back skirt seam, then hand-stitched that closed. I’ll use this method in future.

Here are the backs and you can see the linen side of the sunhats, too.

Vogue 7010 for Barbie view C (back view) sewn by Deborah Cooke

This dress also has a placket at the back for the overlap, a very nice detail. I cut it of the lining for the green one to reduce the bulk, which worked out well for bulk – though it was tough to sew the snap to it.

The girls also have had their earrings removed. I knew the regular dolls could get green ear from the earrings – and had noticed a teensy mark on my repro ponytail girl – but saw a horrible pic of a Silkstone, never removed from box, with a bad case of green ear. It’s possible the vendor had never even opened the box. What a nasty surprise! So, all the girls had their earrings removed this past weekend. Only one pair was actually finished well enough to save – the others were already corroding and/or broke into bits while being removed. Why doesn’t Mattel include earrings in a little bag for the dolls, stapled to the inside of the box, like other vendors? Why don’t they stop making earrings of cheap metal that corrodes? These are the questions. In the meantime, take out your girls’ earrings.

Next up, the shirtdress from this pattern, while I hunt down something suitable for that leopard print evening coat. 🙂

McCalls 3845 for Tyler & Friends

McCalls Craft 3845 sewing pattern for Tyler Wentworth

Remember this sewing pattern for Tyler Wentworth dolls, McCalls 3845? Well, I didn’t just make the purse from it. 🙂

The outfit on the left is a sleeveless dress with a jacket – they show the jacket with fur or feather trim. I used velveteen on mine.

Here’s the finished dinner suit. Red crepe, lined with black polyester with red polka dots. The collar and cuffs are black velveteen and I used two black rose beads on the fronts. I like a black purse with this one.

McCalls 3845 for Tyler Wentworth dolls sewn by Deborah Cooke

There were issues with this little suit. The first jacket I made was too small—the sleeves were too short and the fronts didn’t meet. I redrafted the pattern with longer sleeves and bigger front pieces so that they met up at the center-front. Since the pattern was a digital download, it’s possible that I didn’t print the pattern at the right % size originally. This is a tricky bit with digital downloads that don’t have any scale on them. I printed the pattern at 100% but that wasn’t right. At any rate, it’s mostly right now. (The sleeves are a bit too wide in this version.)

The red crepe wasn’t the best choice of fabric, since it’s pretty thick. That’s why the bolero doesn’t close when she has the dress on. It’s just bulky. (Without the dress, the jacket closes, but it’s a bit of a bold look.) The fabric was also stretchy in the crosswise direction, which made accuracy a challenge. I thought the fabric was the reason why the bodice didn’t fit as well as I would have liked. It’s just too wide at the top.

Bodice top from McCalls 3845 for Tyler Wentworth dolls sewn by Deborah Cooke

But no. I realized that there is a teensy mistake in the pattern.

Bodice correction for McCalls 3845 for Tyler Wentworth dolls sewn by Deborah Cooke

This is the center piece for the bodice front. Usually, the printing on the pattern indicates the top and bottom by its direction – here, it looks like the larger edge should be the top. But the bodice doesn’t fit well into the top of the skirt this way, and the top gapes open on the final dress as you can see on the red dress above. On a whim, I turned it upside down for my second version of the dress and voilà! It’s PERFECT. So, the label on the pattern piece is upside down. Now, it has my handwritten labels on it. 🙂

Here’s the variation of the dress made by flaring the skirt, with the middle bodice piece the other way around. I cut it of the polka-dot polyester, lined with solid black. The plan was to give our girl an easy change of look with the jacket when she’s travelling. (You know how keen dolls are about globetrotting…)

Here’s the finished dress.

McCalls 3845 for Tyler Wentworth dolls with modified skirt sewn by Deborah Cooke

It fits MUCH better at the top front. The ruffle at the hem of the flared skirt is actually lingerie elastic trim, so it stretches, but it’s the perfect scale and it won’t be able to stretch now.

Of course, she needs a different purse for this outfit and I like the red one. 🙂

I also added a zipper to the back instead of the dress closing with snaps, which was bulky in the red version. There were a few tweaks to making that change – because the original closure with the snaps overlaps in the back, while the zipper means the back pieces just meet but don’t overlap. We’ll talk about that in a minute.

I ordered doll-sized invisible zippers online. The zipper has to be long enough to open over the widest point of the doll’s body – that’s her bum. 🙂 For a strapless dress for Tyler, I use a 10cm zipper. If the zipper went all the way to the nape, I’d use a 12cm one. Doll zippers tend to not have stops at the top – or maybe it’s just the ones I have – so it’s easy to zip them up with enthusiasm and end up with three pieces that won’t go back together. The first thing I do now before using a doll zipper is overcast a few stitches at the top of the teeth on each tape.

Because the pieces overlap in the original design, the seam allowances need to be reduced for the zipper. If the center back was marked on the pattern, this would be easy—you’d just make a new seam allowance from that. But the CB isn’t marked on this pattern and I didn’t want to guess since tiny increments can make a big difference with doll clothes. There’s a kind of a tab on the right back so I removed that, making both backs the same (mirror images of each other).

For the zippered back, I also changed the order of construction. The pattern instructions are to sew together all of the bodice pieces, then all of the skirt pieces, then sew them together at the waist and end up having only the center back seam open. Instead, I sewed all the front bodice pieces, then the front skirt, then sewed them together to complete the front. I sewed both back bodice pieces to their respective back skirt pieces, then inserted the zipper. It’s an invisible zipper, so it’s easier to set in when the back is flat. Once the zipper was in, I basted the side seams and tried the dress on the doll. I had to take a little bit extra out of the back to make it fit properly (that would be the seam allowance that I hadn’t already reduced), so I took it out of the side seams.

Here are the backs of the two dresses:

Dress backs of McCalls 3845 for Tyler Wentworth doll , one as pattern and one modified for a zipper, sewn by Deborah Cooke

And yes, the red one should lap the other way. I realized I’d done it backwards after I’d wrestled the base of the slit into place (to minimize the gap). In fact, this exercise is what pushed me to trying the zipper – getting the overlap in place was frustrating and I don’t love the result. If the doll bends at the waist, the back gapes open, and there’s a lot of bulk at the center back with all those layers. The metal zipper stop on the black dress is still visible, a sign that I need to refine my invisible zipper installation technique.

As far as using the jacket with the flared dress, I ended up with a small problem – the red purse is an orange-red and the jacket is a cherry red. They don’t go together. (Fortunately, I had shoes in the right shade of red to match the purse!) I’ll cut out another jacket to go with the second dress. I finally found some fake fur that has a short enough nap for the dolls, so I’ll use that in black for the collar and cuffs, but am waffling about the fabric. Should it be solid black lined with polka dots, or polka dots lined with black? The polka dot polyester just feels a bit light for a jacket to me. Hmm.

Purses for the Girls

A well-dressed doll needs accessories, but those little finishing details add up. I’ve yet to figure out what to do about shoes for my dolls – other than buying them for $$$ – but something fun happened recently with purses.

McCalls Craft 3845 sewing pattern for Tyler Wentworth

I bought a digital edition of this sewing pattern for Tyler Wentworth dolls, McCalls 3845. It’s out of print – I think it’s about 20 years old – so you can hunt down an old print copy or buy a digital download on Etsy which is (alas) unlikely to be a licensed and legal copy. I wish rights holders would make this older content available again but that seems unlikely to happen soon.

You can see that both dolls are carrying purses. You can’t really see the purse carried by the doll on the left in the dinner suit, beyond it being more square than the drawstring one.

Well, lo and behold, it’s kind of a Birkin bag.

Here’s the line drawing from the pattern instructions:

Purse B from McCalls 3848

Hmm. You cut the bag from faux leather and add a buckle to the strap across the front that holds the flap closed.

I cut one from a square of fake leather. These came in a package at the dollar store – there are two each of five colours (black, brown, navy, caramel and red) for a couple of dollars. The squares are about 7.5″ x 7.5″. (20cm by 20cm) It took less than half of one to cut out a purse – you can see that I could cut at least one more from the same square. I used a rotary cutter and ruler, btw, to get the straps perfectly straight.

dollar store fake leather

And here’s my first purse:

Purse from McCalls Craft 3845 sewing pattern for Tyler Wentworth sewn by Deborah Cooke

I think it’s adorable!

It was careful sewing – I slowed down the machine speed – but not that difficult. The toughest part was the corner of each side at the bottom front. I backtacked each stitching line, but I think next time, I’ll pull the theads to the inside of the bag and knot them.

The buckle is one I bought online from China so it’s probably the most expensive element. I ordered 40 more in mixed colours on Etsy for about $16 CA including shipping ($11CA plus $5 for shipping), since I’m using a lot of them. That makes them about 40 cents each. Individually, they’re more like 70 cents each plus shipping. It’s a necessary touch, though.

I’m thinking also that I could use a Sharpie to color the white edges that peek out, or even do one with a contrasting color. Hmm. I put a rolled Kleenex tissue in the bottom to support the shape. Overall, I’m pretty pleased by it.

I’ll be making some more purses from the squares with this pattern since those buckles have arrived. The girls need brown and caramel purses and I’ll try the navy with contrast cream stitching, too.

Next week, I’ll show you the little dinner suit finished. 🙂