Japanese Sewing Patterns

Simple Modern SewingIt’s Fiber Friday and time to talk about textiles and colour—and the wonderful stress-busters that they are. I’ve embarked on a new adventure that I wanted to share. I’d heard a fair bit about Japanese sewing patterns and earlier this month, I decided to try some. Part of the impetus was that I nearly finished a garment from a US pattern company, tried it on, and discovered that the fit was weird. The scoop neckline has ripples on the back shoulder, not because my shoulders are weird but because the curve of the pattern piece is wrong. It’s even ripply on Nelly, my dressmaker’s dummy, whose shoulders are perfect. As this dress has a ton of tiny pleats that took forever to sew, I was a bit annoyed.

Time for a change in my approach! I ordered three books from Amazon: Simple Modern Sewing, Basic Black, and Feminine Wardrobe.

These pattern books come with sheets of patterns in the back, much like Burda magazine. You have to locate the pieces for the garment you want to make and trace them out in your size, then add seam allowances. We have a tempered glass coffee table so I cleared it off and set a desk lamp underneath it to trace the patterns. The sizes tend to be smaller—the largest size in Simple Modern Sewing is L for a 37″ bust—but when you have all the sizes shown together, it’s easy to extrapolate to the next larger one. I missed that the patterns are also for shorter people—until I made my test garment. I’m 5’5″ so am usually on the short end for American commercial patterns, but the back waist length was only 15.5″ in SMS instead of 16.25″. I wouldn’t have bothered adding it to a waistless garment, but my first test was the wrap top on the cover of SMS, and it looks best with those ties on the waistline.

What I like about these patterns is that the books show lots of variations. So, that wrap tunic on the cover also has the option of 3/4 sleeves, and is shown in a dress length, too. Once you have the basic pattern fitted, you can have some fun.

I had some bright sheeting in my stash that I bought in a $1/m sale just for making muslins, and cut into it for a test garment. I had to drop the darts, but the fixes were very easy. These designs have simple lines—in fact, I probably chose one of the only ones that I’d actually need to modify. (But I like that long linen wrap dress sooooo much.) Several bodices later, I have a very ugly test garment—it’s too orange to show you!—but it fits. Ha. Now the fun begins.

I’ll do the finishing on the test garment and probably just wear it around the house—sometimes we need a garment that can risk being ruined with some job or other! Then I’m going to cut a real top out of some really interesting cotton with a border pattern. It looks like this:brown print cotton in Deborah Cooke's stash

And here’s a detail shot:brown print cotton in Deborah Cooke's stashI’m not sure how I’ll be able to place the border pattern on the blouse, but I know it will look great.

Next up, I’m going to try the dress option with one of the linen fabrics in my stash.

Have you embarked on any craftsy adventures lately?

Renaissance Fan Shawl

I just finished this shawl, which was a bit of an impulsive buy. The kit came from Earthfaire, with beads and yarn included. I thought it was pretty and ordered it—when it arrived, the colours were so beautiful that the project jumped queue and leaped onto my needles. I’m really happy with how it came out.Renaissance Fan by Nim Teasdale knit in The Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

The pattern is called Renaissance Fan by Nim Teasdale (the same designer who created the Dragon Scarf I showed you a few weeks ago.) That’s a Ravelry link, and you can buy the pattern there. I bought the kit from Earthfaire, which puts together wonderful kits often with The Unique Sheep gradient-dyed yarn and matching beads. This one isn’t on the site anymore. It came with six skeins of yarn, shading from purple to green.

Renaissance Fan by Nim Teasdale knit in The Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

The beads included in the kit were purple, although they’re hard to see even in this detail shot. They look great on the actual shawl. You can see that I made a slight miscalculation and ran out of the last green. Fortunately, I had a little bit of lime green left from my Bitterblue shawl (also an Earthfaire kit using TUS yarn, and dyed on the same base yarn – it was meant to be!) so I was able to cast off in lime. I like it!

Renaissance Fan by Nim Teasdale knit in The Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

What do you think?

Dragon’s Tale Scarf

I’ve been in a dragon mood lately and here’s the first project to show for it.The Dragon's Tale by Nim Teasdale knit in Noro Silk Garden by Deborah Cooke

Dragon’s Tale is a scarf designed by Nim Teasdale. (That is a Ravelry link.) I knit mine in Noro Silk Garden, because it was in the stash and it had a good dragon-y colour to it. This is much thicker than the specified yarn, but I still used the same size needles. I wanted a dragon of substance! I used two balls of the Noro Silk Garden and am very pleased with the results.

The Dragon's Tale by Nim Teasdale knit in Noro Silk Garden by Deborah Cooke

The Dragon's Tale by Nim Teasdale knit in Noro Silk Garden by Deborah Cooke

I love that tail!

He’s been finished for a while, but we needed a bit of sunshine for a picture.

What do you think?

Basic Sock Variations

Last week, I explained how I knit a basic sock. Today, I’ll explain two variations: heavy socks and knee socks.

Heavy Socks
Ribbed Sport Socks by Patons knit in Briggs and Little Tuffy by Deborah CookeMr. Math likes thick socks in the winter – he wears them instead of slippers in the house. I use a Canadian yarn for these socks called Briggs & Little Tuffy. It’s wool with a bit of nylon and comes in heathered colors, as well as a marl or two. It’s yarn that remembers the barn, so expect some vegetable matter to be spun in. It’s a thicker yarn than the sock yarn mentioned last week.

You’ll need two skeins of Tuffy for a pair of socks, but will have a fair bit left over – not enough for another pair of socks, but plenty for contrasting toes and cuffs. (My neighbor says two skeins make three socks, so four skeins make three pairs, but I’m not sure about this.) I use 3.0mm needles for these socks and cast on 56 stitches, but otherwise, just follow the basic sock instructions. They knit up pretty fast compared to socks in regular sock yarn.

A side note here on washing hand-knit socks: I wash our hand-knit socks in the washing machine, but I wait until there’s a load of them and use the delicate cycle. They’re wool, after all, and I don’t want them to felt (and shrink). You can also wash them by hand, which will keep them looking their best. NEVER put them in the dryer, because then they will shrink. With socks knit in B&L Tuffy, I also use sock stretchers. This ensures that the socks don’t shrink as they dry, or if they have shrunk a bit in the wash, it stretches them back out again.

Knee Socks
I love the idea of knee socks. I’m not sure why, as I don’t wear them much and they take a long time to knit. (All that ribbing. Ugh. But the ribbing gives them a better chance of staying up.) Invariably, I have a pair on my needles – sometimes for quite a while.

Knee socks are (duh) longer than regular socks, but they also need to be wider at the top to accommodate your calf muscle.  They take a lot of yarn as a result – buy twice as much yarn as you need for regular socks. You’ll have some left over, but not as much as you might expect.

If you’re using sock yarn, go with your usual 2.25mm or 2.5mm needles. Cast on 96 stitches, and work in 2×2 ribbing for 2 inches. Then knit in 6×2 ribbing for 30 rows. (You might be taller than me. Adjust this measurement so that you’ve knit to the widest part of the calf, with a two inch cuff.) Now you have to decrease down to 72 stitches to finish the sock. There are two options for this: hide the decreases or create a gusset.

Hide the Decreases:
knee sock knit in Fleece Artist Trail Sock by Deborah CookeThe second of this pair of socks is currently on my needles. It’s knit in another yarn from the Maritimes: Fleece Artist Trail Socks in the Hercules colorway. Because it’s a handpainted yarn, the repeat on the stripe sequence isn’t precise, as it tends to be on commercial yarns. The color increments are also much smaller, which makes swirls instead of bands.

You can hide the decreases by changing gradually from a 6×2 rib to a 4×2 rib.

Decrease round #1: *SSK, K4, P2, K4, P2, K4, P2, repeat from * to end of round.

Work 9 rows.

Decrease round #2: *K5, P2, SSK, K4, P2, K4, P2, repeat from * to end of round.

Work 9 rows.

Decrease round #3: *K5, P2, K5, P2, SSK, K4, P2, repeat from * to end of round.

Work 9 rows.

Decrease round #4: *K3, K2tog, P2, K5, P2, K5, P2, repeat from * to end of round.

Work 9 rows.

Decrease round #5: *K4, P2, K3, K2tog, P2, K5, P2, repeat from * to end of round.

Work 9 rows.

Decrease round #4: *K4, P2, K4, P2, K3, K2tog, P2, repeat from * to end of round.

Done! You have 72 stitches. Now, work in 4×2 ribbing for the rest of the sock, following the basic instructions.

Create a Gusset:
Dr Seuss Socks knit by Deborah Cooke in Noro Kureyon SockThis pair of socks are knit in Noro Sock yarn. Although this is a yarn from a big commercial mill, there’s a deliberate wabi-sabi attitude toward self-striping repeats in Noro yarns. Sometimes a color is missing from the sequence. Often the color segments are of different lengths. The repeat is less perfect and more organic, which I like a lot. These socks are knit from alternating balls – 2 rows from ball A, then 2 rows from ball B, then back to ball A for two more rows etc. This is one of my favorite ways to show off self-striping yarns.

You can see that I still had the matchy-matchy disease badly enough to start both colourways at the same point of the repeat. (There is no cure.) On the foot, I changed out one ball of Noro Sock for Briggs and Little Durasport, which is about the same weight but wears better. That’s the solid denimy-blue.

These socks were a bit skinnier than the pair I’m currently knitting. They were my first knee socks and I cast on 88 stitches. They’re a bit more snug and more likely to fall down. That’s why I now start with 96 stitches. In this picture, you can see one of two gussets on each sock. Essentially, one of the 6×2 rib repeats is decreased until it disappears into the next rib. The gussets are also centered over the heel – on this pair, there are three plain ribs between the gussets. There are two gussets in these socks, but if I cast on 96 stitches, there would need to be three. I’d eliminate the rib in the center back in addition to the two shown here – like this:

Work as above to the decrease row.

Decrease round #1: SSK, K4, P2, K6, P2, SSK, K4, P2, K6, P2, SSK, K4, P2, continue in 6/2 rib to end of round.

Work 3 rows.

Decrease round #2: SSK, K3, P2, K6, P2, SSK, K3, P2, K6, P2, SSK, K3, P2, continue in 6/2 rib to end of round.

Work 3 rows.

Decrease round #3: SSK, K2, P2, K6, P2, SSK, K2, P2, K6, P2, SSK, K2, P2, continue in 6/2 rib to end of round.

Work 3 rows.

Decrease round #4: SSK, K1, P2, K6, P2, SSK, K1, P2, K6, P2, SSK, K1, P2, continue in 6/2 rib to end of round.

Work 3 rows.

Decrease round #5: SSK, P2, K6, P2, SSK, P2, K6, P2, SSK, P2, continue in 6/2 rib to end of round.

Work 3 rows.

Decrease round #6: K1, P2 tog, K6, P2, K1, P2tog, K6, P2, K1, P2tog, continue in 6/2 rib to end of round.

Work 3 rows.

Decrease round #7: SSK, P1, K6, P2, SSK, P1, K6, P2, SSK, P1, continue in 6/2 rib to end of round.

Work 3 rows.

Decrease round #8: SSK, K5, P2, SSK, K5, P2, SSK, K5, P2, continue in 6/2 rib to end of round.

From here, just carry on with the basic sock instructions. Make sure when you set up your heel that the gussets are centered over it.

 

Basic Socks

socks knit in Patons Kroy stripes by Deborah CookeI had an email earlier this week from my niece, who wanted to know how to knit socks. For some reason, she thought I might know. (Ha.) Since she lives far away, I can’t sit down and show her. I need to explain how to do it. I knit socks so often that I don’t pay a lot of attention to what I do (and don’t use a pattern anymore) so I got out my needles, cast on, and wrote down what I was doing as I went. The result is here, for my niece and anyone else who wants to knit socks.

Here we go.

Start with the yarn.
Picking the yarn for a project is probably the most fun part. So many possibilities! For socks, you’ll want a sock yarn – which means that the fiber is mixed with nylon so the socks wear better. Also, new knitters tend to have uneven tension, so wool is a good choice – it’s the most forgiving. (Cotton is merciless because it has no stretch. If you want cotton socks, knit them as your second pair – or maybe your tenth!) So, a yarn that is wool blended with 10 or 15% nylon is a great choice.

The yarn you choose will either come in 50g balls or 100g balls. The 100g balls will usually have 400m or more, which is perfect for two socks, pretty much independent of what choices you make. With 50g balls, two balls might not be enough. I have some Lorna’s Laces Shepherd Sock here, for example, which has 215m in 50g. Lots for a sock. I’m casting on with Kroy Socks, though, which is a four ply yarn. It’s a little thicker so there’s only 152m in 50g. That’s a bit short for a sock. I buy a third ball with this yarn, just to be sure. Once you’ve knit a few pairs of socks and have ends leftover, you can always knit the toes in a contrasting color.

socks knit in Patons Kroy FX by Deborah CookePick your needles.
You’ll need a set of double-pointed needles (DPNs) or a pair of short circular needles in your needle size of choice. It’ll be between 2.0mm and 2.5mm, depending upon the thickness of your yarn and your own tension. Tension is personal. You might knit tightly and need to use a bigger needle to get a nice fabric. You might knit loosely and need to use a smaller needle to have a good result. The knitted fabric shouldn’t be so tightly knitted that it’s stiff, and it shouldn’t let too much light get through, either. There’s a balance to be struck. I’m going to cast on with my tried and true 2.25mm DPNs. (Thrift shops, btw, are great places to get needles cheap.)

Cast on.
There are two main ways to knit socks: “cuff-down” means that you start at the cuff and knit down to the toe; “toe-up” is the other way around. Let’s knit cuff-down. You want a stretchy cast-on so it’s easy to pull on the finished sock. I use the long tail cast-on. There are a ton of online videos demonstrating this, if you haven’t learned it already.

For socks, I cast on 72 stitches. Some people use 64, but I hate tight socks. Hate. Hate. Hate. (This is one of those choices that will affect how much yarn you use.) Distribute your stitches across 3 of the DPN’s (Yup, 24 on each one.) and join without twisting. If you’re using short circulars, put half of the stitches on each needle and join without twisting.

socks knit in Jawoll aktion by Deborah CookeFussy Knitter Tip – If you’re knitting with self-striping yarn that comes in 50g balls and you have the matchy-matchy disease, be That Customer and go through the selection until you find two balls that start at the same place in the stripe sequence. Commercial yarns (like Kroy Socks) have a striping sequence that repeats at precise intervals. If the ball starts in the same place, you cast on each sock from the new ball, you’ll get socks that match. This can be a bit of a mind-melting exercise as mills wind self-striping yarn in either direction of the color sequence. So, you can be looking for balls that start with B-C-D of an A-B-C-D-E sequence, and will come across ones that are D-E-A as well as those that are B-A-E. Remember that puzzle-solving is good for avoiding dementia. If you have the matchy-matchy disease badly, choose a point to make the cast-on knot that’s easily repeatable – maybe the point where one color changes to the next.

Ribbing.
You can rib a little or a lot. I hate socks that fall down almost as much as tight socks, and ribbed socks stay up. I rib all the way to the heel, then on the top of the foot to the toe. (Ribbing uses more yarn than stockinette stitch, so this is one of those choices.) You can rib 2/2 (K2, P2) or 4/2 (K4, P2) or 6/2 or any repeat that divides evenly into 72. You can rib for an inch or two inches, then change to stockinette. You can rib 2/2 for two inches then switch to 6/2 to the heel. This is my favorite combination because ribbing goes slowly. I knit the leg 6″ for my socks, and 8″ for Mr. Math’s socks. You can vary this, but as soon as the sock goes over the calf muscle (knee socks) you need to make some adjustments. We’ll talk about knee socks next week.

Fussy Knitter Tip – When you knit on multiple needles, it’s easy to get a gap in your knitting where you change from one needle to the next. This is called a “ladder” because it looks like one. To avoid ladders, try three tugs. When you change needles, give your working yarn a little tug. After you knit the first stitch on the next needle, give your working yarn a little tug. Third time’s the charm – after you knit the second stitch on the needle, give your working yarn another tug. Presto. No ladders. This tactic also works if you get a loose knit stitch right before you switch to purl in your ribbing. Give that knit stitch a tug, then the purl one, and no more loose stitch.

Turning the Heel.
This is the trickiest bit, and it’s not that tricky. (You can do it.) First, you’re going to knit a heel flap that goes down the back of your foot. Then you’ll do some decreases to turn the work so you’re knitting the bit that goes on the bottom of your foot. Then you’ll pick up stitches on each side of the heel flap so that you’re knitting in a circle again. You’ll decrease down to your original stitch count in gussets. After that, it’s straight on to the toe.

Knitting a heel flap by Deborah CookeIf you have a sock yarn that includes a spool of matching nylon thread (Lang Jawoll does this. The spool is buried in the middle of the 100g ball.) use it for this part. Just knit with it along with the sock yarn for the heel flap and the turning of the heel. It’ll help the socks to wear better.

1. The Heel Flap
A heel flap should be a little less than half the width of the sock. Half of 72 is 36, so we’ll make ours 34 stitches. After you’ve knit the leg as long as you want it to be, arrange your stitches so that there are 34 on the first needle. Slip 1, knit 1 across these 34 stitches. Turn. Slip 1, purl to end. Turn. Repeat this sequence, working only on these 34 stitches, until you have a heel flap that’s about two and a half inches deep.

turning the heel by Deborah CookeFussy Knitter Tip: I like when ribbing lines up, no matter what I’m knitting. Since I’m knitting these socks in 6/2 rib, there are nine repetitions around the sock. I chose to have four knit bands descend into the heel. To make it symmetrical, I didn’t work the last two purl stitches in the last round of the sock leg. Instead, I moved them on to the next needle and worked them as the beginning of the heel flap. That gave me (8 x 4 +2) 34 stitches for my heel flap.

2. Turning the Heel
This is a sequence of decreases which turn your knitting so that you’re knitting along the bottom of the foot instead of down the back of the heel.

Slip 1, K to 2 stitches past the middle of the row, SSK, K1, turn. Count how many stitches are left unworked. Add three. This is your magic number.
Slip 1, P your magic number of stitches, P2tog, P1, turn.knitting a heel flap by Deborha Cooke

You’re creating a little wedge in the middle of the row. For each right side row, K to the stitch you slipped in the previous row (it’s the one before the little gap), SSK and turn. For every wrong side row, P to the stitch you slipped in the previous row (right before the little gap), P2tog and turn. Do this until all the stitches at the base of the heel are part of the wedge. (On this sock, the turning of the heel coincided with a color change in the striping sequence, so the turn is dark pink. I wish I’d done that on purpose because it’s very cool, but it was just dumb luck.)

If you aren’t at the end of a right side row, knit across the stitches to get there.

Fussy Knitter Tip

– Needle management is fiddly at this bit. You might need to use a stitch holder or extra needle to get all the picking up done. If you’re using two circulars, keep the top of the sock on one needle, and put everything else on the other one. If you’re using a set of four DPN’s, keep the top of the sock on one needle, and divide the bottom between two other needles. If you have a set of five DPN’s, keep the top on one, each side of the heel flap on one, and the bottom on one.

3. Picking up Stitches
All those slipped stitches up the side of the heel flap are screaming for you to pick them up. (Just listen.) Use a spare needle and pick them up. Pick up an extra one at the top of the sock, before the live stitches you still have on your other needle. Knit up the side of the heel flap, knitting together the last two stitches (to avoid a hole.)

Fussy knitter tip – Twist those stitches along the sides of the heel flap when you knit them, to avoid holes.

I keep ribbing on the top of the foot, so I rib across the top of the foot. (Knit the knit stitches and purl those purl stitches.) On the other side of the heel flap, you’ll pick up the same number of stitches as on the first heel flap—including an extra one at the top—SSK, and knit down to the bottom of the heel. Your row starts and ends at the middle of the row on the bottom of the foot. You’ve got all your stitches on your needles again, the heel is turned, and we’re almost home free.

4. Decreasing from the Heel
You have lots of stitches for the heel but too many for the foot. You need to get back to 72 stitches again. This is simplest if the top of the sock is on one needle all by its lonesome. Work across the bottom and up the side until there are three stitches on your needle. K2tog, K1, then work across the top of the sock. On the other side of the sock, K 1, SSK, then knit to the end of the round. Knit one round. Repeat these two rows until you have 72 stitches again.

I had, for example, 28 stitches on each of my side needles. I needed to decrease down to 17 on each needle to get back to the 34 I started with for the flap. Now that the decreasing is done, I have little triangular gussets on each side of my sock, and 72 stitches in total.sock gusset knit by Deborah Cooke

Ha. Told you it was easy.

Knit the Foot
You’re going to knit the foot until the sock reaches the joint below your big toe. (The one at the end of the first metatarsal.) Then it’s time to decrease for the toe. Keep knitting in the round for at least three inches, then try on the sock. When the sock covers your foot up to that bone, it’s time to decrease.

Decrease for the Toe
You’ll probably need to redistribute your stitches. The toe decrease happens on the left and right sides of the foot. If you’re using four DPN’s be sure you have exactly half of your stitches (36) on the top needle and 18 on each of the bottom needles. Consider the beginning of your row to be in the middle on the bottom of the sock, between those two DPN’s. Knit until there are three stitches left on the first needle. K2tog, K1. On the second needle, K1, SSK, K until there are three stitches left, K2tog, K1. On the third needle, K1, SSK, K to end. You’ve just decreased four stitches. K one row. Repeat until there are sixteen stitches in total. Break your yarn, graft your toe stitches (Kitchener stitch is your friend) and you’re done!

basic sock knit by Deborah Cooke

Now you just need to make another one to match. 🙂

Barista

I finished my purple sweater this week. What a quick knit—even though I reknit the sleeves. The pattern is Barista, by Martin Storey, which is in the current Rowan magazine, #60. It’s knit in Big Wool, which I had in my stash in this great purple colour. Here it is!Barista by Martin Storey knit in Rowan Big Wool by Deborah Cooke

Mr. Math photographed it near the end of the day, so there are some dramatic shadows. They show up the stitch pattern quite well, though.

There was a tiny mistake in the pattern, which was no big deal. There’s a chart for the stitch pattern, and the key for the chart showed two blank (identical) boxes. Obviously, the squares with nothing in them are knit on the right side and purled on the wrong side, and the squares with a dot in them should be purled on the right side and knit on the wrong side. I got a Sharpie and made a dot in the right square in the key. Fixed.

In the knitting, I made a couple of small changes. First, I kept a stitch in stockinette at each edge of each piece for easier seaming. You can see the side seams here:Barista by Martin Storey knit in Rowan Big Wool by Deborah Cooke

Second, I cast on four extra stitches for the sleeves, since I found them a bit more snug than I wanted. I followed the instructions for the increases on the sleeves, but did two fewer of them, so I’d have the right number of stitches for the raglan decreases.

And finally, I made the collar deeper. It was a really wide crew neck when I tried it on and I wanted it to be more snuggly, so I knit until I ran out of yarn. Here’s what it looks like folded down. I like having a choice!Barista by Martin Storey knit in Rowan Big Wool by Deborah Cooke

This isn’t the most flattering sweater I’ve ever made in my life, but it’s warm and it’s comfortable and it’s purple. I love it. What do you think?

Barista in Rowan Big Wool

When knitters unravel a piece of knitting, they say they’re “frogging” it. That’s because “rip it rip it” is the sound a frog makes.

Yes, it’s silly but it’s fun.

Another verb for the same process is “tinking”. If you spelling “knit” backwards, you get “tink”, so knitting in reverse is tinking.

Last night, I decided to frog the sleeves of a sweater, but I took a picture of it first to show you why. It’s knit in Rowan Big Wool, in a pattern called Barista. I had some Big Wool in the Wild Berry colourway, which I’d bought for a boxy jacket. I knit that jacket and frogged it when I didn’t wear it.

Because the yarn is thick, ripping it back and reknitting it isn’t that painful. There won’t be a mourning period—in fact, by the time you read this, I’ll probably have reknit most of what I pulled back.

Here’s what the sweater looked like yesterday afternoon: Barista by Martin Storey knit in Rowan Big Wool by Deborah Cooke

It has a great stitch pattern and I really like how it was knitting up. I also love the colour of this yarn. But….I had a funny feeling, so I knit the side seams and basted the sleeve to the underarm, tied the shoulders and tried it on. My funny feeling was right. The body is wide for me, even though I knit my size and got gauge. It has more ease than I expected, but I’m going to leave it. I had wondered while knitting it whether I should make it longer, and I did make it a little bit longer. The length is perfect. The sleeve, though, is quite snug. I like to push up my sleeves, so I need a little more ease in them.

Of course, I was knitting both sleeves at once. :-/

But, rip it rip it. I frogged the sleeves and cast them on again with four more stitches each. I’m excited about this sweater, though, and am charging ahead to get it done. The days are cooler and it should be the perfect weather for this sweater soon. If all goes well, I should finish it up this weekend!

Moonrise Necklace and Bent Needles

Several weeks ago, I mentioned that I’d had to get a new set of DPN’s because I’d bent my needles. I promised to show you how that had happened. Today’s the day.

I bent my steel knitting needles by knitting with wire. I was knitting this:Bead Soup Necklace from Earthfaire knit by Deborah Cooke

 

This necklace is a kit from Earthfaire, which includes both the materials and the pattern. It’s called the Moonrise necklace, and I ordered my beads in the Moonrise on Neptune colourway. It comes with silk thread but I thought it would be cool to use silver-plated wire instead. I also changed out the clasp and used a sterling one instead, since I was spending so much time on the project. The result is wonderful and I like it a lot, but it took a long time to knit this. I had to keep putting it aside to let my fingers heal! Knitting with wire isn’t for wimps, especially when you use teeny needles (2.5mm) like I did. I think that the result was worth a few sore fingertips and even the bending of a couple of DPN’s.

I still have the bracelet on those bent needles and will have enough beads left to make matching earrings.

What do you think?

Vogue Knitting Fair Isle Hat

There’s a hat on the cover of Vogue Knitting this fall, the new edition, and I’ve knitted one.

Vogue Knitting magazineFirst, here’s the issue of VK (fall 2016) and the hat in question. The hat is in the Modern Fair Isle article, which has some lovely patterns. (If you scroll down and click on the image of the hat, some alternate views will be displayed in a pop-up window.) The hat is knit of Rowan Felted Tweed and was designed by Mary Jane Mucklestone, inspired by some traditional Shetland hats in the museum there. I immediately liked the colors of the hat, so bought the magazine based on the cover.

My grey Bohus-inspired pullover is on the needles in Rowan Felted Tweed and Colourspun (it was also a design featured on the cover of VK that prompted me to buy the magazine) so I thought I’d make a hat to match – right now, the sweater is in that endless stockinette phase. I needed some instant gratification and this was it.

I didn’t want a hat of that shape, though.  Here’s my finished hat:Fair Isle hat by Mary Jane Mucklestone knit by Deborah Cooke in Rowan Colourspun and Rowan Felted Tweed

I followed the pattern until the fair isle section was finished, then knit another row. After that, I began to decrease like this:

Row 1 – *K10, K2tog, Repeat from * to end of round.
Row 2 – Knit
Row 3 – *K9, K2tog, Repeat from * to end of round.
Row 4 – Knit
Row 5 – *K8, K2tog, Repeat from * to end of round.
Row 6 – Knit
etc., until there are 12 stitches left. K2tog all around, pass the end through the remaining stitches and bind off.

It fits perfectly and is very warm. I knit another one in different colours, since I have a lot of scraps of Colourspun and Felted Tweed.

Fair Isle hat by Mary Jane Mucklestone knit by Deborah Cooke in Rowan Colourspun and Rowan Felted TweedWhat do you think?

Vogue 8970

I told you a couple of weeks ago that I was sewing again, and showed you some of the fabric I had cut out. There was this rayon print:
I cut out the short version of Vogue 8970.

Here’s my lovely assistant Nelly, showing off the result

Vogue 8970 sewn in rayon print by Deborah CookeIt fits perfectly! I’m so happy with this dress. The fabric is a little sheer, so I’m going to cut out an underdress in black cotton voile. The skirt has a nice flare, which is tough to see since Nelly needs to work on her modelling skills.

My one trick was to baste the tucks and darts initially. I waited until I could try on the dress to check them, then adjusted them a bit before sewing them in. I decided to use black thread and flat-fell the seams because I thought it would look good – it does, but because the seams are curvy, it took longer than expected to get them sewn. The only thing was that I didn’t check the length before I cut – I always have to shorten dresses and never thought about checking it – and it’s a bit shorter than I’d like.

This may be my new go-to summer dress pattern. (For a long time, it was Vogue 1149.) I immediately cut out two more dresses from this pattern, both in the longer length. I finished the seam allowances differently on the one in the black rayon print. That extra 4″ of length is just perfect—here’s the second dress on lovely Nelly:

Vogue 8970 sewn in rayon print by Deborah CookeI’ve already worn this one a few times.

I’ve cut out a third version of this dress from a wonderful plum cotton print from the Victoria & Albert collection. I’ve been waiting for just the right pattern for it. Here it is – most of the birds are white but some are taupe:

They had rayon dress weights on sale this past month, so I bought another crinkle rayon and will cut a fourth version of this dress.

A lot of dresses? Yes, but I love wearing dresses in the summertime. I’ll get a lot of wear out of these. I’ll wear this black one with a pullover sweater and boots in the fall, too.

The green dress also has mother-of-pearl buttons that I bought as an experiment. I was ordering charms for bookmarks from an online portal and saw the buttons—the bag of 100 buttons was less than $4, so I thought it worth a try. I love mother-of-pearl buttons and pay about $3 for a card of 3 buttons at the fabric store here. I was skeptical that the deal could be as good as it appeared to be, but the buttons came and they’re great. If I keep sewing, I might spring for the bag of 1000 buttons, which is $9 or something equally incredible.

I’m so happy to be sewing again. 🙂