Another Hebrides

I finished this sweater last week and just love it:Hebrides by Lisa Richardson knit in Kidsilk Haze Stripe by Deborah CookeThis is the Hebrides cardigan pattern (a free download from the Rowan yarns website) knit in Kidsilk Haze Stripe. This is the Cool colourway. (The pink isn’t quite as bright IRL as it appears in the photograph above, btw. ) When you look at the pattern on the Rowan site, you can see from the styling that the ease is calculated for you to wear the sweater right against the skin. Because I knew I’d wear this as a cardigan over top of blouses or t-shirts, I knit one size larger and left out the waist shaping. I knit one of these before in the Twilight colourway and knew immediately that I’d wear it all the time. (I do.) It was clear that I needed another one. For my size, it took about 2.5 balls of KSH Stripe.

I also found some perfect buttons in my stash – these were harvested from a Ralph Lauren skirt I made years ago. The skirt wore out (it was loved to death) but I liked the buttons so much that I kept them. Now they’ve finally found a new home. They’re exactly the right tones of blue – they’re a bit stripey, but that didn’t show up as well as I’d hoped.Hebrides by Lisa Richardson knit in Kidsilk Haze Stripe by Deborah CookeI’m going to cast on yet another of these cardigans, this time in a solid colour.

What do you think?

Doughty Dragon 1

A few weeks back, I started to knit a dragon. The pattern is called Doughty Dragon and it’s knit of Noro Kureyon Sock. I happened to have a ball of that in my stash, in a dark colourway (#233 – it’s the 10th one on the page linked above) that I thought particularly suitable for a dragon. This pattern is knit in pieces and then assembled. The dragon bits are stuffed as they’re seamed, and have pipe cleaners in them to give a bit of structure to the figure. Here are the dragon bits, so far:Doughty Dragon by Joan Rowe knit in Noro Kureyon Sock by Deborah CookeI took this outside, and the tree is casting some interesting shadows.

The instructions in this pattern are excellent. It’s fiddly work, but very clearly described. This, however, is not a project for anyone who dislikes grafting! I find I’m working on it in spurts and stops. The problem with the dark choice of yarn is that it’s a bit tougher to see what I’m doing when picking up stitches and grafting, especially at night. I’ve also done a lot of winding back and forth in the ball of Kureyon Sock, trying to ensure that his left and right sides match.

He needs a head, back scales, head scales and his wings sewn on. I need to go digging for some red yarn (for the inside of his mouth) and some white (for his teeth). I’m quite happy with this project so far. I have a ball of Noro Silk Garden Sock (same gauge, less yardage) in a flashier colourway (#315 – it’s discontinued and isn’t displayed on the linked page), but we’ll have to see whether the Dark Dragon gets a Bright Brother or not.

What do you think?

Have you ever knit a dragon? A knitted toy or sculpture?

The Mermaid Shawl Puzzle

The Mermaid Shawl has had me puzzled. Last week, I figured out what was going on. Even though I’m using my own pattern, Undine, I didn’t follow the directions. In Undine, the ruffle is created with short rows at the outer edge of the shawl, and this ruffle remains the same width across the shawl. Any changes to the total width of the shawl are made in the body of it, right before the ruffle. (The increases are between the ruffle and the main part of the shawl.) This means that the rows in the body of the shawl are perpendicular to the lead edge, like this:Undine by Deborah Cooke knit in Noro Kureyon Sock by Deborah CookeWhen I began to knit the Mermaid Shawl, though, I didn’t read my own directions! I made my increases at the lead edge (i.e. the beginning of the right side row). This skewed the knit rows. Because of the location of the increase stitch, the rows fall at an angle to the lead edge, like this:Undine shawl by Deborah Cooke knit in Crazy Zauberball by Deborah CookeThe gussets that make the ruffles don’t appear to be in a separate band either. They just flow from the main shawl – in a way that would definitely please a mermaid.

This is pretty interesting. I had no idea this would happen. I would have expected my mistake to make very little difference. I was wrong about that!

If I had just continued, following the rest of the directions for Undine, the stripes would have been at an angle for the entire shawl. But, I had decided to make an inverted V in the back, again with short rows, to emulate the shawl in the Jane Eyre movie. The finished V looks like this:Undine shawl by Deborah Cooke knit in Crazy Zauberball by Deborah Cooke

My revised plan had been for the inverted V to be the middle of the shawl, BUT the knitting still doesn’t line up. In fact, it’s only this new part that is perpendicular to the lead edge, and that means that the picture above is actually the midpoint of the shawl.

I need to knit another inverted V of short rows before decreasing to the end of the shawl to make the shape come out right. The finished shawl will have three triangles. This means that I’ll run out of yarn – I’m half done, but have only 30% of my yarn left. I’m going to have to buy a third ball to finish. I do like it, though, and it will bug me if I don’t finish it so that the rows are straight.

What do you think?

More Progress on the Mermaid Shawl

I’ve been knitting and thought it time to show you my progress on that stripey shawl.Undine shawl by Deborah Cooke knit in Crazy Zauberball by Deborah CookeI’m just past the midpoint. I made a variation to the pattern on a whim. I decided to do some short rows in the middle, so there will be an inverted V down the centre back. This will make the shawl narrower but will also give it a slightly different shape. I worked two stitches less for every second row from about the lime stripey bit until I got down to just a few more stitches than the godets require. (There are more details on my Ravelry project page.)

Look at the ruffled edge at the top and you can see the green godet which is the middle point of the shawl. (It’s the top green godet.) From that point, I’ve been adding back two stitches every second row and will continue until I’m working all of the stitches again. Once there, I’ll carry on with the decreases in the pattern to finish the shawl.

I’ll show you another picture of the turns once I’ve made more progress and you can see the inverted V more clearly. I’m quite happy with this one. What do you think?

Progress on the Mermaid Shawl

I thought I’d show you my progress on my Undine striped shawl today. I really like what the self-striping yarn is doing:Undine shawl by Deborah Cooke knit in Crazy Zauberball by Deborah CookeYou can also see how the hem is beginning to flutter. If I held that top edge (the one on the right) straight, it would ripple even more.

I’ll start to decrease the width of the shawl once I’ve used half of the yarn. The easiest way to determine that point is to weigh the balls of yarn. (I use the kitchen scale.) They were each 100g when I started. Now they’re both around 75g. When they get to 52 g or so, I’ll start to decrease. I want to make sure the shawl is symmetrical, so might do something different at the midpoint. We’ll see when I get there.

In the meantime, what do you think?

Knitting for a Mermaid

Because I’m having an administrivia week, I needed something to knit in garter stitch. I decided to use one of my own patterns, but make it stripey. The colours in this yarn are shades of blue and green, so that makes it fit for a mermaid. 🙂

The pattern is for a shawl with a ruffled edge and is called Undine. That’s the Ravelry link to the pattern (which is free download) but I also blogged about my first one here. That one was knit in a self-striping yarn – Noro Kureyon Sock – and I mirrored the striping pattern. I’ll add the picture here so you don’t have to click through:Undine by Deborah Cooke knit in Noro Kureyon Sock by Deborah CookeFor this new one, I wanted stripes. I had two balls of Crazy Zauberball sock yarn, which is a self-striping yarn, in the colourway 2136. Originally, I planned to knit knee socks with this yarn, but I wasn’t happy with the way they were coming out. Plus, I’m more likely to wear a green shawl than green knee socks.

I found a mistake in my own shawl pattern in the set up! Yikes! So, I’ll have to fix the PDF, but here’s a detail shot of the set up tip of the shawl. Although I’m using two balls of yarn for this project, I did this part with only one.Undine shawl by Deborah Cooke knit in Crazy Zauberball by Deborah CookeI joined the second ball after this, and began alternating between the balls, working two rows from each. Here’s a progress shot:
Undine shawl by Deborah Cooke knit in Crazy Zauberball by Deborah CookeWith the change in colours, you can see the godets more clearly in this version. At this point, I’ve worked seven godets, which make the hem of the shawl ripple when worn.

I’m having fun with this one. It’s not quite a mindless knit, which will keep me interested, as will the self-striping yarn. I also like how the striping is periodically disappearing when the colours from the two balls are similar. This could be avoided by using a solid yarn as one colour or a completely contrasting colourway, but I like when things slide in and out of focus. My Rav project page is here, if you want more detail.

What do you think?

Those Wyrd Sisters

I was going to tell you about a new shawl project today, but instead, I’m going to show you another one that I finally finished. (Yay!) That post about the new project has been bumped to next Friday.

When I was writing the Dragon Diaries, I did a lot of research on the Wyrd sisters in Norse mythology, also called the Norns (or sometimes the Nairns). These three immortals decide the fate of all living beings – in the myths, they’re spinners, but in Zoë’s books, they’re knitters too. Around about the same time, I was intrigued to discover that a knitting designer had created a trio of shawls to celebrate these three sisters. I had this idea that I’d knit them all to commemorate the publication of Zoë’s story.

I finally cast on in 2013.

I did finish the first one, Verdandi, pretty quickly. Verdandi is the sister who governs the present, so I called my project “Is”. This is a triangular shawl, and I knit mine in Fleece Artist Nyoni. This mohair, wool, silk and nylon blend is discontinued (so that’s a Ravelry link), which is too bad because it’s a scrumptious yarn. I still have a bit in the stash in another green colour. 🙂

The post about my completed Verdandi is right here.

Then I cast on the second shawl, Urdr. Urdr is the sister who governs the past, so my project is called “Was”. That was in September 2013. This is a huge round shawl knit in very fine laceweight yarn. The idea behind the design is that this shawl is supposed to represent the well at the root of the world tree, Yggdrasil, which the sisters tend. I used a gradient colourway from the Unique Sheep called Brigid, which made me think of copper cauldrons and ancient goddesses. (You can see Brigid on this page of the Gradiance colourways. It’s in the middle of the fourth row. Mine didn’t look quite like this sample, but each base yarn takes colour differently. Mine was very teal at the one end and quite a warm grey gold at the other with no mauve or blue bits—actually it has colours like the two middle skeins in the sample.) The base yarn is Ling, which is a silk and merino blend.

Knitting this shawl became a bit of a slog, as the rows at the end had more than 1200 stitches, and I added rows to use more of the yarn. Also, knitted lace looks like nothing until it’s blocked. I was losing heart because I had what looked like a lump in my lap each time I picked up the needles. I told Mr. Math about two weeks ago that I had to finish it, and he said “What’s the rush? You’ll just cast on another one.” Such was my mood that I wasn’t so sure of that. Maybe this would be The Last Shawl.

I should have anticipated that blocking would change everything. it’s such a magical process. Imagine my surprise when my lump stretched out to look like this:Urdr by Anna Dalvi knit in Unique Sheep Ling with beads by Deborah CookeIt’s at least six feet in diameter and so lovely that I can’t stop looking at it. The yarn is dyed in gradients, which means that there are six skeins in the set, and you change from one to the next as you knit.

Here’s a detail shot, after blocking, on the couch. You can see the colours better in this shot, although IRL, the gradation is more subtle and the middle is less blue than it looks here:Urdr by Anna Dalvi knit in Unique Sheep Ling with beads by Deborah CookeIt’s supposed to have nupps (which are little knitted knots) but I don’t like knitting nupps so I put beads in those places instead. Because I didn’t make nupps, I used less yarn. I wanted to have the entire gradation of colour, though, so I added repeats to the border. I also added more beads to the outside edge. Details are on my Ravelry project page.

It was totally worth it, and I’m ready to cast on another shawl, if not two! I’ll tell you next week about my nerd knit in that raw silk and merino blend (in another gradient colourway from the Unique Sheep, also with beads). There’s also the third Wyrd sister’s shawl to knit. It’s called Skuld, for the third sister who controls the future. My project will be named “Might Be” and I have some lovely Fleece Artist yarn set aside for it. I’m going to try to be good, though, and finish the lace stole that’s on my needles and only one third knitted before casting on another. (Ha.)

Urdr by Anna Dalvi knit in Unique Sheep Ling with beads by Deborah CookeUrdr by Anna Dalvi knit in Unique Sheep Ling with beads by Deborah CookeWhat do you think of my Urdr?

Bitterblue Shawl

I told you a while back about a shawl I was knitting in gradient colours, following a pattern called BitterBlue. Well, now it’s done and I’m very happy with it. Because I chose not to block it, it’s between a large scarf and a small shawl in size. Blocking would make the points stand out more on the border and would make it larger, but I like how scrunchy the garter stitch is. Plus I just love the colours.

Here it is:Bitterblue by Barbara Benson knit in Unique Sheep Luxe (kit from Earthfaire) by Deborah CookeI did make some changes to the pattern – some planned and some inadvertent user errors – and you can read about those on my Ravelry project page, right here. The base yarn is really nice, and I realized that I have another kit from Earthfaire in the stash that came with the same yarn. I caked up the yarn for that project up, and will tell you about it next week.

What do you think of this one?

Modified Paige

I recently finished this sweater, just in time to pack it away for next fall. It was really cold here this winter, and I wanted a big fuzzy sweater. Now it’s done, just in time for spring weather.

The pattern is Paige from Rowan 52, which is knit holding three strands of KidSilk Haze together, each of a different colour. It’s colour-blocked in four sections. The original pattern is an over-sized pullover with a funnel neck and slits at the hem on the side seams. Rowan had a yarn available for the past several years called KidSilk Haze Trio, which was three strands of KSH in different colours twisted together. I figured it would knit exactly the same—plus KSH Trio is discontinued, which meant it was on sale. Even better!

The three colours of KSH that should be held together for the green part of Paige are Jelly, Fern and Ember (which is discontinued, too.) It looks like the three colours twisted together in KSH Trio’s Fern colourway are Jelly, Fern and Ember. Ha. So, the plan was that my Paige would be solid green. I figured it would look a lot like Wonder, one of the patterns in the KSH Trio book, but with a more manageable neckline. (That’s a Rav link too.)

I finished the sweater in March, and had my doubts about the front being shorter than the back. When I tried it on, the wool itched on my throat, and I knew I wouldn’t be able to wear it against my skin. Since it was so warm, it didn’t make sense to use it as a layering piece, either – in fact, it was so warm that I wasn’t sure I’d wear it at all. I could have steeked the front, but instead took the opportunity to reknit the fronts the same length as the back, as well as making it a cardi.

Here’s the result:Paige by Lisa Richardson, with modifications knit in Kidsilk Haze Trio by Deborah CookeIt is huge and it is fuzzy. I like wearing it open, which means the collar flops down, like a shirt collar, but also means that it’s not quite so very hot. I think I’ll wear it a lot next winter. What do you think?

Bitterblue in Progress

Time to show you some knitting again!

I had lots of plans to finish more of my projects on the go, but so much for good intentions. I had ordered a kit for the Bitterblue Shawl from Earthfaire in the Magic Carpet colourway, and when it turned up in the mailbox, I just had to cast on right away.

I inverted the order of the colours and am approaching the halfway point. This shawl uses yarn that has been dyed in gradients, each skein slightly different from the previous one so that the end project shades from one colour to the another. In this case, it shades from plum to green. Unique Sheep Gradiance is the name of the company and the line of these meticulously dyed yarns: you can see some of the other colourways on their site, right here.Bitterblue by Barbara Benson knit in Unique Sheep Luxe (kit from Earthfaire) by Deborah CookeIf you looked at the pattern on Earthfaire’s site, you will have noticed that my shawl looks different – and not just because I inverted the colours. The pattern has a larger cast-off after every third repeat of the border pattern. When I tried that, though, I didn’t like the look of it. I thought I’d prefer the shawl if the line between the border and the body of the shawl was smooth, instead of stepped off, so that’s what I’ve done.

The result of that choice will likely be that the shawl will come out a bit shorter – because mine will be wider and there’s a finite amount of yarn. When you use gradient yarns, you’re supposed to ease the transitiion into each colour change, alternating between the old and new colour, before changing completely to the new colour. (Here’s the Unique Sheep tutorial.) This always gives me stress when the rows are of different length, because I fear I’ll leave the wrong amount of yarn and run out in the middle of a row. OTOH, I don’t want to have yarn left over when I’m concerned about the overall size of the shawl. So, I’m just changing from one skein to the next, without easing into the change, and using a Russian join between them. I think it looks good.

You can’t see another change I’ve made: on every row knitting back toward the border, the first stitch is to be knit according to the pattern. I thought the edge was too tight that way, so began to slip that first stitch instead. (And actually you can see it if you know what you’re looking for. The shawl begins at that lower point, where the purple end of yarn is showing. You can see that the right edge curls more in those first few rows – I changed to slipping the stitch before that row of 5 beads.)

And YES, this shawl had beads. A lot of beads. The beads change colours too. I started with yellowy ones on the purple, then shaded into greenish ones. I’ve just changed to the ones called Root Beer and will finish out with purple beads. You can see the beads better in the image below:Bitterblue by Barbara Benson knit in Unique Sheep Luxe (kit from Earthfaire) by Deborah CookeThe wool in this kit is really lovely. I’m not often a fan of silk blends, but this is wool and tussah silk, which is sometimes called wild silk. I love the feel of tussah silk in fabric, and also love it in this yarn. I’ll be wearing this one a lot when it’s done! I might not even block it because I like the look of the garter stitch. We’ll see.