Dr. Seuss Socks in Noro

My Dr. Seuss socks are done and I love them to bits.Noro Stripey Socks by Faith A D  knit by Deborah Cooke in Noro Kureyon SockFor those of you planning to make your own pair, I cast on 88 stitches on 2.5mm needles. After 20 rows of 2×2 rib, I switched to a 6×2 rib for the sock. This is my usual sock formula – the ribbing means that they stay up. After about five inches, I began to eliminate two ribs – you can see how one diminishes in a V – one on each side of a central 3 ribs that go at the centre back.

To eliminate the selected ribs, I needed to make 6 knit stitches and two purl stitches go away for each one. To do that, I K2tog on the second row of every stripe until the rib was done to one stitch. Then I P2tog once on either side of that shrinking rib (still decreasing on the second row of the next two stripes), then one last K2tog to make the last stitch disappear. I was back to my usual 72 stitch sock.

After that, I carried on until it was a bit too long, turned the heel and finished as usual. The only tricky bit was making sure those three centre back ribs were centred over the heel flap. And voilà!

I would wear them with a fox.
I would wear them in a box.

The strange thing is that I used two 100g balls of colour 150 Noro Kureyon Sock yarn. And putting the remnants on the scale, shows that there’s about 100g left over — even though I made knee socks. This must be because of the Briggs & Little Durasport on the feet and toes – it’s a colour called Blue Jean and is the (surprise) blue stripe there. It wears much better than the Noro. My Noro socks have worn out right at the bottom of the heel and under the ball of the foot – maybe I walk harder there, but these have Durasport there instead.
But theoretically, there’s enough yarn for another pair. Hmm.

I would wear them with a mouse.
I would wear them in a house.

They’re not quite identical, as I eyeballed the breaks instead of measuring them. Since each colour repeat is long, I got some closer than others. I think it’s a good compromise between perfectly matching and not matching at all.

I would wear them here or there.
I would wear them EVERYWHERE!

What do you think?

Weekend Getaway Satchel

I can’t believe this beast is finally done. I love it, but it was a lot more work than anticipated.

Then I couldn’t figure out how to photograph it!

But finally, here it is, my Weekend Getaway Satchel from Interweave Knits (hmm. I can only find a picture on Ravelry), designed by Marta McCall:

Weekend Getaway Satchel knit in Patons Classic Wool by Deborah CookeMake no mistake – it’s huge. The base is 24 x 8 and it’s so tall that I have to put it on my shoulder. Part of the height issue is my fault – I couldn’t bear to cut away all the excess knitting to make the felted pieces the same size as the schematic, so mine is a few inches taller than recommended. I never thought about the extra height from the handles (or my lack of height) but the end result is that I can’t just carry it in my hand without it dragging. Oh well. I like shoulder bags.

I changed the handles as well, using leather handles from Grayson E. instead of the felted handles suggested in the pattern. I don’t find that felted handles stand up to stress that well – plus didn’t like the idea of knitting that enormous length of red strap shown in the pattern. These handles are beautiful but expensive – I could only justify them by using odd balls and mill ends for the wool. It’s mostly Patons Classic Merino, which is now called Patons Classic Wool – you can see that one teal blue, the one that outlines the flower at the bottom left, was NOT wool and didn’t felt, but I like how frilly it looks.

working on the Weekend Getaway SatchelThe pattern is easy to follow and the knitting isn’t complicated. Most of the detail is embroidered on to the intarsia. I had thought to pattern the back as well, but by the time I finished the front, I was ready to knit a plain back as the pattern specified. The finishing, though, was a bear. I lined the bag – because I hate unlined bags – and sewing that lining in, after the base was installed, the handles were sewn on and the hex frame was sewn in, was an acrobatic feat. Fortunately, blood doesn’t show in black tweed because I stabbed myself with the needle a number of times!

I really love this bag, but I won’t be in a hurry to make another. In fact, I think I’m worn out with felted bags for a while.

What do you think? Do you knit felted bags?

Cabled Denim Bag Done!

Knitters talk about F.O.s, which are Finished Objects – as opposed to U.F.O.’s, which are UnFinished Objects. Finishing a project is definitely cause for celebration, so I’ll share my most recent F.O. with all of you.

Even better, you watched it in progress. I started my denim bag here, continued here, and most recently posted about it here. I finished all that I-cord, then stalled a bit on the lining. There must have been an easier way to put the lining together than the way I did it, but I finally got it done.

And here it is!

Cable Bag knit in Rowan Denim by Deborah CookeHere’s the inside, which looks kind of like funky pyjamas:

Cable Bag knit in Rowan Denim by Deborah CookeIt shrank about an inch in each dimension, as the label warned and I think the fabric tightened up nicely. It has some sturdiness now, especially with the lining. I only had a little bit of the sixth ball leftover, so I maybe could have knit one more repeat on the strap. Pretty efficient knitting, and I’m very happy with the end result.

Kauni Fair Isle

I’m fascinated with the wool with the long colour gradations called Kauni Effektgarn. (That’s a Ravelry link.) This is going to be a zip-front cardigan for Mr. C. – the plan is for it to replace one of his fleeces. It’ll be warmer, plus I think it’ll look better than recycled pop bottles ever could.

Not that I’m biased toward knitted sweaters!

I decided to knit a top-down raglan. This is because you do all the math at the beginning, then just knit. Also, the pieces match perfectly – a good thing with stripes like the Kauni makes – and the only seam you have to sew up is a little teeny one in each underarm. Finally, you can try it on as you go, and check the fit. This beats the heck out of frogging an entire sweater.

There are a lot of free top down raglans available in the wide world. Here’s one at Woolworks. Designer Stephanie Japel has created a lot of patterns for top down raglans – here’s her instructions on designing your own.

Once you’ve made the basic calculations, you can play.

I had bought two colours of the Kauni – the slowly changing blue called EL and the rainbow gradation called EQ. My plan was to do “something fair isle”. Since it’s for Mr. C. and I knew he wouldn’t wear it if it was too vivid, the idea was for the jacket to be mostly blue with intermittent fair isle stripes in the two colourways.

A terrific resource for fair isle – including its history and a number of patterns – is Alice Starmore’s Book of Fair Isle Knitting. This book has been out of print for some years, and used hard cover copies were selling for incredible prices. The good news for all of us knitters is that the book is being reprinted in paper this year – you can preorder a copy at the online booksellers for $20 or so. Or you can look in your library for a copy.

I had Mr. C. choose three fair isle patterns that were variations on a theme – a “peerie” or narrow pattern, a wider pattern and a border. All of the ones he chose use the same motif – in this case, a diamond, although there are lovely patterns in stars, X’s and O’s, lots of choices. These were the ones he liked and it’s his sweater. Let’s call them 1, 2 and 3, 1 being the narrowest and 3 the widest. I’ve knit them 1 – 2 – 3 – 2 – 1 – 2 – 3 – 2 etc. with 6 rows of the blue between each one.

I just split the work for the underarms, so you can have a peek. Here we are.

Elrond Cardigan knit in Kauni Effektgarn by Deborah CookeKnitting this has been addictive. There’s just something about self-striping yarns that always has me knitting one more row “just to see”. I’m not a fast knitter, but I can be an obsessive one! One of the fun things about fair isle is that if you make a small mistake, it tends to get lost.

Mr. C. loves this sweater. He says it awakens his inner Celt – we all have one – but I think the way the colours shift and change on this sweater is even more magickal than that. I’m calling it the Elrond Sweater, just the thing for those chilly evenings at Rivendell.

A few details:

• Most of these raglan patterns suggest starting at the collar line, then going back, picking up stitches and adding the collar when the rest of the sweater is done. I knew the blue probably wouldn’t match if I did that, so I took a chance and started at the collar cast-on instead. I used the same number of stitches that I’d calculated to cast on at the neck, then because it looked SO BIG, I worked it in 2×2 ribbing. Voilà. The collar is done and it matches.

• I also ran a cable down either side of the front, the two cables mirroring each other to frame the zipper. I like the look of cables with fair isle – one designer who seems to put the two together a lot is Fiona Ellis. This particular cable is a 12 stitch band on each side, with 2 purl stitches on either side of the 8-stitch cable – purl stitches always make cables pop from the background of the sweater – and the cable twists every 8 rows.

• I’ll knit I-cord down the fronts as well, in contrast, to accent the opening even more, then will edge cuffs and hem the same way as the collar. I’d like them all to be the same green, so here’s hoping I have enough.

• It’s kind of fun how the gradation of the rainbow is working out – I like that it made one cycle from green to red from the neck to the underarms. The rainbow goes from red into purple, blue and turquoise, but I’ve broken that section of the colourway out of the yarn. There just won’t be enough contrast in the fair isle against the blue background. I’m heading back from red to green again.

The sleeves will change colour more slowly than the body, because there will be fewer stitches. I had debated the merit of breaking the yarn to make everything matchy-matchy, but have decided to just go with it. As long as the sleeves match each other, it’ll look good.

It’s going to shrink a little bit when I wash and block it, about 1/8″ for every inch, so the yarn will tighten up and the fair isle will snap even more. The wool also softens and fulls in the wash, making it look a bit fuzzier. I like how the swatch looks, so am aiming for the same finish.

So, what do you think?

Cabled Denim Bag 3

My denim cabled bag is getting closer to completion:

Cable Bag knit in Rowan Denim by Deborah CookeYou can see that I finished the flap. I had increased the cables to the top of the bag, then worked a couple of repeats in the full width to come across the top of the bag, then decreased down to the point.

Then I started with applied I-cord. As much as I love the look of applied I-cord, it’s pretty boring to knit, and invariably, you need a lot of it. It’s not good TV knitting, either, because you have to keep looking to pick up that stitch. I feel as if I’ve knit a couple of kilometers of it so far! It kind of disappears, but does give the edge a better appearance – if you look at the handle, at about 7 or 8 o’clock, you can see the difference between the two edges.

I’ve done all around the other side and around the flap – the button loop is I-cord that isn’t applied – and need to continue around the bag and the one edge of the strap. The I-cord does cover up the picked up stitches nicely across the lower edge of the bag – you can compare and contrast here, between the part with the I-cord and the part I still need to do.

I also found some zingy lining fabric in the remnant bin, a Madras cotton stripe in hot pink and denim blue which might be a Kaffe Fassett fabric. As those are distributed by Rowan, it seems appropriate. I like it either way.

All I need to find now is a great button.

Rowan Denim is said to shrink quite a bit in the length when it’s blocked/washed – just the way jeans used to – so I’m curious to see what happens when I wash this. It wouldn’t break my heart if the fabric was a bit stiffer. I washed the lining already, so everything will be pre-shrunk by the time it gets joined together.

Plus the additional feet for my Weekend Getaway Satchel arrived this week, so I’ll finally be able to finish that. It looks really good – what a fun project. A lot of hours of work but none of it was too hard, and the felting was fun. If you follow this link to Interweave, it will show you all of the patterns in the Fall 2005 issue – the Weekend Getaway Satchel is about a third of the way down the page. Of course, mine is a bit different – why make it the same as everyone else’s?!

Cabled Denim Bag 2

I started that bag last week and it’s coming along really well. I finished the body of the bag and did the casting off bits I told you about. Pix next – sorry they blurred a little bit, but I needed to take them without the flash to show the cables.

Right now I’m finishing the flap. I’m going to shape it to a point, so the cabled part will be diamond-shaped – the flap should end about halfway down the front.

Cable Bag knit in Rowan Denim by Deborah CookeOn the other side, it’s easier to see the construction. The front has been cast off and the cabled handle is on waste yarn on either side. I’ll finish the handle after the flap.

Cable Bag knit in Rowan Denim by Deborah CookeYou can see that the front hem is rolling, as stockinette is inclined to do. I’m going to do some applied I-cord all the way around the opening, to stabilize this edge and also finish the flap edge.

This has been one of those lucky projects. I’ve been pretty much winging it, but the counts have come out beautifully – for example, I have four purl stitches on the each side of the cable work on the back/flap. When I had increased the cable pattern to its largest width, there were four knit stitches left on either side. Just like I’d planned it!

Plus I found a wonderful new book for cables – it’s called CONTINUOUS CABLES by Melissa Leapman. This diamond cable isn’t from the book exactly, but after reading her explanation of how cables work, I was able to make it up.

It took 3 balls of the Rowan Denim to finish the body and I’m into the fourth one now. It looks as if I’ll have enough with the 6 – I’d like to do applied I-cord on each side of the handle and around the bottom of the bag, but that might have to happen in a contrasting colour. The RD is supposed to shrink in blocking/washing, and I hope it stiffens up a bit too. Right now, it’s droopy and soft, like old jeans, and doesn’t feel as if it’ll wear that well in a purse.

Which means it also needs to be lined. Maybe this is one of those little projects that keeps getting bigger!

(P.S. – I sewed up that seam before taking the pictures.)

Cabled Denim Bag 1

Rowan sent a kit to me with my subscription to their magazine last year. It’s a kit for a denim bag called Charlie, which includes the pattern and six balls of Rowan Denim. The Charlie bag in the kit pattern is a plain stockinette shoulder bag with a flap. Very nice, but the pattern didn’t excite me, so the package had been chucked aside. I like the yarn, though, so I cruised the ‘net and my pattern stash for ideas.

I found Tasha on Knitty, a bag pattern that uses (hey!) Rowan Denim. The cable on the bag is very neat, but I didn’t like that it had an open top. Big zipper fan, that’s me. I’m good enough at losing things that I need all the help I can get. Also I found a pattern in Rowan #35 by Martin Storey, for a bag very similar to Charlie but with cables on the flap. I liked that MS lined his bag and saw zipper potential under that flap, esp with the lining. Hmm.

The thing that all of these patterns have in common is that you knit all the pieces, wash/block them, then sew it all together. Blech. Plain stockinette is boring enough without knitting plain stockinette rectangles that have to be sewn together later. One thing I really liked about Tasha was that cable, but not that it only ran along the strap. So, I began to ponder…

What if the strap was one continuous loop, knit with that cable pattern, and made the bottom and sides of the bag as well?

What if I picked up the stitches from the base, then knit the bag in the round to the top opening? That would eliminate the seaming. Hmm.

Let the calculations begin!

I started with the bottom and made a strip of the cable pattern. The cable pattern is 14 stitches wide (5 x 2 st stockinette cables plus 4 purl stitches in between), so I cast on 24 stitches. For each right side row, I slipped the first stitch, P4, work the cable pattern, P5. For each wrong side row, I slipped the first stitch, K4, work the WS of the cable pattern, K5. (If you’re looking at the Tasha pattern, the designer has 3 stitches on either side of the cable. The first stitch is slipped on each row, but that’s not listed in the pattern directions, just the P2 or K2 at either end.) I worked for about 10 inches in length, ending with a WS row.

Then I switched to two circular needles. One side of the bag and one end would be on each needle. This is much easier (I learned) than working on 4 dpns – the long sides want to jump off the needle – or one circular – the curve is too tight.

Here’s what it looks like now, so you can visualize what’s going on:

Cable Bag knit in Rowan Denim by Deborah CookeYou could technically join the bag into a complete circle and work it in the round, but I left one seam open and am working it back and forth – it’s easier for me to keep track of the cable pattern that way and I don’t mind sewing one seam.

So, I worked the next row of the cable pattern across the end of the bag base, then picked up all those slipped stitch loops on the left end of the cable needle. I worked down that long side, knitting one stitch into the first loop and two into the next one – for every two loops, I picked up three stitches. This might be a bit full, and I’m thinking now that four stitches for every three loops might have worked better. We’ll see.

To make one stitch in the loop, you simply knit the loop. To make two stitches in a loop, you knit into the front of the loop, then without removing the loop from the left needle, knit into the back of the loop. Then you remove it from the left needle.

I switched to the second circular and picked up 22 stitches from my cast-on, purling above the purl and knitting above the knit stitches. (I initially cast on 24, but the other two stitches – one at each end – became the slipped stitches which were picked up for the long sides. Each end is now 22 stitches, with four reverse stockinette stitches on either side of the cable.) Then I picked up the other long side, the same way I’d picked up the first one.

When I’d gotten all the way around the bag, I turned the work and worked back on the WS. The front and back of the bag are in stockinette, so I purled all those stitches I’d made, then kept the ends in the cable pattern bordered with reverse stockinette.

At the beginning of the next row, I made one stitch at the beginning of the cable panel. This is the seam stitch – I’m knitting it on the RS and purling it on the WS. When I sew that seam, it will disappear into the back of the bag. There are some holes along the bottom where I picked up all those stitches, but I’m going to border the bag with I-cord so the holes will be covered up.

The picture is the bottom of the bag. The opening, which will be the seam, is at the top left corner. The stitches on the left side and across the bottom are on one circular needle. The stitches on the right side and across the top are on the second circular needle.

I have a feeling that the cable pattern stitch on the side of the strap that came from the picking up the cast-on is upside down or backwards or something. I’m just knitting to make it look right and not following the directions anymore, so if you try this, keep an eye out on that side.

Back and forth I’ll go, until the bag looks deep enough – probably about ten or twelve inches, guesstimating from the other pattern instructions. Then I’ll cast off one long side and divide the straps from the other long side. The remaining long side will become the flap and the straps will continue to make that big loop. I think I’ll knit the strap on one side and graft the strap at the top of the bag on the opposite side. And I suspect that the flap will need a cable, maybe one that starts on the back side. I’ll have to have a peek at some cable designs.

For the moment, I’m happily keeping track of that braided cable – you can see at the top right that I crossed one the wrong way. I picked that back and fixed it. Then, after I’d worked about two inches from the base, I was able to put it all on one circular needle and just work back and forth.

Peacock Feathers Shawl

I finished a shawl this weekend and am not sure how much I like it.

Last summer, at the RWA National convention in San Francisco, Pam and I went on a bit of a yarn crawl. We had searched online before going and had a list of potential shops to visit, and at one, I bought a skein of Aurora Yarns’ Whisper. It’s a 100% merino laceweight that is handpainted in northern CA – this skein was shades of fuschia, red, burgundy and purple. Very pretty. Very soft. The colours are incredibly rich, and there was 1250 m on the skein.

Once home, I had to figure out what to knit with it! I ultimately decided on a pattern from Fiddlesticks Knitting called the Peacock Feathers Shawl. And I decided to put some beads around each “eye” of the peacock feather. Here it is:Peacock Feathers Shawl knit by Deborah CookeIt’s ENORMOUS, so hard to photograph. It has been blocked, and relaxed a bit when released. The first image (of the whole shawl) shows the actual colour best.

Peacock Feathers shawl knit by Deborah CookeHere’s a detail shot of the corner:

It looks better in the photos, but I still think the lace is too open. Mr. C. says it looks delicate, which is another way of looking at the same issue. Since this yarn was so fine – much finer than the Zephyr specified in the pattern (now it specifies Exquisite) – I dropped 3 needle sizes, from 3.75mm to 3.0mm.

Peacock Feathers Shawl knit by Deborah CookeI think I should have gone to 2.5mm. I was worried about it being too small if I did that, but the finished shawl blocked to 80″ across the top. (The pattern has a finished size of 88″ across the top.) So, I could have gone smaller with the needles and still had a shawl plenty big enough.

But I’m not going to frog it!

What do you think?

Inky Spider’s Web Fichu Shawl

As you know, I’m very fond of Jane Sowerby’s book VICTORIAN LACE TODAY and have knit a few projects from it. Here’s another. This is the fichu variation of the Spider’s Web Shawl, knit in Noro Silk Garden Sock. I love this inky colourway and added some iridescent beads to it, too.Spiderweb Fichu shawl by Jane Sowerby knit in Noro Silk Garden Sock by Deborah CookeTechnically, this should block out as a half a hexagon, but mine came out more like 3/4 of a square. It’s a nice size and just falls to the elbows. Here’s a detail shot of the edging with the beads:Spiderweb Fichu shawl by Jane Sowerby knit in Noro Silk Garden Sock by Deborah CookeI love the colours and the texture of this one and know I’ll wear it a lot. What do you think?

Fibonacci Scarf Free Pattern

Fibonacci was an Italian, one who came up with a particular kind of mathematical sequence. A Fibonacci sequence starts with two numbers. The third number is the sum of those two numbers. The fourth number is the sum of the previous two numbers. Repeat forever to build a sequence. The Fibonacci sequence that you’re most likely to come across is this one:

0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, etc.

Why am I telling you this? Because playing with Fibonacci sequences – and making Fibonacci stripes – is knitting for your inner math geek. As you might have expected, my inner math geek wanted to play.

If you knit an increasing Fibonacci sequence in one colour – like red – and intersperse it with a decreasing Fibonacci sequence in a second colour – like black – then do the mirror image of that, you get a scarf like this:

Fibonacci striped scarf by Deborah Cooke knit in Patons Classic Wool by Deborah CookeThis is Mr. C.’s new Fibonacci scarf. This is easy knitting.

You can knit this scarf either in the round on a circular or DPN’s or you can knit it flat and seam the long edge later. Don’t cut the yarn after each stripe – who needs to have all those ends to sew in? – just carry it up the side or the inside to the point where you need it next. It’ll stay cozy inside the scarf when you’re done and no one will know.

Here’s the sneaky bit – a lot of the numbers in the sequence are odd numbers, which doesn’t matter if you knit in the round. Just pull the colour you need up the center. If you’re knitting it flat, though, this might confuse you. You’ll knit one row of red, for example, need the black to purl back but it’ll be at the wrong side of the work. which means you’ll knit one row, then need the other colour and the end of that colour will be at the other side. If you knit back and forth on circular needles instead of using straights, you can just knit your next row with the black. Just push the work to the other end of the needle. Trust me, it works – and you’ll feel so sneaky when you do it!

For this scarf, I used one ball of Patons Classic Merino in red and two in black tweed. The red is really tight, so if you plan to cut the ends despite what I’ve said, or if you want red in the fringe, you’ll need a second ball. This scarf finished at 7″ wide and 58″ long without the fringe.

You’ll need 4.5mm needles and a crochet hook. My gauge on this scarf was 4 sts to the inch and 6 rows to the inch – gauge isn’t critical on this project, so long as you like the fabric you’re getting BUT if you knit looser, you’ll need more yardage to finish.

Colour A is black and colour B is red.

Cast on 60 stitches in colour A. If working in round, join into a round. Knit rows as follows:
A 34 rows
B 1 row
A 21 rows
B 1 row
A 13 rows
B 2 rows
A 8 rows
B 3 rows
A 5 rows
B 5 rows
A 3 rows
B 8 rows
A 2 rows
B 13 rows
A 1 row
B 21 rows
A 1 row
B 34 rows
A 1 row
B 21 rows
A 1 row
B 13 rows
A 2 rows
B 8 rows
A 3 rows
B 5 rows
A 5 rows
B 3 rows
A 8 rows
B 2 rows
A 13 rows
B 1 row
A 21 rows
B 1 row
A 34 rows

Cast off. If you knit flat, use mattress stitch to seam the long edge. Lay the scarf flat, right side out, with either the seam or the ziggy line where you joined the work in the round at one fold. Take a crochet hook and a length of colour A to work a line of single crochet across each end closing the end of the tube – each stitch of crochet will go into a stitch on the top layer of the scarf and the corresponding one on the bottom layer.

Repeat on the other end.

For fringe, cut 12″ lengths of colour A. Take three and fold them in half, then use the crochet hook to loop them through the end of the scarf and knot. I put a clump of fringe like this on every second stitch.

Ta da! There you go – you can head out in the fall chill, revealing your inner math geek to knitters everywhere.