Knitting Dragons

Two Tarragons knit by Deborah Cooke

You might remember these two little dragons I knitted. The one on the left (Cedric) sits on the bookshelf in my office and the one on the right has gone on to live on a different bookshelf. I started to knit a few more.

The pattern is Tarragon, a free download. (That’s the Ravelry link.) There are a lot of projects on Ravelry with additions and changes to the pattern – I’ve added ears as in one of those projects. I knit mine with a strand of fingering weight or sock yarn – in this case, it’s Koigu KPPPM – held double with a strande of KSH or similar. This time, it’s Elann Silken Kydd.

Here’s the new dragon on the block:

green dragon knit by Deborah Cooke from Tarragon pattern

This time, instead of knitting four wings and sewing them together in pairs, I knit the green wings, then picked up the stitches for the yellow “lining”. The wings are knit from the outer edge in, and this saved some sewing. I think outer edge looks neater too.

green dragon knit by Deborah Cooke from Tarragon pattern

I think he’s cute!

green dragon knit by Deborah Cooke from Tarragon pattern

More Kokka Totes

A few weeks ago, I showed you a tote bag I made from a dragon print fabric. (The post is right here.) Well, I’d cut out a few more and finally got them sewn up. First, one in a different dragon fabric.

Tote bag from Kokka Fabric's free pattern, sewn by Deborah Cooke

The pattern is a free download from kokka-fabric.com. It’s in Japanese, but there are illustrations of the assembly and measurements to cut the pieces. You can find their free downloadable patterns here, and this bag pattern here.

Once again, I used the black faux-leather as an accent for the pocket as well as on the base and the straps. What I did differently this time was interface the entire outside – all the dragon fabric – to give the bag more stiffness. I still think it’s a bit floppy and the pattern would work better in a canvas or drapery fabric.

Here’s another one in a different print:

bag in Kokka Fabric free pattern, sewn by Deborah Cooke

This was a bit tough to match up since the design is so regular but not quite printed on the grain. I did my best. 🙂

I like them both, but now it’s time to make some re-usable grocery bags. I’m making a variation of this pattern – no outside pocket, straps of nylon webbing and bigger dimensions – out of drapery fabric from my stash. I’m also putting feet on them and bases for stability, and some of them will have zippered tops. I’ll show you those bags when they’re done.

Another Dragon Quilt

Rainbow Dragons panels from Studio E

I don’t have any knitting to show you this week, although I’m making good progress on two projects. I finished the body on my Spector pullover and tried it on – it fits! That was exciting. Now I’m charging down the first sleeve. The other project I’m trying to finish was stranded on Sleeve Island for a long time. It’s my Audrey cardigan, which had to go into time-out when I realized the sleeves were far too wide and had to be frogged. One sleeve is done and I’m making good progress on the second. I’ll show you both sweaters when they’re done.

In the meantime, I saw some quilting fabric that I just had to buy – because, well, dragons. It’s from Studio E and the collection is called Rainbow Dragons. At right are the dragon panels.

There are two free PDF pattern downloads available using the prints in the collection – you can see them here – but I’d rather make up my own.

This is the alphabet panel I bought, which is just plain fun:

Studio E Rainbow Dragons Alphabet Panel

There are things I love about these panels – yes, dragons! – and things I discovered in cutting that add to the challenge of it all. The letters aren’t all the same size, which makes sense since they have different shapes. The bigger issue is that there isn’t the same amount of space between them – you can’t cut them apart so each letter has 1/2″ all around. Look at C and D, for example. They look spaced out but there isn’t even 1/4″ between the tip of the flourish on the C and the end of the serif on the D. There are also shaded images of dragons in the background – they’re more obvious in this photo than in real life – so adding a little piece of background to square up the letter will always show. Hmm. The designer must not have intended that the letters be cut apart, but that’s what quilters do!

As much as I love the side banner, I can’t figure out how to use it. There are exactly two repeats with no space between them for a seam allowance and no seam allowance at either end. Plus there are two different background gradations on each side, so you can’t piece one good one out of each pair. It’s not available as separate yardage either, which is a shame because it would make a rocking border. Hmm. I don’t actually know what to do with the border hexagons on the other dragon panel either. Inspiration may strike as I work.

The first solution was obviously to dip into the stash and I had a good time with that. I do have a rainbow selvedge-to-selvedge gradation in my stash that goes perfectly with these prints, so that’s been pulled out. I also tugged out a number of orange and yellow prints, including one with flames. (I default to turquoise, purple and pink, so am trying to mix it up a bit.) I’d already bought these flying dragons from the same line to make a brighter dragon tote bag. They’ll going into this quilt instead.

Studio E Rainbow Dragons, Flying Dragons ptint

I don’t have a design wall, so there’s fabric all over the floor. My dog likes to walk across it, or even sleep on it, just adding to the challenge of it all. 🙂 I’m quite excited about this project and will show you my results!

Sewing a Dragon Tote

I seem to be on a bit of a bag-sewing binge lately. Here’s a bag I made from a fun dragon print.

Dragon tote sewn by Deborah Cooke

The pattern is a free download from kokka-fabric.com. It’s in Japanese, but there are illustrations of the assembly and measurements to cut the pieces. You can find their free downloadable patterns here, and this bag pattern here.

I chose to cut the pocket from the accent fabric, because the dragons were big enough that it would look silly if they didn’t match up. I then sewed a strip of dragon fabric along the top edge of the pocket to finish it, and also sewed in a ribbon loop with a clasp and a charm. The ribbon is long enough that I can put my keys on the clasp, then tuck them inside the pocket. Lots of reflections on that shiny pleather pocket in the picture! In real life, the charm really snaps against it.

One thing I liked about this design was that the two strap pieces are cut in slighlty different widths. It doesn’t specify on the pattern, but clearly the wider one should be of the contrast fabric so there’s a little peek of it around the outside edge of each strap as a contrast. It’s tough to see in black on black, but the pleather is shiny.

Using black faux-leather as the contrast was a challenging choice. Not just black on black, but it’s slippery and you can’t really iron it. Pressing down seam allowances isn’t an option because it will melt. I cut fusible knit interfacing to the finished width of the straps and applied it to the pleather using a pressing cloth. That worked brilliantly to help me fold the fabric in the right place and also made for a nice finished strap.

I used heavy quilting cotton both for the outside and the lining, but the bag is a little more flimsy than I’d prefer. (It might specify a heavier weight of fabric in the Japanese instructions.) I’m going to make another in a different quilting cotton and interface the entire outside of the bag. I’ll show you that when it’s done.

In the meantime, what do you think?

In the Beginning Dragon Quilt – 2

In the Beginning Dragon Quilt in blueI told you a while ago about ordering this quilt kit and (yay!) it finally arrived. Despite all the other things in progress on my worktable, I immediately dove in because, well, dragons.

I was worried that the fabric might feel too much like ink, but it’s quite nice. It’s very smooth and seems a bit lighter than other quilting cotton. The instructions say not to pre-wash the fabric, as it might shrink and the panels might be too small to cut to size. The issue for me is that the fabric wouldn’t be able to be washed ever if I did that. I like to pre-wash so the worst case scenario has already happened before I sew, so into the washing machine it went.

It shrank, of course, as it’s 100% cotton. I like the feel of the fabric much better – it’s a bit thicker now and not as smooth. The unexpected thing was that it shrank in the width and not so much in the length. I measured those six square dragon panels before washing. They have a 1/4″ black border around each image and were 12 1/8″ square at the inside of the black border. After washing, they were 11 1/8″ wide and 11 3/4″ tall. The instructions are to cut them 12.5″ square with .25″ going in the seam allowance, so, exactly as warned, I couldn’t cut them to size.

I’d expected this and had two contingency plans.

The second contingency plan was the tougher one: that I’d make the entire quilt slightly smaller overall and have to recalculate everything. (Gah.) Fortunately, the first contingency plan worked. I checked the black fabric and there’s a lot in the kit, mostly because they included some for the quilt binding. They instruct you to cut the binding on grain, though, which I won’t do – I always cut binding on the bias – so those 9 X 2.5″ crosswise strips of black are now extra fabric. (Actually, that’s 22.5″ by 43″ or so, maybe more if the kit is generous, so it might be enough to cut binding on the bias. We’ll see.)

Each of the six dragons are bordered in black: the instructions call for 1.5″ strips of black for those borders, and the squares end up being 14.5″ square. Once they’re sewn in, they’ll have a 1″ black border. I cut my shrunk dragon panels so that the black border was the seam allowance on the width and made them square. Then I cut my black strips 2″ wide. After sewing on the black borders, I trimmed them up to be 14.5″ square. A teeny bit of the dragon image in the height was lost – less than .25″ – and the black borders are a little bit wider than specified – mine will be about 1 3/8″ wide once the blocks are sewn in – but my finished measurements are all good. (It doesn’t look square in this image because I had the camera at an angle. 🙂 It IS square!)Dragon quilt block sewn by Deborah Cooke

There is a lot of extra fabric around the image in the central panel. Mine just has a little more background than the one in the picture. I’m good with that.

Detail of In the Beginning Dragon QuiltWhen I started to piece the other blocks, things got interesting. The scale print is a one-way design: the scales are shaded at one end and not at the other. It seems to me that I’d want them all to be in the same direction. To my relief, the person who made the sample quilt thought the same thing, because they are aligned that way. At right is a close-up of the side panel from the image on the kit: you can see that the scales are all aligned. I apologize that it’s not really crisp but I wanted it big enough that you could see the scales.

If you follow the instructions, this isn’t the result you’ll get. That’s because of the one-way design. Let’s look at that. There’s a little unit of three squares created by cutting crosswise strips of black and the scale fabric. You sew them together, then cut the blocks from them, like this:Dragon quilt sewn by Deborah Cooke

You join them to an outside rectangle of black then put them around the central square in the block. But look what happens when you change their orientation by placing them around the square:Dragon quilt sewn by Deborah Cooke

The implication of the one-way design strikes! Cutting the strips as instructed will only create the units to be placed vertically, if you care about the scales being oriented the same way. I do, so I’ll take apart the other pieced strip (there are two), cut the strips into squares, and piece them individually with the scales aligned the way I want them for the horizontal blocks.

It also means that I need to divide my units into groups, to make sure the black rectangle is sewn on the outside edge. I’ve split this first group of twelve with vertical scales into two groups: I’ll put the black rectangle on the left side of six of them, and on the right side of the other six. Dragon quilt sewn by Deborah CookeSimilarly, when I piece the units for the horizontal scales, I’ll put the black rectangle on the top of six of them and on the bottom of the other six. That got a bit more complicated, didn’t it?

This also means (hmm…) that I won’t be able to rotate the blocks when I arrange them for the quilt. Their orientation will be set, because of the scales. Prints often repeat across the width of the fabric as well as down the length, so I laid out the six central blocks to check:Dragon quilt sewn by Deborah CookeI’m thinking I might notice the similarities, particularly between the two on the left and also on the two in the middle. Those light-coloured dragons draw my eye! I rotated the blocks before sewing on the pieces with the scales:Dragon quilt sewn by Deborah CookeThe similarities are less obvious this way. Now, I’m ready to piece those six blocks!

What about the quilt in the picture provided with the kit? Either the person who pieced it didn’t follow the instructions and did as I did, or it might be a computer-generated image. That’s interesting, and it means I’ll be keeping my eyes open for other tweaks as I work.

This quilt is a lot of fun! I can’t seem to leave it alone, so I’ll show you more next week.

In the Beginning Dragon Quilt Kit

I was looking for some dragon fabric to make masks a few weeks ago and discovered this quilt kit and pattern. I found the individual fabrics first, several of which are fabulous. Here’s the quilt kit using all of them. It comes in orange or blue:
In the Beginning Dragon quilt pattern in orange In the Beginning Dragon Quilt in blueHere’s the page about it on the website of the designer and manufacturer, In the Beginning.

The collection includes a large central panel, then a panel with six smaller dragons, a border fabric, and four all-over prints (scales, circles, a Celtic knot and a wonderful mix of circles and dragons). You can see the individual fabrics in blue on the designers’ site, right here. The quilt requires all of the fabrics in the collection. I think it might include some solid black, too.

I spent a lot of time looking at this on various sites, trying to decide whether I love it or not. The short answer is that I love the coordinating fabrics but am not so wild about the panels – but then, the panels are kind of the point. The palette reminds me of the original covers for the first two of my Dragonfire novels, Kiss of Fire and Kiss of Fury, which is also part of the appeal. The finished quilt is a big piece – 72″ by 92″.

In the end, I surrendered to temptation. 🙂 Even though the dragons show up better on the orange version, I ordered the blue one. I’m curious to see how the fabric feels on the panels, whether it’s stiff with ink or not. Is there metallic ink on the panels and borders? I’m not entirely sure. It would be lovely to see it in person before deciding, but I didn’t find a local stockist, even if stores were open. It should be comparatively quick to piece – it looks as if all the blocks are squares – but we’ll see. (I’ve already noticed that I prefer how the borders are pieced and the corners mitred on the orange sample, so there’s something to watch.)

I’ll tell you more when the kit arrives, whenever that might be.