Finished Nightshift

This was a project that I feared would never be done. It’s Nightshift, a pattern by Andrea Mowry, (that’s a Ravelry link) but I knit it in Koigu KPPPM – a fingering weight yarn – instead of the aran weight yarn specified. It took a while, but it’s finally finished – and here it is!

Nightshift knit in Koigu KPPPM by Deborah Cooke

And here’s a detail of that left corner:

Nightshift knit in Koigu KPPPM by Deborah Cooke

Yes, I threw it in the snow for the picture. I haven’t blocked it and the cast-off edge (on the left) is rolling a bit. It’s pretty big and has fourteen repeats of the 40 row pattern.

I’ve blogged about this one a couple of times – here (August 2019) and here (September 2019) and here (June 2020). A year and a half. I’m so glad it’s done!

Nightshift shawl by Andrea Mowry knit in Koigu KPPPM by Deborah Cooke

It’s knit in five colours of Koigu KPPPM and I used up all of the yarn – that’s why there are tassels. They used up the last bits.

Here’s my project page on Ravelry with all the nitty gritty details.

What do you think?

Nightshift Update

Nightshift is a gorgeous shawl pattern by Andrea Mowry (Drea Renee Knits). Hers is knit in a beautiful self-striping yarn called Spin Cycle Yarns Dreamscape. It’s an aran weight yarn, though, and I was worried about the shawl ending up like a blanket. I decided to use up some of my Koigu KPPPM, which is a fingering weight, for my Nightshift. Of course, using a thinner yarn means knitting twice as many stitches to make a shawl of decent size. I cast on last July with these skeins.

Nightshift shawl by Andrea Mowry knit in Koigu KPPPM by Deborah Cooke

I’ve blogged about this shawl a couple of times already: Nightshift in Koigu KPPPM and Navellia, Nightshift and Audrey.

I’ve been working on this while sheltering in place, and am making steady progress. It’s not done, but I thought I’d show you today how it’s coming out. Here it is on the needles – it’s big enough that I can’t stretch it out to its full width:Nightshift shawl knit in Koigu KPPPM by Deborah CookeI’m on the 11th repeat and am hoping to do 15. I’ll see how the yarn lasts.

Here’s a detail shot:Nightshift shawl knit in Koigu KPPPM by Deborah CookeI like how the colourways mix and mingle with each other, because several of the same reds appear in both my red main colour and several of the contrast ones.

How is your knitting during Covid-19?

Nightshift in Koigu KPPPM

Nightshift is a shawl pattern by Andrea Mowry, designed to be knit with six colours of a gradient yarn. Two colourways are used at any time, resulting in bands of colour with dots and dashes in the contrasting colour. It’s a striking piece, and quite substantial since the yarn is worsted weight. I cast on with worsted weight yarn but felt that the result was too thick for me to actually wear. I dove into the stash and came up with an alternative – Koigu KPPPM.

Here are my colours:Nightshift shawl by Andrea Mowry knit in Koigu KPPPM by Deborah Cooke

This photo was taken in bright sunlight. The colours are a little deeper than they appear here, and a little less pinky. The red is the leftover from my Koigu Lunenberg cardigan – there are almost four balls (just over 600 yards) of 329P left. This will use it up. (This is one colourway I bought the first year I went to the Koigu tent sale in 2016: the second was the grey mix I’m using in my Juicy Gloss cardigan. If I ever knit the sleeves on that, there probably won’t be much of that colour left.)

Charlotte's Web Shawl by Maie Landra knit in Koigu KPPPM by Deborah CookeFor my contrast for the Nightshift shawl, I chose four purple colourways. In 2017 at the Koigu tent sale, I bought a pack of ten different shades of purple. I knit Charlotte’s Web with five of them – there it is, in progress above, but still have the other five. You can see all of the colours in this photo: two are already knit up in the shawl, with the three balls that I planned to use (and did) lined up on the right. The five skeins below are the ones I have left now. One of them – the far right one – doesn’t go as well with the others, to my thinking, especially when combined with the red. I chose the other four to use with the red for my Nightshift.

This (inevitably) reminds me of the Jenny Joseph poem:
“When I am an old woman, I shall wear purple,
with a red hat which doesn’t go and doesn’t suit me.”

I’ve never understood why anyone had to wait to wear red and purple together.

This stash-dive gives me (4 x 160) 640 yards of purples and about 610 yards of red. I’ll knit until it’s gone. The pattern calls for 6 skeins that are 150 yards each, so I have more yardage. This yarn is thinner, though, so I’m hoping the shawl still comes out a good size.

Because Koigu KPPPM is fingering weight, not worsted, as specified in the pattern, I also cast on with smaller needles than specified in the pattern. I’m using 3.75mm. It’s a bit loose, which gives the yarn room to bloom, but I could have used 3.5mm.

Also, the red will appear in every band of colour in my shawl, although it will switch from being the main colour to being the contrast.

Here’s a close-up of my progress so far.Nightshift shawl by Andrea Mowry knit in Koigu KPPPM by Deborah Cooke

The first repeat had a red background and contrast in the lightest purple. The second repeat was inverted – lightest purple background with red contrast. The third repeat, which is almost half done in this picture, has the darkest purple as background and the red as the contrast colour. My project page on Ravelry for this shawl is right here.

How do you like the beginning of my red and purple Nightshift?