Bye-Bye Tegna

Tegna by Caitlin Hunter

Tegna is a pullover designed by Caitlin Hunter – that’s the pattern picture on the right, which is linked to the Ravelry page.

I cast this on with Koigu KPPPM in colourway is 534 a long, long time ago, but this week, this story had its resolution.

The pattern is unusual in ways I didn’t anticipate.

First off, every size sets up with an odd number of repeats in the lace pattern at the hem. My size requires a cast-on of 340 stitches which means (20 sts per repeat) 17 repeats of the pattern at the hem. So, the front and the back will be different and the side seams – there technically aren’t any, but there is a midpoint on the side to divide for the armhole – will be in the midst of a pattern repeat. I knew this would drive me nuts, so I cast on 320 stitches, putting me between sizes. This way there are 16 repeats, which is 8 for the front and 8 for the back, a change that gives me joy.

You might remember this pic of my Tegna on the needles after I completed the lace hem. I really wasn’t loving this colourway or its inclination to pool, so I began to switch between three skeins for the plain stockinette body.

Caitlin Hunter's Tegna knit by Deborah Cooke in Koigu KPPPM

The biggest issue is that I thought the t-shirt had an a-line shape, but it doesn’t. There are decreases over the lace – I decreased from 340 stitches to 224 – but then the body of the sweater is knit straight to the underarms. So, it’s actually more like a straight shirt with a frill on the bottom.

Here’s the schematic from the pattern:

schematic for Tegna pullover

It’s also intended to be a cropped sweater, but that’s not for me. I knit three inches more before dividing for the underarms. This is when I began to really doubt my pattern choice.

When you split the work for the underarms, the instructions are to add stitches at each side, front and back, for several rows after the split is made. I’m not sure why this would be, as it’s already got a dropped shoulder. I knit this and frogged it back. (On Ravelry, some knitters say this made a little bulge at the underarm. Hmm.)

I don’t love sweaters with dropped shoulders as I feel they look frumpy on me. Instead, I had a look at my gauge and stitch counts, and dug out my Hebrides cardigan pattern. The needle and gauge is the same. I’ve used those decreases to convert this sweater to having a fitted shoulder.

I would need to use the sleeve pattern from Hebrides to figure out a sleeve for this modified Tegna, so that the sleeve cap fits into the shoulder. I could start just below the cast-off for the underarm in the Hebrides pattern. I could go with a plain sleeve that is more-or-less fitted, or put the lace on the hem so it flutters a bit more. I was thinking this would result in a swingy top with a fluttery hem.

At this point, I’d made enough changes that I began to doubt the outcome. Plus, the sweater looked small. Here it is, fresh off the needles with the back done.

Caitlin Hunter's Tegna knit by Deborah Cooke in Koigu KPPPM

What’s interesting is that switching skeins didn’t seem to avoid the pooling of the colours – each skein more or less lined up, light and dark, with the others, creating the swirl. That’s either a strange coincidence or some kind of magic.

I gave it a soak at this point and blocked it out to check the sizing after all my mods. It did stretch, as Koigu does, and you can see the lace pattern better even though I didn’t block it hard.

Caitlin Hunter's Tegna knit by Deborah Cooke in Koigu KPPPM

And here it is with a t-shirt that fits me well, for comparison.

Caitlin Hunter's Tegna knit by Deborah Cooke in Koigu KPPPM

It is a straight t-shirt with a frilly hem. I decided to chalk this up to experience and frog it.

Latitude pattern by Elizabeth Doherty

I also have the pattern for Latitude, which is a swingy sweater with stripes. This Koigu might end up there, maybe alternating with a solid-ish dark blue that I have in my stash.

I’ve thought for a while that I might like Latitude, but without the long sleeves. Just with fronts and backs, it ends up with a kind of short sleeve. I’ll wind up this Koigu, have a look for that blue and think about casting on.

Tegna Pullover

Tegna by Caitlin Hunter

Tegna is a pullover designed by Caitlin Hunter. here’s the pattern picture – it looks like a lovely summer top, doesn’t it? I’ve linked the picture to the Ravelry page.

I cast this on with Koigu KPPPM bought at the tent sale last summer. The colourway is 534.

My “hmmm” comes from the colour of the yarn not the pattern. I’m just not sure I love it.

I’ve finished the lacy hem bit and am alternating between three skeins as I knit in the round.

Here it is, all bunched up on the needles:

Caitlin Hunter's Tegna knit by Deborah Cooke in Koigu KPPPM

Here’s the yarn in the skein – the top row are all the same colourway, but you can see the variation between them. I started with the lighter ones – this top is knit bottom-up – and will shift into the darker ones near the shoulders. I think that will be more flattering, but we’ll see.

yarn from the Koigu tent sale 2022

I suspect I had a fear of pooling, which was why I stopped. I’m going to carry on with this one and hope for the best. If it pools into a spiral, it’s going to be frogged!

And this year at the tent sale, I’m going to look for colourways that are closer to solid like those navy ones at the bottom left.

That’s the end of my on-the-needles review. Now I need to get knitting!

Escape from Sleeve Island

Here’s another sweater that made it off Sleeve Island this spring. It’s my Spector designed by Joji Locatelli (that’s a Ravelry link) in Madeline Tosh Merino Light (that’s a link to the MadTosh site.) I started this one in July 2020 and actually finished the first sleeve before stalling out. Mine is knit in four colours of MadTosh ML – Saffron, Red Phoenix, Spicewood and Simmer Pot.

Spector knit in MadTosh Merino Light by Deborah Cooke

It’s a kind of a rib stitch, so it’s stretchy in the crosswise.

I’ve blogged about this one before: here’s the first post about it, just after I cast on.

Part of the reason this project stalled out was that I tried it on after finishing one sleeve and wasn’t thrilled about the fit. It fits but I don’t find it particularly flattering. It’s done, though, and maybe I’ll wear it as a layer under other things next winter. The yarn is really soft against the skin.

The Turquoise Pullover

This is another one from the vaults, as they say. It began because I went to a spinners’ festival once upon a time at the Arboretum in Ann Arbor, Michigan. It must have been in the late 1980’s. I bought four yarns that day, just because they were beautiful, including two in bluey-greens. Then I didn’t know what to do with any of it.

The two blue-green yarns coordinated. One was a thick-and-thin mohair blend – I’ve since learned that I always like thick-and-thin yarns in the skein and never know what to do with them – and the other was a smooth silk blend, maybe aran weight. I had envisioned the two yarns together, even though their textures were really different, but couldn’t find a pattern. I also didn’t have that much of either of them.

When I found a commercial yarn that came in two shades that coordinated beautifully, this was the result:

turquoise pullover designed and knit by Deborah Cooke

The two handspun yarns are used for the top and the sleeves. I alternated them in 4-row stripes of moss stitch. Even the blue and green commercial yarns had blended colours, so they worked really well with the handspun ones.

Turquoise pullover designed and knit by Deborah Cooke

The cream contrast is another commercial yarn with a long variegation. It feels as if it’s part cotton, maybe part acrylic, but the label is long gone. I loved the gradation in it.

I have a vague recollection that the intarsia pattern was from a book, but I don’t know which one now.

This sweater is a cropped length because that’s how much yarn I had. It’s incredibly warm so I never wore it much. In fact, I haven’t worn it even once in over 30 years, so something needs to be done. The yarn is too beautiful to sit in the cedar box.

Here’s my Ravelry project page, although there isn’t a lot of detail there.

I tried this sweater on again and rediscovered another issue. The top is very thick and bulky, and it’s wide in the shoulders. It’s not a flattering fit. Also the contrast line above the intarsia used to be below my bustline. Now it isn’t. Ha. So, that’s not a good look either. I decided to unravel it and save the intarsia part as a cowl.

Wow. Did I ever do a good job of seaming up this sweater! It was a challenge, but I’ve taken apart the body and have what will be the cowl back on my needles. (I’m guessing what size they were.) The plan is to knit a ribbed backing and join it to the cast-on hem, so only the part between the contrast ridges will be on the right side. I’ll show it to you when it’s completed.

I dove into the stash in search of more of the blue and green commercial yarn. No luck but I did find more of the creamy one *and* the label. (Ha.)

What about the thick-and-thin mohair and the silk blend? Stay tuned for its new incarnation. I have a plan…

Navelli – Finished!

It’s done! Here’s my finished Navelli:

Navelli knit in Koigu KPPPM and Shibui Sock by Deborah CookeThere are some previous posts about this sweater – Navelli is the main post, which talks about the challenges (and shortcomings) of my first choice of yarn colour; Update on Navelli is about my progress in the new main colour.

I didn’t knit the sleeves as specified. They’re supposed to have essentially a contrast facing – mine would have been purple – but instead I did five rows of 1/1 ribbing in purple and cast them off.

I made the fifth size, which gives me 11″ of positive ease. (The pattern suggests 4 – 15″ of positive ease.) It is a fun boxy fit, but I’m narrow in the shoulders. After blocking, I felt that I was losing the sweater, so I frogged back and changed the neck to be the smallest size. That made the shoulder seam a little bigger, but it’s a more comfortable fit.

This is a better shot of the colours.

Koigu KPPMI had been a little concerned that the fair isle section was narrower than the body of the sweater, even though I knit it on larger needles. That was all fixed in the blocking. My gauge is dead-on with this one – it’s EXACTLY the measurements of the schematic. Ha.

I love this sweater so much that I want to cast on another one. I dipped into the stash over the weekend and discovered some Madeline Tosh Merino Light, in Red Phoenix and Spicewood, plus Malabrigo Sock in black. I think I’ll go down a size and cast on the fourth size, but I’ll keep the neck in the smallest size. I have a plan, but I want to finish another project that’s already on the needls before I cast on a new sweater…we’ll see how that plan goes!