Nightshift is a gorgeous shawl pattern by Andrea Mowry (Drea Renee Knits). Hers is knit in a beautiful self-striping yarn called Spin Cycle Yarns Dreamscape. It’s an aran weight yarn, though, and I was worried about the shawl ending up like a blanket. I decided to use up some of my Koigu KPPPM, which is a fingering weight, for my Nightshift. Of course, using a thinner yarn means knitting twice as many stitches to make a shawl of decent size. I cast on last July with these skeins.
I’ve blogged about this shawl a couple of times already: Nightshift in Koigu KPPPM and Navellia, Nightshift and Audrey.
I’ve been working on this while sheltering in place, and am making steady progress. It’s not done, but I thought I’d show you today how it’s coming out. Here it is on the needles – it’s big enough that I can’t stretch it out to its full width:
I’m on the 11th repeat and am hoping to do 15. I’ll see how the yarn lasts.
Here’s a detail shot:
I like how the colourways mix and mingle with each other, because several of the same reds appear in both my red main colour and several of the contrast ones.
How is your knitting during Covid-19?
I’ve worn this a fair bit. It is odd that it doesn’t have a front fastening, although I’m sure I could add one. I do think I mucked up the sleeve decreases as they’re narrow – fine for wearing but less fine for pushing up to the elbow as I’m inclined to do with my sweaters. They’re also a bit long for me. And I know that I somehow did too many short rows on the collar: it’s quite substantial! That makes it snuggly, though – and is one of the hazards of knitting anything other than plain rows while watching tv.
For this project, I raided my stash and chose my leftovers of Rowan Colourspun. I had knitted Mr. Math a vest in this yarn, then bought more to make myself a sweater when it was discontinued. Here’s 
Here’s the cardigan as of last Sunday. I’d just divided for the arms. You can see that the ribbing for the neckline has a good bit of space to fill – this sweater is designed to be worn open, so the fronts with the ribbing will just meet. It’s also designed so that the purl side is worn out, which makes it look even more blended.
Time for more reports about sewing from Japanese pattern books. Today’s feature is a sleeveless dress pattern (A) from Stylish Dress Book.
It came out beautifully, although I found it a little tough to roll the narrow bias hem with the linen. The pattern calls for a lighter fabric and the weight made a difference on that narrow bias. If I used linen again, I’d cut the bias strip 1/4 wider.
Here’s the neat neckline. It’s a little detail that gives the dress the perfect interest, I think.
The stripe was on the selvedges, so I cut the dress crosswise to have the stripes at the hem. This meant that it took very little fabric to make the dress: I only had 2m of this because I bought the end, and it was just 42″ wide. I was excited to be able to get a dress out of it. I matched the position on the hem and let the height fall. You can see that there is more of the stripe on the opposite selvege at the shoulder on the front than on the back—that’s because the bodice darts make the front slightly longer than the back. That’s an excellent reason to match the borders at the hems rather than at the shoulders.
And here’s a detail of the middle of the shawl, though it’s a bit blurry. It’s always amazing to see how the lace opens up when it’s blocked. It was hard to discern the pattern in those photographs taken while the shawl was on the needles, but not it’s obvious.
I’m very happy with this one. What do you think?
Alive & Knitting 