The Wingspan Shawl

It’s finally finished and here it is:Wingspan shawl by Kyle Vey knit in Briar Rose Fibers Sea Pearl by Deborah CookeIt’s so big that it was hard to take a picture!Wingspan shawl by Kyle Vey knit in Briar Rose Fibers Sea Pearl by Deborah Cooke

This is the Wingspan shawl, a pattern that was released this past spring. I substituted a yarn from my stash – Briar Rose Fibers Sea Pearl – because I thought it had a shine like raven’s wings. One skein was also the right quantity for the shawl. This stash-busting plan went awry, though, because I ran out of yarn and bought another skein to finish the wing tips. So, now, instead of having one skein of Sea Pearl in my stash, I have .9 skein in another colourway. C’est la vie.

I also went up a needle size, because I thought the fabric was too tight. That might be why the shawl is so big. I blocked it hard in a slight V and it’s 78″ from wingtip to wingtip.

Although it’s an amazing and unusual shawl design, it’s was less difficult to knit than I’d expected. If you’ve ever knit a chevron stitch, this is similar. I found it a little tricky at the beginning to get my bearings, but stitch markers were a big help. Once I got the hang of the pattern and could read my knitting, it became a bit repetitive (but not a TV knit for me.) The transitions – between each tier of feathers – were the challenging part for me and I had to follow them very closely. I don’t love the transitions, btw, and wish the spine of each feather started sooner in the transition, as soon as the stitches are available instead of all feathers beginning at the end of the transition, but it would be a lot more complicated that way. The transitions blocked out better.

Here’s a detail shot. It’s hard to capture the subtlety of the colours in this yarn. It really is lovely.Wingspan shawl by Kyle Vey knit in Briar Rose Fibers Sea Pearl by Deborah Cooke

You can see the transitions I’m talking about, below the tier of feathers on the left and before the ones that hem the shawl (and fall to the right). They’re triangles of stockinette stitch, filling the space between each feather on the previous tier.

You can see that I added some beads, too. I really should have used a lot more of them.

Phew. I’m glad to have that one off the needles! What do you think?

Starting the Wingspan Shawl

If you’ve been conscious over the past two weeks in the knitting world, you’ve probably seen the Wingspan shawl. This is an incredible design that looks like a bird’s wings. The original is very striking because it’s knit in a hand-dyed ombré yarn that shades once over a colour progression in 800 yds or so. The kit went on sale last Saturday at the Knitter’s Frolic in Toronto, and the pattern went on sale on Ravelry the same day.

You know I bought both. 🙂

Here’s the Wingspan pattern on Ravelry.

Here’s the kit at Blue Brick Yarns.

There’s (predictably) a backlog on yarn orders – this pattern has gone viral – so I cast on the shawl in Briar Rose Sea Pearl, a yarn in my stash which comes in an 800 yd skein of fingering, just like the specified yarn. This is a handpaint, not an ombré, so the wings won’t shade. Sea Pearl is 50% merino and 50% tencel, so it has a shine. This skein has always made me think of a bird’s feathers, so it seemed the perfect choice. I’m not sure what colourway mine is as it’s not marked on the tag and there seem to be a few contenders on the Briar Rose site – if they even dye this colourway anymore. My skein has been well-aged in the stash.

Here’s the skein before I caked it up:And here’s my progress on the shawl.Wingspan shawl by Kyle Vey knit in Briar Rose Fibers Sea Pearl by Deborah CookeYou can see that I’ve finished the second row of feathers. (There are four rows altogether.) I’m really pleased that there’s no pooling of the colour. My beads have arrived (they’re pewter with silver linings) so I’ll be adding them to the rest of the shawl.

This is a really lovely knit. It’s quite addictive. Although the instructions are written, not charted, once I got the hang of what is going on, I didn’t need to read every line anymore. (I’m not sure that this pattern could have been charted.)

What do you think?

Charlotte’s Web Shawl Finished

Today’s Fibre Friday post is a little late, because I needed to wait for some light to take pictures. We had snow, so that made a good backdrop, but it wasn’t sunny yet so the colours are a bit dull compared to real life.

This is my Charlotte’s Web shawl, knit in Koigu KPPPM. I bought a kit with ten skeins in shades of purple and the pattern book. Here are the skeins and the shawl in progress:Charlotte's Web Shawl by Maie Landra knit in Koigu KPPPM by Deborah Cooke

I’m using the progression at the lower right corner. The other five skeins are the remaining ones from the kit that I didn’t use in this shawl. You can see that the lace pattern is bunched up. I knew it would blossom when it was blocked, and wow, I was right.Charlotte's Web Shawl by Maie Landra knit in Koigu KPPPM by Deborah Cooke

The blocked shawl is over a meter deep. I really like the colour gradation in it. I was worried about the fifth colour, that it might be too inky, but IRL it picks up the rosy and inky tones of #4.

As mentioned before, I decided against the fringed edge and tried to use up all the yarn instead in the shawl. I knit the last four rows with the first colour, then did an I-cord bind-off with it.

Here’s a close-up of that lace pattern:Charlotte's Web Shawl by Maie Landra knit in Koigu KPPPM by Deborah Cooke

What do you think?

The Earth Stripe Wrap

Earth Stripe Wrap by Kaffe Fassett in Rowan Kidsilk HazeThe Earth Stripe Wrap is striped shawl designed by Kaffe Fassett and knit in ten shades of Rowan Kidsilk Haze. It was published in Rowan magazine #42 (Autumn/Winter 2007/2008). The image to the right is from the original magazine – I found it online but the copyright on the image belongs to Rowan.

Given my love for KSH and my admiration for Fassett’s use of colour, I’ve always wanted to knit this piece. This week, I finally cast on.

The biggest challenge with this piece is that some of the colours of KSH specified in the pattern have been discontinued and are no longer available. (Whenever a knitter is DISO (desperately in search of) KSH in Jacob, you can make a good guess that he or she plans to knit the Earth Stripe Wrap.) Rowan has published an updated version of it as a free download on their website, which substitutes new colours, but I wasn’t that crazy about all of their changes. Let’s have a closer look.

The original pattern specifies the following colours:
A – Hurricane #632 – available
B – Jacob #631 – discontinued
C – Elegance #577 – discontinued
D – Drab #588 – discontinued
E – Candygirl #606 – available
F – Meadow #581 – discontinued
G – Majestic #589 – available
H – Trance #582 – available
I – Jelly #597 – available
J – Blushes #583 – available

This wrap is knit with two colours held together in a stripe pattern that repeats over 186 rows. The way the colours are combined changes the appearance of each colour in each stripe, which is part of Kaffe’s magic.

The discontinued colours aren’t shown on the Rowan website anymore, and here’s where Ravelry completely rocks. Knitters photograph their stash yarns and post the pictures to Ravelry. Even given the inevitable differences in lighting, over 50 images of the same yarn, you can get a good idea of its colour. You’ll need to log in to Ravelry to follow these links, but it’s free to set up a Ravelry account. Here’s the Rav link for stashes of Meadow, for example, which proves to be a pale silvery green. (There are 600 pix, but you don’t need to look at them all!) Three of the discontinued colours – Jacob, Elegance and Drab – are muddy browns or greens. Elegance might be called bronze. Drab is a medium greyed brown. Jacob is a bit elusive, as it seems to be particularly changeable in various lighting. (That’s probably what KF liked about it.) It’s similar to Drab but also a greyed brown, maybe a little warmer in tone.

Earth Stripe Wrap by Kaffe Fassett in Rowan Kidsilk HazeIn the new version of the pattern, Rowan has made these substitutions:
B – Anthracite #639, which is a medium cool grey
C – Bark #674, a medium to dark brown
D – Drab #611 (apparently reintroduced with a new shade number, which suggests that the colour is slightly different. I don’t actually know.)
F – Ghost #642, which is a pale silver.

You can see the current shades of Kidsilk Haze on the Rowan site, right here.

Anthracite and Ghost are unexpected suggestions, to my thinking. To use cool greys instead of a mucky warm brown and a green is going to change the overall hue of the wrap. The newly photographed version does look more cool in colour. It’s still pretty, but it doesn’t have that “moors in the mist” look of the original to my eye.

So, I dug in the stash.

It turns out that I had some Elegance in my stash, which was a complete bonus. I didn’t have any Drab, but I had some Putty, which looks pretty similar to me. I couldn’t quite envision the green of Meadow with the other colours, so I used another company’s silk/mohair blend: Elann’s Silken Kydd in Aloe, which is a silvery green but more green than silver. I had a chat with a yarn store owner about Jacob and she remembered it well, suggesting Bark as the closest substitute.

So, my colour combination is:
A – Hurricane
B – Bark
C – Elegance
D – Putty
E – Candygirl
F – Aloe
G – Majestic
H – Trance
I – Jelly
J – Blushes

A quick peek through the projects on Ravelry also revealed that many people needed an additional ball of Majestic, using three balls instead of the specified two. Since I had to buy this colour, that was good to know in advance.

I put each colour of yarn in its own ziplock with one corner snipped off the bottom and the end of the yarn fed through that gap. Each ziplock is labelled with the letter of the colour, so I don’t have to try and figure out which mucky brown I should be using. In bright light, I can see the differences, but I often knit in the evening, so this works better. I think it’s imperative with a project like this to have a system for dealing with ends as you go. Weaving them all in at the end would be a nightmare (and for me, a job that just wouldn’t happen). I’m weaving mine in as I go, but some Ravellers used Russian Joins as they went. I find that a join makes KSH a bit stiff, so would rather weave them in as the soft fluidity of the finished piece is part of what I like so much about knitting with KSH. That’s a personal choice.Earth Stripe Wrap by Kaffe Fassett knit in Rowan Kidsilk Haze by Deborah Cooke

The wrap is designed to be knit entirely in stockinette stitch, then a round of double crochet is worked all around the perimeter. This is probably to keep it from curling. There’s also a lavish fringe added to each end. I’m not much for fringes and don’t want to do the crochet round. I decided instead to work the first three rows in moss stitch, as well as the first three and last three stitches on each row. And to give the shawl edges some weight, I’m adding beads. These are Rowan/Swarovski beads in the turquoise that matches Trance.

Here’s my progress so far.Earth Stripe Wrap by Kaffe Fassett knit in Rowan Kidsilk Haze by Deborah Cooke

What’s fun here is that you can see the blending that results from using two colours at once. The lowest pink stripe is Blushes with Majestic, a rose with the blue-grey. The next pink stripe has two combinations – there’s one row of the bright pink, Candygirl, with the dark brown, Bark, then three rows of Blushes with Bark. The two three-row bands with Blushes are different pinks, because of the second colour used with it. It’s fascinating. There are two combinations with Jelly, which is a vivid apple green – in the lowest one, it’s knit with Trance for a single row, which is a light teal (right above a single row with Trance and Hurricane, a darker blue). Right below the needles, Jelly is knit with Elegance for two rows–that’s one of those golden browns. Again, we get two very different shades of green. I’m finding this an addictive knit because it’s so fascinating to watch the colour combinations develop.

What do you think?

Pretty Little Shawl

Last year, at the readers’ conference Romancing the Capital, Carol gave me some of her beautiful merino handspun. She’d dyed it, too, and I spent a lot of time looking at the (very soft!) yarn, trying to figure out how to show it off.handspun marl

I finally decided on a pattern called Daybreak by Stephen West. It’s written for fingering weight yarn and this was heavier, so I just winged it. I started with the purple, then striped in the turquoise. When I ran out of purple, I switched to the pink, then did the edging in pink when the turquoise was gone.  I’m very happy with how it came out:Daybreak shawl by Stephen Wesst knit in handspun by Deborah Cooke

It’s just the perfect size to sit over the shoulders and falls to my elbows. I love shawls of this size as they keep my back warm but stay out the way.

The pattern was great and I’ll definitely knit another.

I’m heading to RTC again next week, and I’m going to wear the shawl. I’m hoping that Carol will be there.

What do you think?

Renaissance Fan Shawl

I just finished this shawl, which was a bit of an impulsive buy. The kit came from Earthfaire, with beads and yarn included. I thought it was pretty and ordered it—when it arrived, the colours were so beautiful that the project jumped queue and leaped onto my needles. I’m really happy with how it came out.Renaissance Fan by Nim Teasdale knit in The Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

The pattern is called Renaissance Fan by Nim Teasdale (the same designer who created the Dragon Scarf I showed you a few weeks ago.) That’s a Ravelry link, and you can buy the pattern there. I bought the kit from Earthfaire, which puts together wonderful kits often with The Unique Sheep gradient-dyed yarn and matching beads. This one isn’t on the site anymore. It came with six skeins of yarn, shading from purple to green.

Renaissance Fan by Nim Teasdale knit in The Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

The beads included in the kit were purple, although they’re hard to see even in this detail shot. They look great on the actual shawl. You can see that I made a slight miscalculation and ran out of the last green. Fortunately, I had a little bit of lime green left from my Bitterblue shawl (also an Earthfaire kit using TUS yarn, and dyed on the same base yarn – it was meant to be!) so I was able to cast off in lime. I like it!

Renaissance Fan by Nim Teasdale knit in The Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

What do you think?

Finished Celestarium Shawl

You might remember that I was knitting a shawl that was a map of the heavens. The pattern is Celestarium, which shows the stars overhead in the northern hemisphere—each star’s position is marked by a bead and an eyelet.

I finished the shawl last week. At first I was disappointed in the size, because it seemed small, and I thought it was a bit stripey. Then I blocked it and the magic happened. Here it is:Celestarium by Audry Nicklin knit in the Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

The yarn is a Gradiance colourway from The Unique Sheep on their Luxe base yarn called Celestial Twilight. Luxe is a 50/50 blend of merino and silk, and quite a luscious yarn. Earthfaire offered this yarn with the beads as a kit, and I chose to have the lighter colour in the middle and the darkest at the outer edge.

I wasted a lot of energy worrying that I’d run out of the yarn for the border, even though that skein was larger to ensure there was plenty. I chose a narrower border than I’d originally planned to use, and (of course) had almost half the skein left over when I was done. Now that it’s blocked, though, I wouldn’t have wanted the border to be any wider.

What do you think?

Celestarium Shawl

This year, I’m trying to finish up all the knitting I have in progress, before casting on anything new. I have a LOT on the go, so this is going to take a while. (I also have very little discipline when it comes to knitting and keep casting on more projects, but that’s another challenge. The rationale is that I’m stash-busting.)

My current focus is a circular shawl in gradient-dyed yarn. Let’s talk about that today.

Once upon a time (way back in 2012), a designer created a circular knitted shawl that was essentially a map of the heavens. For every star visible above in the northern hemisphere, there’s a hole and a bead in the shawl. The pattern is called Celestarium. (Subsequently, she did one for the southern hemisphere called Southern Skies.) This is a pretty cool pattern, IMO, and qualifies as geek knitting. There are over 1000 Celestarium shawl projects on Ravelry, if you have some time to browse. Almost 600 of them are completed.

Some time after that, Earthfaire created a kit for the shawl, featuring gradient-dyed yarn from the Unique Sheep and crystal beads. Here’s the product page for the kit, although they don’t have any more.

I did get a kit when they were available, although it’s been waiting on me for a while. (Stash must age before use, you know.) The colourway is called Twilight. Mine shades from purple through to deep blue black. (You could choose to have it shade the other way – the last shade is the biggest skein and is for the border.) This is the same yarn base as my BitterBlue shawl – it’s a merino and tussah silk blend called Luxe. I really like this yarn, probably because I really like raw silk. It also doesn’t have the seracin smell that some silk yarn has, which I really really really dislike.

I’ve been knitting on my Celestarium for quite a while now. It has a lot of plain knitting, with the occasional star – which stands to reason. Even on a starry night, there’s more sky than stars! The charts are huge because there are no repeats: the final chart prints on eight sheets of paper, which then are taped together lengthwise to show the rows.

This is not TV knitting.

Here’s a star:Celestarium by Audry Nicklin knit in the Unique Sheep Luxe (Earthfaire kit) by Deborah CookeSee the little hole to the left of that middle bead? This is from the part closer to the middle of the shawl, where it’s more purple.

(Mr. Math has found a pun for this one, btw. When I drop a bead, he calls it a falling star. When I find it, he asks if I’ve caught a fallen star. Of course, he then advises me to put it in my pocket and save it for a rainy day.)

Round shawls that increase in diameter at a regular rate are called pi-shawls, and are based upon a design by Elizabeth Zimmerman. (My Urdr shawl was another of these.) What happens is that the number of stitches doubles at set intervals, which creates circular bands of the same stitch count. Clever designers make magic happen in these bands. When knitting a pi-shawl, I find that the first few charts are done really quickly, then the stitch count gets high enough to slow me down. The Celestarium shawl is knitted with fingering weight yarn, so the final chart has 576 stitches in each round. (The Urdr shawl was knit in lace weight, so the stitch count doubled one more time on that one.)

I’ve finished the body of the shawl, knit some extra rounds around the outside and am now knitting the border. I chose a traditional Shetland border called Wave Lace. It’ll look much better blocked, but here it is, still bunched up on the needles, but stretched out a little bit on the rug.Celestarium by Audry Nicklin knit in the Unique Sheep Luxe (Earthfaire kit) by Deborah CookeI actually pulled two stitches off the needle accidentally when taking this shot. =8-o

800 rows of border to go, then it’ll get a good block. I’m looking forward to seeing it then – blocking lace is magical.

What do you think?

Finished Snow Angel Shawl

You might remember that I was knitting a lace shawl. The pattern is called Snow Angel and it’s by BooKnits – here’s the Ravelry link for the pattern. I knit it in a gradient dyed yarn called Freia Ombré Lace in the colourway Autumn Rose. I actually ran out of yarn, so used some Elann Silken Kydd from my stash. I think the colourway is Baked Apple, and I worried it might be a bit dark, but I like it. I also used green glass beads with copper linings, in the positions specified in the pattern.

Here’s the finished and blocked shawl on the back of the couch. I’m not sure why I’m so surprised by the size of it but I am. I had in mind that it was going to be a scarfy little thing, but it’s a shawl. The colour is the most true to life in this first picture.Snow Angel by Boo Knits knit by Deborah Cooke in Freia Ombre Wool/Nylon Lace

Here’s the whole thing spread on a rug so you can see the crescent shape of it, and the gradation in the colour. And yes, it’s too big for this rug!Snow Angel by Boo Knits knit by Deborah Cooke in Freia Ombre Wool/Nylon Lace And here’s a detail of the middle of the shawl, though it’s a bit blurry. It’s always amazing to see how the lace opens up when it’s blocked. It was hard to discern the pattern in those photographs taken while the shawl was on the needles, but not it’s obvious.Snow Angel by Boo Knits knit by Deborah Cooke in Freia Ombre Wool/Nylon LaceI’m very happy with this one. What do you think?

Snow Angel Shawl

I started to work on a lace shawl in a yarn that’s gradation-dyed to change from one colour to another over its length. I bought this yarn originally to make a cowl, but didn’t like the lace stitch so switched out for this pattern. It’s called Snow Angel by BooKnits, a new designer for me, but I’ve admired her designs for a while. The shawl blocks out to a crescent with lace dripping from the outside edge. This pattern is very well-written, both written out and charted so there’s a choice of which kind of directions to follow.

Here’s a peek at the lace so far. It looks like a lump because it isn’t blocked yet, but I think it will be very pretty. It starts with the green and will end with pink. Of course, it has beads.Snow Angel by Boo Knits knit by Deborah Cooke in Freia Ombre Wool/Nylon Lace