A Citron Shawl in Noro

Citron is a free pattern for a semi-circular shawlette Hilary Smith Callis. It’s available from Knitty.com and has been around for a while. (Ha. It’s in the Winter 2009 edition, so that is a while!) Here’s a link to the pattern at Knitty.com.

Here’s the Ravelry page for the pattern.

I’ve made a couple of these in the past. First, I made one for my MIL in Noro Kureyon Sock. (This yarn is discontinued, which is a sad truth. Here’s its page on Ravelry.) She wanted something cheerful and bright.

Citron by Hilary Smith Callis knit in Noro Silk Garden Sock by Deborah Cooke

There are a couple of variations in this version from the original pattern. The original has stockinette bands alternating with gathered sections for a ripple effect. I added some eyelets and beads to this version. Here’s the blog post about it (which has now reminded me of the Gaia Shawl, also a nice one skein knit and a free pattern. That’s a Ravelry link. Hmm.)

One of the things that still irks me about this shawl (I have it now, since my MIL passed) is the lack of a second band of pinky-purple. Knots in yarn are frustrating, but in self-striping yarns, a knot may also mean that part of the colourway is missing. This was made from one skein of Noro Kureyon Sock, but it had a knot. Instead of a second repeat of the pink and purple part at the outer edge, I got a third repeat of the green. It looks to me as if the pink and purple part shouldn’t be there at all.

The second version I knit of this shawl was in one colour, a kettle-dyed laceweight yarn from an indie dyer.

Citron by Hilary Smith Callis knit in Waterloo Wools Kirkland and Malabrigo Lace by Deborah Cooke

I added beads to this one, as well, gradually increasing the number of them toward the hem. It’s edged in black Malabrigo Lace. There’s a blog post about this one here.

And now on to the new version. This is knit of Noro Silk Garden Sock in the colourway 211.

Citron by Hilary Smith Callis knit in Noro Silk Garden Sock by Deborah Cooke

It’s had a gentle block to make it rounder, but not a hard one to stretch it out. I wanted to preserve the ripple (which was lost in the first one for my MIL, because of a very hard block.) I could – and maybe should – have knit it on larger needles. The fabric is quite sturdy on the 4.0mm needles but I do like the colourway. Here’s the yarn on Ravelry, and here it is on the Diamond Yarns website, which is Noro’s distributor in Canada.

The put-up for this yarn is less because it’s thicker – it’s a sport weight (while Kureyon Sock was a fingering weight) and has 300m per skein (while Kureyon Sock had 420m). So, having two balls didn’t make a huge shawl.

I also added some eyelets and beads but not as many as the first one.

Citron by Hilary Smith Callis knit in Noro Silk Garden Sock by Deborah Cooke

For the cast-off edge, I did a simple crochet edging to keep it frilly. A single crochet in each stitch, then chain 2 before repeating. I ran out of yarn when the cast-off was almost done so substituted in a piece of leftover Silk Garden Sock from another colourway (in my stash for sock yarn squares). I picked out the turquoise section so it would match a bit.

Citron by Hilary Smith Callis knit in Noro Silk Garden Sock by Deborah Cooke

The first skein had no knots at all, which made me happy. The second one, however, had three knots in rapid succession. I can see what that did to the colour progression (grr) but still I like this shawl a lot. It’s 22″ deep and 44″ across the long edge, just enough to hang over my shoulders to the elbows.

What do you think?

Papillon Done

Papillon is a garter stitch short-row shawl worked in two colours, which I started in May. That link will take you to my first post. I used Noro Silk Garden Sock and a local black alpaca yarn from my stash. There’s a lot of counting with this one, and a lot of turning, but it’s a pretty easy knit otherwise. Here’s my finished shawl:

Papillon shawl knit in Noro Silk Garden Sock by Deborah Cooke

This is a big shawl! Mine probably feels more substantial because both yarns are a little heavier than a fingering weight, maybe closer to sport. It took all of the black that I had, and just over 2 balls of the Noro Silk Garden Sock.

This was an addictive knit, but then, it often works out that way for me with self-striping yarns.

I knit the shawl just as the directions instructed, but added some beads at the hem.

Papillon shawl knit in Noro Silk Garden Sock by Deborah Cooke

You can just see them in the black border. (I like how they nestle in there and are a bit subtle.) You knit four rows of garter stitch before casting off, and I added the beads in the third row. They’re 2/0 beads and I used the crochet hook method, putting a bead on every fifth stitch. It took about 100 beads, which was just about all I had left of those. (I used them before, on another Noro shawl and these were left over. Hmm. Can I find it? This one! Noro spider web fichu. Ha!)

What do you think?

The Wingspan Shawl

It’s finally finished and here it is:Wingspan shawl by Kyle Vey knit in Briar Rose Fibers Sea Pearl by Deborah CookeIt’s so big that it was hard to take a picture!Wingspan shawl by Kyle Vey knit in Briar Rose Fibers Sea Pearl by Deborah Cooke

This is the Wingspan shawl, a pattern that was released this past spring. I substituted a yarn from my stash – Briar Rose Fibers Sea Pearl – because I thought it had a shine like raven’s wings. One skein was also the right quantity for the shawl. This stash-busting plan went awry, though, because I ran out of yarn and bought another skein to finish the wing tips. So, now, instead of having one skein of Sea Pearl in my stash, I have .9 skein in another colourway. C’est la vie.

I also went up a needle size, because I thought the fabric was too tight. That might be why the shawl is so big. I blocked it hard in a slight V and it’s 78″ from wingtip to wingtip.

Although it’s an amazing and unusual shawl design, it’s was less difficult to knit than I’d expected. If you’ve ever knit a chevron stitch, this is similar. I found it a little tricky at the beginning to get my bearings, but stitch markers were a big help. Once I got the hang of the pattern and could read my knitting, it became a bit repetitive (but not a TV knit for me.) The transitions – between each tier of feathers – were the challenging part for me and I had to follow them very closely. I don’t love the transitions, btw, and wish the spine of each feather started sooner in the transition, as soon as the stitches are available instead of all feathers beginning at the end of the transition, but it would be a lot more complicated that way. The transitions blocked out better.

Here’s a detail shot. It’s hard to capture the subtlety of the colours in this yarn. It really is lovely.Wingspan shawl by Kyle Vey knit in Briar Rose Fibers Sea Pearl by Deborah Cooke

You can see the transitions I’m talking about, below the tier of feathers on the left and before the ones that hem the shawl (and fall to the right). They’re triangles of stockinette stitch, filling the space between each feather on the previous tier.

You can see that I added some beads, too. I really should have used a lot more of them.

Phew. I’m glad to have that one off the needles! What do you think?

Renaissance Fan Shawl

I just finished this shawl, which was a bit of an impulsive buy. The kit came from Earthfaire, with beads and yarn included. I thought it was pretty and ordered it—when it arrived, the colours were so beautiful that the project jumped queue and leaped onto my needles. I’m really happy with how it came out.Renaissance Fan by Nim Teasdale knit in The Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

The pattern is called Renaissance Fan by Nim Teasdale (the same designer who created the Dragon Scarf I showed you a few weeks ago.) That’s a Ravelry link, and you can buy the pattern there. I bought the kit from Earthfaire, which puts together wonderful kits often with The Unique Sheep gradient-dyed yarn and matching beads. This one isn’t on the site anymore. It came with six skeins of yarn, shading from purple to green.

Renaissance Fan by Nim Teasdale knit in The Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

The beads included in the kit were purple, although they’re hard to see even in this detail shot. They look great on the actual shawl. You can see that I made a slight miscalculation and ran out of the last green. Fortunately, I had a little bit of lime green left from my Bitterblue shawl (also an Earthfaire kit using TUS yarn, and dyed on the same base yarn – it was meant to be!) so I was able to cast off in lime. I like it!

Renaissance Fan by Nim Teasdale knit in The Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

What do you think?

Moonrise Necklace and Bent Needles

Several weeks ago, I mentioned that I’d had to get a new set of DPN’s because I’d bent my needles. I promised to show you how that had happened. Today’s the day.

I bent my steel knitting needles by knitting with wire. I was knitting this:Bead Soup Necklace from Earthfaire knit by Deborah Cooke

 

This necklace is a kit from Earthfaire, which includes both the materials and the pattern. It’s called the Moonrise necklace, and I ordered my beads in the Moonrise on Neptune colourway. It comes with silk thread but I thought it would be cool to use silver-plated wire instead. I also changed out the clasp and used a sterling one instead, since I was spending so much time on the project. The result is wonderful and I like it a lot, but it took a long time to knit this. I had to keep putting it aside to let my fingers heal! Knitting with wire isn’t for wimps, especially when you use teeny needles (2.5mm) like I did. I think that the result was worth a few sore fingertips and even the bending of a couple of DPN’s.

I still have the bracelet on those bent needles and will have enough beads left to make matching earrings.

What do you think?

Finished Celestarium Shawl

You might remember that I was knitting a shawl that was a map of the heavens. The pattern is Celestarium, which shows the stars overhead in the northern hemisphere—each star’s position is marked by a bead and an eyelet.

I finished the shawl last week. At first I was disappointed in the size, because it seemed small, and I thought it was a bit stripey. Then I blocked it and the magic happened. Here it is:Celestarium by Audry Nicklin knit in the Unique Sheep Luxe (Earthfaire kit) by Deborah Cooke

The yarn is a Gradiance colourway from The Unique Sheep on their Luxe base yarn called Celestial Twilight. Luxe is a 50/50 blend of merino and silk, and quite a luscious yarn. Earthfaire offered this yarn with the beads as a kit, and I chose to have the lighter colour in the middle and the darkest at the outer edge.

I wasted a lot of energy worrying that I’d run out of the yarn for the border, even though that skein was larger to ensure there was plenty. I chose a narrower border than I’d originally planned to use, and (of course) had almost half the skein left over when I was done. Now that it’s blocked, though, I wouldn’t have wanted the border to be any wider.

What do you think?

Celestarium Shawl

This year, I’m trying to finish up all the knitting I have in progress, before casting on anything new. I have a LOT on the go, so this is going to take a while. (I also have very little discipline when it comes to knitting and keep casting on more projects, but that’s another challenge. The rationale is that I’m stash-busting.)

My current focus is a circular shawl in gradient-dyed yarn. Let’s talk about that today.

Once upon a time (way back in 2012), a designer created a circular knitted shawl that was essentially a map of the heavens. For every star visible above in the northern hemisphere, there’s a hole and a bead in the shawl. The pattern is called Celestarium. (Subsequently, she did one for the southern hemisphere called Southern Skies.) This is a pretty cool pattern, IMO, and qualifies as geek knitting. There are over 1000 Celestarium shawl projects on Ravelry, if you have some time to browse. Almost 600 of them are completed.

Some time after that, Earthfaire created a kit for the shawl, featuring gradient-dyed yarn from the Unique Sheep and crystal beads. Here’s the product page for the kit, although they don’t have any more.

I did get a kit when they were available, although it’s been waiting on me for a while. (Stash must age before use, you know.) The colourway is called Twilight. Mine shades from purple through to deep blue black. (You could choose to have it shade the other way – the last shade is the biggest skein and is for the border.) This is the same yarn base as my BitterBlue shawl – it’s a merino and tussah silk blend called Luxe. I really like this yarn, probably because I really like raw silk. It also doesn’t have the seracin smell that some silk yarn has, which I really really really dislike.

I’ve been knitting on my Celestarium for quite a while now. It has a lot of plain knitting, with the occasional star – which stands to reason. Even on a starry night, there’s more sky than stars! The charts are huge because there are no repeats: the final chart prints on eight sheets of paper, which then are taped together lengthwise to show the rows.

This is not TV knitting.

Here’s a star:Celestarium by Audry Nicklin knit in the Unique Sheep Luxe (Earthfaire kit) by Deborah CookeSee the little hole to the left of that middle bead? This is from the part closer to the middle of the shawl, where it’s more purple.

(Mr. Math has found a pun for this one, btw. When I drop a bead, he calls it a falling star. When I find it, he asks if I’ve caught a fallen star. Of course, he then advises me to put it in my pocket and save it for a rainy day.)

Round shawls that increase in diameter at a regular rate are called pi-shawls, and are based upon a design by Elizabeth Zimmerman. (My Urdr shawl was another of these.) What happens is that the number of stitches doubles at set intervals, which creates circular bands of the same stitch count. Clever designers make magic happen in these bands. When knitting a pi-shawl, I find that the first few charts are done really quickly, then the stitch count gets high enough to slow me down. The Celestarium shawl is knitted with fingering weight yarn, so the final chart has 576 stitches in each round. (The Urdr shawl was knit in lace weight, so the stitch count doubled one more time on that one.)

I’ve finished the body of the shawl, knit some extra rounds around the outside and am now knitting the border. I chose a traditional Shetland border called Wave Lace. It’ll look much better blocked, but here it is, still bunched up on the needles, but stretched out a little bit on the rug.Celestarium by Audry Nicklin knit in the Unique Sheep Luxe (Earthfaire kit) by Deborah CookeI actually pulled two stitches off the needle accidentally when taking this shot. =8-o

800 rows of border to go, then it’ll get a good block. I’m looking forward to seeing it then – blocking lace is magical.

What do you think?

Finished Snow Angel Shawl

You might remember that I was knitting a lace shawl. The pattern is called Snow Angel and it’s by BooKnits – here’s the Ravelry link for the pattern. I knit it in a gradient dyed yarn called Freia Ombré Lace in the colourway Autumn Rose. I actually ran out of yarn, so used some Elann Silken Kydd from my stash. I think the colourway is Baked Apple, and I worried it might be a bit dark, but I like it. I also used green glass beads with copper linings, in the positions specified in the pattern.

Here’s the finished and blocked shawl on the back of the couch. I’m not sure why I’m so surprised by the size of it but I am. I had in mind that it was going to be a scarfy little thing, but it’s a shawl. The colour is the most true to life in this first picture.Snow Angel by Boo Knits knit by Deborah Cooke in Freia Ombre Wool/Nylon Lace

Here’s the whole thing spread on a rug so you can see the crescent shape of it, and the gradation in the colour. And yes, it’s too big for this rug!Snow Angel by Boo Knits knit by Deborah Cooke in Freia Ombre Wool/Nylon Lace And here’s a detail of the middle of the shawl, though it’s a bit blurry. It’s always amazing to see how the lace opens up when it’s blocked. It was hard to discern the pattern in those photographs taken while the shawl was on the needles, but not it’s obvious.Snow Angel by Boo Knits knit by Deborah Cooke in Freia Ombre Wool/Nylon LaceI’m very happy with this one. What do you think?

Snow Angel Shawl

I started to work on a lace shawl in a yarn that’s gradation-dyed to change from one colour to another over its length. I bought this yarn originally to make a cowl, but didn’t like the lace stitch so switched out for this pattern. It’s called Snow Angel by BooKnits, a new designer for me, but I’ve admired her designs for a while. The shawl blocks out to a crescent with lace dripping from the outside edge. This pattern is very well-written, both written out and charted so there’s a choice of which kind of directions to follow.

Here’s a peek at the lace so far. It looks like a lump because it isn’t blocked yet, but I think it will be very pretty. It starts with the green and will end with pink. Of course, it has beads.Snow Angel by Boo Knits knit by Deborah Cooke in Freia Ombre Wool/Nylon Lace

Those Wyrd Sisters

I was going to tell you about a new shawl project today, but instead, I’m going to show you another one that I finally finished. (Yay!) That post about the new project has been bumped to next Friday.

When I was writing the Dragon Diaries, I did a lot of research on the Wyrd sisters in Norse mythology, also called the Norns (or sometimes the Nairns). These three immortals decide the fate of all living beings – in the myths, they’re spinners, but in Zoë’s books, they’re knitters too. Around about the same time, I was intrigued to discover that a knitting designer had created a trio of shawls to celebrate these three sisters. I had this idea that I’d knit them all to commemorate the publication of Zoë’s story.

I finally cast on in 2013.

I did finish the first one, Verdandi, pretty quickly. Verdandi is the sister who governs the present, so I called my project “Is”. This is a triangular shawl, and I knit mine in Fleece Artist Nyoni. This mohair, wool, silk and nylon blend is discontinued (so that’s a Ravelry link), which is too bad because it’s a scrumptious yarn. I still have a bit in the stash in another green colour. 🙂

The post about my completed Verdandi is right here.

Then I cast on the second shawl, Urdr. Urdr is the sister who governs the past, so my project is called “Was”. That was in September 2013. This is a huge round shawl knit in very fine laceweight yarn. The idea behind the design is that this shawl is supposed to represent the well at the root of the world tree, Yggdrasil, which the sisters tend. I used a gradient colourway from the Unique Sheep called Brigid, which made me think of copper cauldrons and ancient goddesses. (You can see Brigid on this page of the Gradiance colourways. It’s in the middle of the fourth row. Mine didn’t look quite like this sample, but each base yarn takes colour differently. Mine was very teal at the one end and quite a warm grey gold at the other with no mauve or blue bits—actually it has colours like the two middle skeins in the sample.) The base yarn is Ling, which is a silk and merino blend.

Knitting this shawl became a bit of a slog, as the rows at the end had more than 1200 stitches, and I added rows to use more of the yarn. Also, knitted lace looks like nothing until it’s blocked. I was losing heart because I had what looked like a lump in my lap each time I picked up the needles. I told Mr. Math about two weeks ago that I had to finish it, and he said “What’s the rush? You’ll just cast on another one.” Such was my mood that I wasn’t so sure of that. Maybe this would be The Last Shawl.

I should have anticipated that blocking would change everything. it’s such a magical process. Imagine my surprise when my lump stretched out to look like this:Urdr by Anna Dalvi knit in Unique Sheep Ling with beads by Deborah CookeIt’s at least six feet in diameter and so lovely that I can’t stop looking at it. The yarn is dyed in gradients, which means that there are six skeins in the set, and you change from one to the next as you knit.

Here’s a detail shot, after blocking, on the couch. You can see the colours better in this shot, although IRL, the gradation is more subtle and the middle is less blue than it looks here:Urdr by Anna Dalvi knit in Unique Sheep Ling with beads by Deborah CookeIt’s supposed to have nupps (which are little knitted knots) but I don’t like knitting nupps so I put beads in those places instead. Because I didn’t make nupps, I used less yarn. I wanted to have the entire gradation of colour, though, so I added repeats to the border. I also added more beads to the outside edge. Details are on my Ravelry project page.

It was totally worth it, and I’m ready to cast on another shawl, if not two! I’ll tell you next week about my nerd knit in that raw silk and merino blend (in another gradient colourway from the Unique Sheep, also with beads). There’s also the third Wyrd sister’s shawl to knit. It’s called Skuld, for the third sister who controls the future. My project will be named “Might Be” and I have some lovely Fleece Artist yarn set aside for it. I’m going to try to be good, though, and finish the lace stole that’s on my needles and only one third knitted before casting on another. (Ha.)

Urdr by Anna Dalvi knit in Unique Sheep Ling with beads by Deborah CookeUrdr by Anna Dalvi knit in Unique Sheep Ling with beads by Deborah CookeWhat do you think of my Urdr?